Tag: oscar

  • Final 2022 Oscar Predictions: Live Action Short, Animated Short, Documentary Short

    Final 2022 Oscar Predictions: Live Action Short, Animated Short, Documentary Short

    BEST LIVE ACTION SHORT

    How I hate to predict these categories. The most unpredictable and, frankly, confounding categories at the Oscars are undoubtedly the shorts. While Le Pupille undoubtedly has the biggest names behind it since it’s a Disney+ short directed by Happy as Lazzaro director Alice Rohrwacher and produced by 4-time Oscar winner Alfonso Cuaron. My hesitation comes from it not having the emotional impact of usual winners in these short categories (it’s a fun and cute Christmas story about girls in a Catholic boarding school). An Irish Goodbye’s treatment of grief and family is often hilarious but also tugs at its audience’s heartstrings. Without Le Pupille’s immense pedigree, An Irish Goodbye is the clearly more affecting film and would be the clear winner. It is just that in small categories like the shorts, pedigrees do seem to carry greater weight. However, I am going to stick to my guns and go with An Irish Goodbye to take this.

    Nominees:

    An Irish Goodbye

    Le Pupille

    The Red Suitcase

    Ivalu

    Night Ride

    Pick: An Irish Goodbye

     

    BEST ANIMATED SHORT

    The campaign for Apple TV+’s The Boy, the Mole, the Fox, and the Horse has been bigger than any other short in this category by far. However, My Year of Dicks and Ice Merchants have a pretty good chance at taking this. Both ‘The Boy’ and Ice Merchants are wintry heartfelt stories that are stunningly animated. As a result of their similarity, I think My Year of Dicks, a short that combines a variety of animation styles to tell the story of a group of girls’ quest to lose their virginities, could prevail. However, I am going to stay safe and stick with the favorite.

    Nominees:

    The Boy, the Mole, the Fox, and the Horse

    My Year of Dicks

    Ice Merchants

    An Ostrich Told Me the World is Fake and I think I Believe It

    The Flying Sailor

    Pick: The Boy, the Mole, the Fox, and the Horse

     

    BEST DOCUMENTARY SHORT

    The Elephant Whisperers has the biggest campaign behind it with it being backed by Netflix. Films centered around animals also often do well with the documentary branches (as shown by the success of films like My Octopus Teacher). However, Stranger at the Gate, executive produced by Malala Yousafzai, fits the mold of recent winners in these short categories as it is about a U.S. Marine who comes face-to-face with a group of Muslims after setting out to commit an act of terror on a mosque. It fits the mold of something like Two Distant Strangers, Skin, and The Long Goodbye, all films that have won in these short categories in the past few years. Malala being an executive producer is probably the biggest co-sign a film like this could get so I think it will win. Also watch out for Haulout as a dark horse pick here.

    Nominees:

    Stranger at the Gate

    The Elephant Whisperers

    Haulout

    How Do You Measure a Year?

    The Martha Mitchell Effect

    Pick: Stranger at the Gate

  • Final 2023 Oscar Predictions: Visual Effects, Production Design, Makeup & Hairstyling

    Final 2023 Oscar Predictions: Visual Effects, Production Design, Makeup & Hairstyling

    BEST VISUAL EFFECTS

    The last 10 winners in this category (Dune, Tenet, 1917, First Man, Blade Runner 2049, The Jungle Book, Ex Machina, Interstellar, Gravity, Life of Pi) have a few things in common. First, they were all nominated in either an above-the-line category or Production Design (except for The Jungle Book but that film won BAFTA, VES, and the CCA so it was the definite frontrunner coming in). They also are all generally critically-acclaimed (all boasting scores above 60 on Metacritic). Additionally, they are not sequels (Blade Runner 2049 is the only exception yet the Oscars clearly see the Blade Runner films as more “elevated” than something like Marvel or Star Wars). As Avatar: The Way of Water and its predecessor were both nominated for Best Picture, we can safely assume that the Academy considers the film to be “elevated” entertainment as well. This category is an absolute no-brainer since Avatar: The Way of the Water has had this in the bag basically since it was conceptualized.

    Nominees:

    Avatar: The Way of Water – CCA, BAFTA, VES (9x)

    Top Gun: Maverick

    The Batman

    Black Panther: Wakanda Forever

    All Quiet on the Western Front

    Pick: Avatar: The Way of Water

     

    BEST PRODUCTION DESIGN

    2022 – Dune – CCA, BAFTA, ADG

    2021 – Mank – CCA, BAFTA, ADG

    2020 – Once Upon a Time in Hollywood – CCA, ADG

    2019 – Black Panther – CCA, ADG

    2018 – The Shape of Water – BAFTA, CCA, ADG

    2017 – La La Land – CCA, ADG

    2016 – Mad Max: Fury Road – BAFTA, CCA, ADG

    2015 – The Grand Budapest Hotel – BAFTA, CCA, ADG

    As you can see from this list of the last seven winners in this category, CCA and ADG are incredibly important precursors here. This year, Babylon won BAFTA, CCA, and an ADG award so from a precursor perspective, it’s the obvious frontrunner. The one thing that gives me pause about Babylon’s chances is that all these movies were Best Picture nominees in their respective years while Chazelle’s film is not. Still, the film clearly has support and this kind of ode to old Hollywood is exactly the kind of film the Academy adores in this category (see: Mank). SDSA winner Elvis has a chance but Babylon should take this.

    Nominees:

    Babylon – CCA, ADG, BAFTA

    Elvis – SDSA

    Avatar: The Way of the Water

    All Quiet on the Western Front

    The Fabelmans

    Pick: Babylon

     

    BEST MAKEUP & HAIRSTYLING

    2022 – The Eyes of Tammy Faye – BAFTA, CCA

    2021 – Ma Rainey’s Black Bottom – BAFTA, CCA, MUAH

    2020 – Bombshell – BAFTA, CCA, MUAH

    2019 – Vice – CCA, MUAH

    2018 – Darkest Hour – BAFTA, CCA, MUAH

    2017 – Suicide Squad – MUAH

    2016 – Mad Max: Fury Road – BAFTA, CCA, MUAH

    2015 – The Grand Budapest Hotel – BAFTA, MUAH

    The last five winners in this category went to biopic films showcasing famous actors transforming physically into famous figures partly through a good deal of makeup and hairstyling. Austin Butler in Elvis fits this trend and even though I don’t think Butler will win Best Actor, Ma Rainey’s Black Bottom, Bombshell, and Vice all won without their nominated performers winning an acting category.

    Nominees:

    Elvis – CCA, MUAH (3x), BAFTA

    The Whale – MUAH

    Black Panther: Wakanda Forever – MUAH

    The Batman

    Babylon

    Pick: Elvis

  • 6 Films You Should Watch Even Though the Academy Clearly Didn’t

    6 Films You Should Watch Even Though the Academy Clearly Didn’t

    While some of the best movies of the last 10 years (Parasite, Moonlight, Drive My Car, etc.) have done amazing with the Academy, dozens of phenomenal films (Portrait of a Lady on Fire, Uncut Gems, Burning) have been snubbed entirely. Clearly, the Oscars don’t always get it right and every year they fail to acknowledge many of the year’s best, especially when it comes to non-English and independent cinema. This year was no exception and here are some I believe the Academy may come to regret (ok, maybe they won’t be regretting passing on Crimes of the Future).

    CRIMES OF THE FUTURE

    ‘Crimes of the Future’ (Neon)

    David Cronenberg’s first full length feature film since 2014’s Maps to the Stars, Crimes to the Future is a return to the director’s bread and butter, noir influenced body horror films, something he hasn’t made since 1999’s eXistenZ (though his son’s Possessor was a welcome taste of the science fiction body horror that must be in the family genetics). Crimes of the Future is the Canadian master’s best since Eastern Promises and stars Viggo Mortensen, Lea Seydoux, and Kristen Stewart all in top form. If a movie whose tagline is “surgery is the new sex” is not an instant no for you, this movie has more going on than what meets the eye and is a (mostly) rewarding experience.

    NO BEARS

    ‘No Bears’ (Sideshow)

    Two of Iranian filmmaker Jafar Panahi’s previous films The White Balloon and This is Not a Film (both worth checking out if you haven’t already) screened at Sewall in early February through Rice Cinema. No Bears is Panahi’s newest feature and sees the humanistic director, who has just recently been released from prison by Iran after being arrested for his polemic and essential work, at the peak of his powers. Panahi, who was censored and jailed for making “propaganda against the state” (This is Not a Film was smuggled out of the country in a flash drive hidden in a cake), has made with No Bears a must-see film that wrestles with what impact his work is really having.

    DECISION TO LEAVE

    ‘Decision to Leave’ (MUBI)

    With Parasite’s massive success in 2019, Korean cinema has received an influx of attention in the last few years. As a result, filmmakers like Bong Joon-Ho, Lee Chang-Dong, Hong Sang-Soo, Na Hong-Jin, and Park Chan-Wook who have been putting out exemplary work for over a decade are finally getting the awareness they deserve. Park, the director of modern classics like Oldboy and The Handmaiden, is back with a Hitchcockian romantic thriller following a detective that becomes captivated by the wife of the murdered man. With stunning cinematography from Kim Ji-Yong and a fantastic performance from Tang Wei, this is a film the Academy will likely regret snubbing (Explain to me how every Park film has missed an International Feature nomination?!)

    NOPE

    ‘Nope’ (Universal)

    While the Oscars didn’t nominate it anywhere, the prestigious New York Film Critics Circle awarded Nope’s Keke Palmer for her multidimensional work in the film. Jordan Peele’s latest is a mix of horror, mystery, thriller, and western that also happens to be a commentary on everything from our culture’s obsession with spectacle to animal cruelty. Does it work? YES and while it’s not on the level of Peele’s debut Get Out, this genre mashup will leave you entertained both while you’re watching and then during the hours you will be thinking about it afterwards.

    THE NORTHMAN

    ‘The Northman’ (A24)

    Tired of rewatching Game of Thrones and in need of something to satisfy your medieval action drama fix? Look no further because this movie has everything you miss from graphic gore to *ahem* interesting family dynamics! The cast is stacked featuring Alexander Skarsgard, Nicole Kidman, Ethan Hawke, Claes Bang, Anya Taylor-Joy, Willem Dafoe, and Bjork. With this film, The Witch, and The Lighthouse under his belt, director Robert Eggers has quickly become one of the most exciting filmmakers of his generation.

    THE EIGHT MOUNTAINS

    ‘The Eight Mountains’ (Sideshow)

    For The Eight Mountains, Felix van Groeningen, known for emotional human dramas such as the Broken Circle Breakdown and Beautiful Boy, teamed up with past collaborator Charlotte Vandermeersch to direct this incredible retelling of the acclaimed Paolo Cognetti novel of the same name. This passionate ode to platonic love is one of the most criminally overlooked films of the year and one the Academy likely would’ve acknowledged if it was in English. Both Luca Marinelli (‘Martin Eden’, ‘Don’t Be Bad’) and Alessandro Borghi (‘Don’t Be Bad’, ‘On My Skin’) deliver wonderful performances in this winner of last year’s Cannes Jury Prize.

  • SAG Awards 2023: Fraser Triumphs; EEAAO Completes PGA, DGA, SAG Trifecta

    SAG Awards 2023: Fraser Triumphs; EEAAO Completes PGA, DGA, SAG Trifecta

    Everything Everywhere All at Once has now won the guild trifecta of PGA, DGA, and SAG, something no film has done since 2015’s Best Picture winner Birdman. It also took three of the four acting awards, showing the massive amount of love that SAG had for the film. With Michelle Yeoh’s win, no contender has won all four major acting precursors, making this year one of the most up in the air in a while.

    Brendan Fraser’s SAG-winning speech was incredible, powerful, and rousing. It’s exactly the kind of speech that turns Academy members heads and his performance is the kind of transformational, head-turning work that receives Oscars. While Austin Butler triumphed at the Globes and at BAFTA, those two awards bodies award young actors in the major acting categories more often than the Academy usually does. I think Fraser has this.

    While Barry Keoghan won at BAFTA, that was a one-off and Ke Huy Quan will easily take the Oscar. Now, the other supporting category isn’t as clear cut. While Jamie Lee Curtis surprised with a win here, that is an incredibly predictable SAG pick (they have a preference for big stars). So the question is will the Academy will go with Angela Bassett (who has GG and CCA like 2019 winner Regina King) or will they go with Kerry Condon (who has just BAFTA like Mark Rylance in 2016)? At this stage, I am leaning towards Condon since I think Bassett would have been a no-brainer prediction if she had won SAG but my thoughts on this have been like a yo-yo.

    While Michelle Yeoh is the lead from the film that has unquestionably captured the zeitgeist, Tar clearly has love from the academy being the only film with Picture, Directing, Editing, acting, and Cinematography nominations. I think Blanchett will take this, though like with my Supporting Actress prediction this is subject to change.

    Here are the winners and nominees:

    OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE

    WINNER: Everything Everywhere All At Once

    Babylon

    The Banshees of Inisherin

    The Fabelmans

    Women Talking

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE

    WINNER: Brendan Fraser, The Whale

    Austin Butler, Elvis

    Colin Farrell, The Banshees of Inisherin

    Bill Nighy, Living

    Adam Sandler, Hustle

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE

    WINNER: Michelle Yeoh, Everything Everywhere All at Once

    Cate Blanchett, Tár

    Viola Davis, The Woman King

    Ana de Armas, Blonde

    Danielle Deadwyler, Till

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE

    WINNER: Ke Huy Quan, Everything Everywhere All at Once

    Paul Dano, The Fabelmans

    Brendan Gleeson, The Banshees of Inisherin

    Barry Keoghan, The Banshees of Inisherin

    Eddie Redmayne, The Good Nurse

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE

    WINNER: Jamie Lee Curtis, Everything Everywhere All at Once

    Angela Bassett, Black Panther: Wakanda Forever

    Hong Chau, The Whale

    Kerry Condon, The Banshees of Inisherin

    Stephanie Hsu, Everything Everywhere All at Once

    OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A DRAMA SERIES

    WINNER: The White Lotus

    Better Call Saul

    The Crown

    Ozark

    Severance

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES

    WINNER: Jason Bateman, Ozark

    Jonathan Banks, Better Call Saul

    Jeff Bridges, The Old Man

    Bob Odenkirk, Better Call Saul

    Adam Scott, Severance

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES

    WINNER: Jennifer Coolidge, The White Lotus

    Elizabeth Debicki, The Crown

    Julia Garner, Ozark

    Laura Linney, Ozark

    Zendaya, Euphoria

    OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A COMEDY SERIES

    WINNER: Abbott Elementary

    Barry

    The Bear

    Hacks

    Only Murders in the Building

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES

    WINNER: Jeremy Allen White, The Bear

    Anthony Carrigan, Barry

    Bill Hader, Barry

    Steve Martin, Only Murders in the Building

    Martin Short, Only Murders in the Building

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES

    WINNER: Jean Smart, Hacks

    Christina Applegate, Dead to Me

    Rachel Brosnahan, The Marvelous Mrs. Maisel

    Quinta Brunson, Abbott Elementary

    Jenna Ortega, Wednesday

    OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES

    WINNER: Sam Elliott, 1883

    Steve Carell, The Patient

    Taron Egerton, Black Bird

    Paul Walter Hauser, Black Bird

    Evan Peters, Dahmer – Monster: The Jeffrey Dahmer Story

    OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES

    WINNER: Jessica Chastain, George and Tammy

    Emily Blunt, The English

    Julia Garner, Inventing Anna

    Niecy Nash-Betts, Dahmer- Monster: The Jeffrey Dahmer Story

    Amanda Seyfried, The Dropout

    OUTSTANDING PERFORMANCE BY A STUNT ENSEMBLE IN A MOTION PICTURE

    WINNER: Top Gun: Maverick

    Avatar: The Way of Water

    The Batman

    Black Panther: Wakanda Forever

    The Woman King

    OUTSTANDING PERFORMANCE BY A STUNT ENSEMBLE IN A COMEDY OR DRAMA SERIES

    WINNER: Stranger Things

    Andor

    The Boys

    House of the Dragon

    Lord of the Rings: The Rings of Power

    Source: Vanity Fair

  • 2023 Oscar Nominations: ‘Everything Everywhere’ and ‘All Quiet’ Lead the Pack

    2023 Oscar Nominations: ‘Everything Everywhere’ and ‘All Quiet’ Lead the Pack

    Everything Everywhere All at Once getting in for Costume Design and Score (should’ve gone with my gut on this), and Original Song, all categories the film was not favored to get nominated in, is a clear indication of the overwhelming Academy-wide support it has. It led the pack with 11 nominations.

    All Quiet on the Western Front announced itself as a tech giant, taking nine nominations. The war film followed up its massive BAFTA haul with reduced, but still impressive, results with the Academy.

    They did what they did last year with Belfast’s Caitrona Balfe and Judi Dench. While Balfe did better with the precursor nominations, the Academy went with the veteran Dench come nominations morning. This time around, The Fabelmans’ Paul Dano performed better at the precursors, but his costar Judd Hirsch got in with the Academy.

    Descendent becomes the first Higher Ground Oscar-eligible documentary film to miss Best Documentary. Making way for A House Made of Splinters to receive a nomination.

    Ruben Ostlund got in for Triangle of Sadness and his film was selected for Picture over The Whale (which was snubbed in Adapted Screenplay as well). Brendan Fraser is still the front runner for Actor, but his path now seems slightly more difficult.

    In the acting categories, Brian Tyree Henry (YES!), Paul Mescal (YES!), and Andrea Riseborough surprised with nominations. Riseborough’s inclusion is especially notable as she had a strong but incredibly last-minute campaign that was ran by her Hollywood friends. Her inclusion (along with Michelle Williams) led to both Danielle Deadwyler and Viola Davis being snubbed for Till and The Woman King respectively.

    The Oscars will be televised on March 12th, live from the Dolby Theater on ABC.

    Here is the complete list of nominees:

    Best Picture

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Banshees of Inisherin

    Elvis

    Everything Everywhere All at Once

    The Fabelmans

    TÁR

    Top Gun: Maverick

    Triangle of Sadness

    Women Talking

    Directing

    Martin McDonagh, The Banshees of Inisherin

    Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

    Steven Spielberg, The Fabelmans

    Todd Field, TÁR

    Ruben Östlund, Triangle of Sadness

    Actor in a Leading Role

    Austin Butler, Elvis

    Colin Farrell, The Banshees of Inisherin

    Brendan Fraser, The Whale

    Paul Mescal, Aftersun

    Bill Nighy, Living

    Actress in a Leading Role

    Cate Blanchett, TÁR

    Ana de Armas, Blonde

    Andrea Riseborough, To Leslie

    Michelle Williams, The Fabelmans

    Michelle Yeoh, Everything Everywhere All at Once

    Actor in a Supporting Role

    Brendan Gleeson, The Banshees of Inisherin

    Bryan Tyree Henry, Causeway

    Judd Hirsch, The Fabelmans

    Barry Keoghan, The Banshees of Inisherin

    Ke Huy Quan, Everything Everywhere All at Once

    Actress in a Supporting Role

    Angela Bassett, Black Panther: Wakanda Forever

    Hong Chao, The Whale

    Kerry Condon, The Banshees of Inisherin

    Jamie Lee Curtis, Everything Everywhere All at Once

    Stephanie Hsu, Everything Everywhere All at Once

    International Feature Film

    All Quiet on the Western Front

    Argentina, 1985

    Close

    EO

    The Quiet Girl

    Cinematography

    All Quiet on the Western Front

    Bardo, False Chronicle of a Handful of Truths

    Elvis

    Empire of Light

    TÁR

    Production Design

    All Quiet on the Western Front

    Avatar: The Way of Water

    Babylon

    Elvis

    The Fabelmans

    Visual Effects

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Batman

    Black Panther: Wakanda Forever

    Top Gun: Maverick

    Costume Design

    Babylon

    Black Panther: Wakanda Forever

    Elvis

    Everything Everywhere All at Once

    Mrs. Harris Goes to Paris

    Sound

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Batman

    Elvis

    Top Gun: Maverick

    Original Score

    All Quiet on the Western Front

    Babylon

    The Banshees of Inisherin

    Everything Everywhere All at Once

    The Fabelmans

    Writing (Adapted Screenplay)

    All Quiet on the Western Front

    Glass Onion: A Knives Out Mystery

    Living

    Top Gun: Maverick

    Women Talking

    Writing (Original Screenplay)

    The Banshees of Inisherin

    Everything Everywhere All at Once

    The Fabelmans

    TÁR

    Triangle of Sadness

    Live Action Short Film

    An Irish Goodbye

    Ivalu

    Le Pupille

    Night Ride

    The Red Suitcase

    Animated Short Film

    The Boy, the Mole, the Fox, and the Horse

    The Flying Sailor

    Ice Merchants

    My Year of Dicks

    An Ostrich Told Me the World Is Fake and I Think I Believe It

    Film Editing

    The Banshees of Inisherin

    Elvis

    Everything Everywhere All at Once

    TÁR

    Top Gun: Maverick

    Makeup and Hairstyling

    All Quiet on the Western Front

    The Batman

    Black Panther: Wakanda Forever

    Elvis

    The Whale

    Animated Feature Film

    Guillermo del Toro’s Pinocchio

    Marcel the Shell With Shoes On

    Puss in Boots: The Last Wish

    The Sea Beast

    Turning Red

    Original Song

    “Applause”

    “Hold My Hand”

    “Lift Me Up”

    “Naatu Naatu”

    “This Is A Life”

    Documentary Short Subject

    The Elephant Whisperers

    Haulout

    How Do You Measure a Year?

    The Martha Mitchell Effect

    Stranger at the Gate

    Documentary Feature

    All That Breathes

    All the Beauty and the Bloodshed

    Fire of Love

    A House Made of Splinters

    Navalny

  • Final 2023 Oscar Nomination Predictions

    Final 2023 Oscar Nomination Predictions

    After months of predicting (here are my May predictions if you want to see how off I was), the time has finally come. The Academy will reveal their nominations on the morning of Tuesday, January 24th and in just over a month, their winners will be announced at the Dolby Theatre on March 12th.

    Anyways, here are my predictions (with explanations for each linked):

     

    ‘Everything Everywhere All at Once’ (A24)

     

    BEST PICTURE

    Everything Everywhere All at Once (A24)

    The Banshees of Inisherin (Searchlight)

    The Fabelmans (Universal)

    Top Gun: Maverick (Paramount)

    Tar (Focus)

    Elvis (Warner Bros.)

    All Quiet on the Western Front (Netflix)

    Avatar: the Way of the Water (20th Century)

    The Whale (A24)

    Babylon (Paramount)

    Could Jump In: Triangle of Sadness (NEON), Women Talking (MGM/UA)

     

    ‘The Fabelmans’ (Universal)

     

    BEST DIRECTOR

    The Daniels – Everything Everywhere All at Once

    Steven Spielberg – The Fabelmans

    Todd Field – Tar

    Martin McDonagh – The Banshees of Inisherin

    Ruben Ostlund – Triangle of Sadness

    Could Jump In: Edward Berger – All Quiet on the Western Front, Park Chan-Wook – Decision to Leave, Baz Luhrmann – Elvis

     

    ‘The Whale’ (A24)

     

    BEST ACTOR

    Brendan Fraser – The Whale

    Colin Farrell – The Banshees of Inisherin

    Austin Butler – Elvis

    Bill Nighy – Living

    Paul Mescal – Aftersun

    Could Jump In: Tom Cruise – Top Gun: Maverick

     

    ‘Tar’ (Focus)

     

    BEST ACTRESS

    Cate Blanchett – Tar

    Michelle Yeoh – Everything Everywhere All at Once

    Viola Davis – The Woman King

    Ana de Armas – Blonde

    Danielle Deadwyler – Till

    Could Jump In: Michelle Williams – The Fabelmans, Margot Robbie – Babylon Andrea Riseborough – To Leslie

     

    ‘Everything Everywhere All at Once’ (A24)

     

    BEST SUPPORTING ACTOR

    Ke Huy Quan – Everything Everywhere All at Once

    Brendan Gleeson – The Banshees of Inisherin

    Barry Keoghan – The Banshees of Inisherin

    Paul Dano – The Fabelmans

    Brian Tyree Henry – Causeway

    Could Jump In: Eddie Redmayne – The Good Nurse, Ben Whishaw – Women Talking, Brad Pitt – Babylon, Judd Hirsch – The Fabelmans, Albrecht Schuch – All Quiet on the Western Front

     

    ‘Black Panther: Wakanda Forever’ (Disney/Marvel)

     

    BEST SUPPORTING ACTRESS

    Angela Bassett – Black Panther: Wakanda Forever

    Kerry Condon – The Banshees of Inisherin

    Hong Chau – The Whale

    Jamie Lee Curtis – Everything Everywhere All at Once

    Stephanie Hsu – Everything Everywhere All at Once

    Could Jump In: Dolly de Leon – Triangle of Sadness, Jessie Buckley – Women Talking, Janelle Monae – Glass Onion: A Knives Out Mystery, Carey Mulligan – She Said

     

    ‘The Banshees of Inisherin’ (Searchlight)

     

    BEST ORIGINAL SCREENPLAY

    Everything Everywhere All at Once

    The Banshees of Inisherin

    Tar

    The Fabelmans

    Triangle of Sadness

    Could Jump In: Aftersun

     

    ‘The Whale’ (A24)

     

    BEST ADAPTED SCREENPLAY

    The Whale

    Women Talking

    Glass Onion: A Knives Out Mystery

    All Quiet on the Western Front

    Living

    Could Jump In: She Said

     

    ‘Guillermo del Toro’s Pinocchio’ (Netflix)

     

    BEST ANIMATED FEATURE

    Guillermo del Toro’s Pinocchio

    Marcel the Shell with Shoes On

    Turning Red

    Puss in Boots: The Last Wish

    My Father’s Dragon

    Could Jump In: Wendell & Wild, Inu-Oh, Annie, The Sea Beast

     

    ‘Babylon’ (Paramount)

     

    BEST PRODUCTION DESIGN

    Babylon

    Elvis

    Avatar: The Way of the Water

    All Quiet on the Western Front

    The Fabelmans

    Could Jump In: Black Panther: Wakanda Forever, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio

     

    ‘Top Gun: Maverick’ (Paramount)

     

    BEST CINEMATOGRAPHY

    Top Gun: Maverick

    All Quiet on the Western Front

    Empire of Light

    Elvis

    Babylon

    Could Jump In:  The Batman, The Fabelmans, Avatar 2: The Way of the Water, Bardo

     

    ‘Elvis’ (Warner Bros.)

     

    BEST COSTUME DESIGN

    Babylon

    Elvis

    Black Panther: Wakanda Forever

    The Woman King

    Mrs. Harris Goes to Paris

    Could Jump In: Amsterdam, Corsage, Everything Everywhere All at Once, The Fabelmans

     

    ‘Top Gun: Maverick’ (Paramount)

     

    BEST FILM EDITING

    Top Gun: Maverick

    Everything Everywhere All at Once

    Elvis

    All Quiet on the Western Front

    Avatar: The Way of Water

    Could Jump In: The Banshees of Inisherin, Tar, The Fabelmans, Babylon

     

    ‘The Batman’ (Warner Bros.)

     

    BEST MAKEUP & HAIRSTYLING

    The Whale

    The Batman

    Elvis

    Black Panther: Wakanda Forever

    Babylon

    Could Jump In: Blonde, All Quiet on the Western Front, Amsterdam

     

    ‘All Quiet on the Western Front’ (Netflix)

     

    BEST SOUND

    Top Gun: Maverick

    Avatar: The Way of the Water

    All Quiet on the Western Front

    Elvis

    Everything Everywhere All at Once

    Could Jump In: The Batman

     

    ‘The Batman’ (Warner Bros.)

     

    BEST VISUAL EFFECTS

    Avatar: The Way of the Water

    Top Gun: Maverick

    The Batman

    Black Panther: Wakanda Forever

    Nope

    Could Jump In: All Quiet on the Western Front, Thirteen Lives, Doctor Strange in the Multiverse of Madness

     

    ‘Babylon’ (Paramount)

     

    BEST ORIGINAL SCORE

    Babylon

    Guillermo del Toro’s Pinocchio

    The Fabelmans

    Women Talking

    The Banshees of Inisherin

    Could Jump In: Everything Everywhere All at Once, All Quiet on the Western Front

     

    ‘RRR’ (Netflix)

     

    BEST ORIGINAL SONG

    RRR

    Guillermo del Toro’s Pinocchio

    Top Gun: Maverick

    Black Panther: Wakanda Forever

    Tell It Like a Woman

    Could Jump In: Where the Crawdads Sing, White Noise, Till, Everything Everywhere All at Once

     

    ‘Decision to Leave’ (MUBI)

     

    BEST INTERNATIONAL FEATURE

    All Quiet on the Western Front

    Decision to Leave

    Argentina, 1985

    Close

    The Quiet Girl

    Could Jump In: EO, Bardo, Holy Spider, Return to Seoul, Corsage

     

    ‘All The Beauty and the Bloodshed’ (Participant)

     

    BEST DOCUMENTARY FEATURE

    All the Beauty and the Bloodshed

    Fire of Love

    Navalny

    All that Breathes

    Descendent

    Could Jump In: The Territory, The Janes, Moonage Daydream, Bad Axe

     

    ‘Le Pupille’ (Disney+)

     

    BEST LIVE ACTION SHORT

    Le Pupille

    An Irish Goodbye

    The Red Suitcase

    Warsha

    Nakam

    Could Jump In: Almost Home, The Lone Wolf

     

    ‘The Flagmakers’ (National Geographic)

     

    BEST DOCUMENTARY SHORT

    The Flagmakers

    The Elephant Whisperers

    How Do You Measure a Year?

    38 at the Garden

    Nuisance Bear

    Could Jump In: Holding Moses, How Far Can They Run

     

    ‘The Boy, the Mole, the Fox and the Horse’ (Apple+)

     

    BEST ANIMATED SHORT

    The Boy, the Mole, the Fox and the Horse

    New Moon

    Save Ralph

    The Flying Sailor

    My Year of Dicks

    Could Jump In: Ice Merchants, An Ostrich Told Me the World is Fake and I Think I Believe It

  • Final 2023 Oscar Nomination Predictions: Best Picture And Best Director

    Final 2023 Oscar Nomination Predictions: Best Picture And Best Director

    Six films: Everything Everywhere All at Once, The Banshees of Inisherin, The Fabelmans, Tar, Top Gun: Maverick, and Elvis are undeniably locked for Picture nominations. All Quiet on the Western Front and Avatar: the Way of the Water follow close behind though I can see there being a world where either of the two films miss (maybe wishful thinking for the latter?).

    The last two slots are a lot trickier in my eyes and I have honestly spent hours trying to decide on the films that will make those last two slots. There are four films that I think can get those last two slots: The Whale, Babylon, Women Talking, and Triangle of Sadness.

    One thing I am looking at is what films have passion behind them. The IMDb scores of these four films are as follows: The Whale (8.0), Babylon (7.5), Women Talking (7.5 on 2.1K ratings), and Triangle of Sadness (7.5). All of these films are relatively well-liked across the board, though Women Talking having lower than 2500 ratings is concerning especially when the other three all have over 15K (Triangle of Sadness is at 63K).

    As mentioned previously, The Whale has had a recent surge, having the best limited release of a 2022 film (yes, even over its A24 sibling Everything Everywhere All at Once). Brendan Fraser is the frontrunner in the Best Actor race and the last time a Best Actor winner won without his film being nominated for Best Picture was 13 years ago when Jeff Bridges won for Crazy Heart. With The Whale getting nominated at PGA, Hong Chau surging in Best Supporting Actress, and the film being locked for both Adapted Screenplay (where I believe it may win) and Best Hair & Makeup, I think I can confidently slot it in.

    The last slot is a lot more complicated. Women Talking being completely snubbed by BAFTA, even in Adapted Screenplay where many are predicting it to be the Oscar winner, was a very troubling sign. It received a SAG ensemble nom yet didn’t get anything for any of its actors. As someone whose seen the film, I am not sure the Academy will fall for a film that feels so non-narrative. While there is a clear story in the film, the vast majority of the film takes place over the span of a few days and mainly consists of women discussing whether they should leave a Mennonite colony as many have been victims of rape from the colony’s men. It’s a good film, I just don’t think it’s getting the level of attention or generating the kind of conversation that a film like it needs to get the 1st, 2nd, and 3rd place votes needed to be nominated for Best Picture.

    So that leaves Babylon and Triangle of Sadness. To me, Babylon’s haul is very reminiscent of last year’s Nightmare Alley. It is helmed by someone who has won Best Director in the past, did well at CCA (getting a Picture nod and multiple other nominations), was restricted to just 3 technical categories at BAFTA, and boasts an ensemble cast of well-known stars and character actors. I honestly think Babylon might be stronger than Nightmare Alley since it also has SAG and Globe nods while Nightmare Alley just had CCA. But the question is, is Triangle of Sadness stronger than both films?

    The Palme D’Or winner has been in the conversation since May and of the overtly anti-capitalist high-profile films of the year (The Menu, Glass Onion, etc.), it is the best. As evidenced by it winning the biggest prize at Cannes, it’s definitely a film that inspires passion from its fans. The thing I am wondering is will enough people love it? Drive My Car got in last year without any precursor nominations because many people touted it as the best film of the year, it was a no-brainer after it won critics’ trifecta (NYFCC, LAFCA, NSFC).

    Even though it’s a tired trope in Best Picture nominees, I am going to go with Babylon because at its core, it’s an ode to the film industry with bug stars, extravagant sets, and an audacious story. it checks way too many boxes of what oftentimes gets in here and for the biggest category of the morning I guess I’m going to play it safe.

    BEST PICTURE

    Everything Everywhere All at Once (A24) – AFI, GG, CCA, SAG, PGA, BAFTA

    The Banshees of Inisherin (Searchlight) – AFI (Special Award), GG, CCA, SAG, PGA, BAFTA

    The Fabelmans (Universal) – AFI, GG, CCA, SAG, PGA

    Top Gun: Maverick (Paramount) – AFI, GG, CCA, PGA

    Tar (Focus) – AFI, GG, CCA, PGA, BAFTA

    Elvis (Warner Bros.) – AFI, GG, CCA, PGA, BAFTA

    All Quiet on the Western Front (Netflix) – BAFTA

    Avatar: the Way of the Water (20th Century) – AFI, GG, CCA, PGA

    The Whale (A24) – PGA

    Babylon (Paramount) – GG, CCA, SAG

    Could Jump In: Triangle of Sadness (NEON) – GG, Women Talking (MGM/UA) – CCA, SAG

     

    This is category is famous for snubbing directors like Peter Farrelly and Aaron Sorkin. Directors who the members of the branch don’t see as auteurs or auteur-adjacent. Their directorial styles are either too indistinct or lack some sort of stylistic signature or vision that this branch likes to see. Will any of this year’s directors suffer the same fate?

    Well, I can practically guarantee that The Daniels and Steven Spielberg are safe, both have very clear visions for their projects that would be appealing to a group of directors. McDonagh has missed in the past for Three Billboards Outside of Ebbing, Missouri which was seen as a film driven by actors and screenplay more than by directing. This time around, McDonagh has done much better at the critics’ awards as a a director than he did for ‘Billboards’, but I still think Field is more likely to be nominated (especially with an endorsement from Scorsese himself).

    Will BAFTA help fill the last slot in this category once again? It seems so, though Berger may not be the filmmaker that accomplishes that. Edward Berger is not like past surprise director nominees in this category like Ryusuke Hamaguchi, Thomas Vinterberg, Pawel Pawilkowski, and Paul Thomas Anderson. Berger’s only director nomination for his work on ‘All Quiet’, other than BAFTA, came from the San Diego Film Critics Society. All four of these rceently-nominated directors are incredibly critically-acclaimed and have made films that were considered by critics to be in the top five of the years they released.

    So, if Berger won’t fill the fifth slot, who will? To me, it’s between Ruben Ostlund and Park Chan-Wook. Both are definitely auteurs who have multiple acclaimed films under their belt, Ruben Ostlund with Force Majeure and The Square and Park with The Handmaiden, Oldboy, the rest of the Vengeance trilogy, and J.S.A.: Joint Security Area. Since Ostlund’s film is a bigger Picture contender, I am going to go with him but don’t count at the BAFTA-nominated Park as he is, in general, a much more respected filmmaker.

    BEST DIRECTOR

    The Daniels – Everything Everywhere All at Once – GG, CCA, DGA, BAFTA

    Steven Spielberg – The Fabelmans – GG, CCA, DGA

    Todd Field – Tar – CCA, DGA, BAFTA

    Martin McDonagh – The Banshees of Inisherin – GG, CCA, DGA, BAFTA

    Ruben Ostlund – Triangle of Sadness

    Could Jump In: Edward Berger – All Quiet on the Western Front – BAFTA, Park Chan-Wook – Decision to Leave – BAFTA, Baz Luhrmann – Elvis – GG, CCA

  • Final 2023 Oscar Nomination Predictions: Acting Categories

    Final 2023 Oscar Nomination Predictions: Acting Categories

    The first four men are essentially locked for nominations as they have been for over a month now. My fifth pick is between Paul Mescal and Tom Cruise. As I’ve mentioned previously, Best Actor is often connected with Best Picture and Cruise is in an unquestionable Best Picture nominee while Mescal is not (even though Aftersun should be!). Aftersun is a massive critics favorite and this is the category where it has the best chance for a nomination in. But it is still a very small movie and Cruise is one of the biggest actors of all-time in one of the biggest movies of the year. However, Cruise’s SAG miss is concerning is that was the guild where a big star like him should have landed (especially over someone like Bill Nighy in a small movie like Living). I think in the end, the quality of Paul Mescal’s performance will win out especially since the film peaked at the exact right time

    BEST ACTOR

    Brendan Fraser – The Whale – GG, CCA, SAG, BAFTA

    Colin Farrell – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Austin Butler – Elvis – GG, CCA, SAG, BAFTA

    Bill Nighy – Living – GG, CCA, SAG, BAFTA

    Paul Mescal – Aftersun – CCA, BAFTA

    Could Jump In: Tom Cruise – Top Gun: Maverick – CCA

     

    Sigh, if only Michelle Williams was submitted in Supporting for The Fabelmans, she would have the Oscar her career so rightly deserves. And now, she’s at risk of missing out on a nomination as there just doesn’t seem to be much passion for herperformance.

    Cate Blanchett and Michelle Yeoh are beyond locked for nominations and while Viola Davis has also hit every precursor so far, I think there is a slight, though not very likely, chance that she gets the Lady Gaga treatment and gets snubbed even after hitting all the major precursors. This is because her film is not a top 13 Best Picture contender though Viola Davis is so beloved that she honestly could get in even if she did not hit as many precursors as she did.

    While I didn’t have Ana de Armas in my predictions for months, now that she has hit 3 of the 4 major precursors, she cannot be ignored. We know how much the Academy loves biopic performances and especially depictions of stars of Hollywood’s past and de Armas has given an acclaimed turn as MARILYN MONROE. Basically, she is very very likely for a nomination.

    Back to Michelle Williams. I want to put her here and she is in a top-three Best Picture contender. But The Fabelmans’ star seems to be falling as evidenced by its sole BAFTA nomination for Original Screenplay. Danielle Deadwyler on the other hand has passion behind her performance and I think she will get in here over Williams

    BEST ACTRESS

    Cate Blanchett – Tar – GG, CCA, SAG, BAFTA

    Michelle Yeoh – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Viola Davis – The Woman King – GG, CCA, SAG, BAFTA

    Ana de Armas – Blonde – GG, SAG, BAFTA

    Danielle Deadwyler – Till – CCA, SAG, BAFTA

    Could Jump In: Michelle Williams – The Fabelmans – GG, CCA, Margot Robbie – Babylon – GG, CCA, Andrea Riseborough – To Leslie

     

    Ke Huy Quan is a lock for the win in this category and him, Brendan Gleeson, and Barry Keoghan are all locked for nominations after hitting all the major precursors. The next two slots however, seems to me a toss-up between seven actors (Paul Dano, Eddie Redmayne, Brad Pitt, Judd Hirsch, Albrecht Schuch, Brian Tyree Henry, and Ben Whishaw).

    This category usually rewards actors that are connected with a top Best Picture contender and that’s why in the last ten years, only six nominees in this category (Robert Duvall for The Judge, Sylvester Stallone for Creed, Michael Shannon for Nocturnal Animals, Willem Dafoe for The Florida Project, Christopher Plummer for All The Money in the World, and Tom Hanks for A Beautiful Day in the Neighborhood) have been their film’s sole nominee. In the cases of Duvall, Plummer, and Hanks, they were nominated as they were highly-respected and well-liked actors in the later third of their careers. Stallone and Dafoe were both top two contenders in their respective years and had either won multiple major precursors (Stallone) or was nominated at every major precursor (Dafoe). Shannon was a top three NSFC contender and had done well at the critics’ awards (while his costar Aaron Taylor-Johnson performed better at the major precursors and even won a Globe).

    Of the seven who are vying for the last two slots, Paul Dano is the only one who both has at least two precursor nods under their belt and is in a top 13 Best Picture contender so I’m slotting him in as my fourth pick. None of the rest of the six are top two contenders or are legendary actors in the last third of their careers. That means that the last slot will either go to someone who has done very well at the critics’ awards or Eddie Redmayne. Brian Tyree Henry is the best performer of the former category, yet I feel like Causeway is too much of a non-entity for him to get nominated. But at the same time, Henry, like his Atlanta costar Lakeith Stanfield for Judas and the Black Messiah, has been putting in acclaimed performance after acclaimed performance, and could finally get his due from the Academy in a surprise pick. If Whishaw had a Critics Choice Award nomination this would be an easy decision, but he was snubbed scross the board and has not had the critical success that Henry has had.

    BEST SUPPORTING ACTOR

    Ke Huy Quan – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Brendan Gleeson – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Barry Keoghan – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Paul Dano – The Fabelmans – CCA, SAG

    Brian Tyree Henry – Causeway – CCA

    Could Jump In: Eddie Redmayne – The Good Nurse – GG, SAG, BAFTA, Ben Whishaw – Women Talking, Brad Pitt – Babylon – GG, Judd Hirsch – The Fabelmans, Albrecht Schuch – All Quiet on the Western Front – BAFTA

     

    The first two, Angela Bassett and Kerry Condon are locked for nominations. While Jamie Lee Curtis has hit all the precursors, having seen her performance in Everything Everywhere All at Once, I am not sure if it’s the kind of work that will get nominated here. Don’t get me wrong, she’s great in the film, it just doesn’t strike me as the kind of performance the Oscars would recognize, especially in comparison to Stephanie Hsu’s alternatingly intimidating and vulnerable work. I still think both will get nominated but watch out for a snub.

    The Whale has had a last-minute surge with its PGA nod and both BAFTA and SAG nods for Hong Chau in Supporting Actress. She should be able to continue that momentum into the Oscars. I think that it is very likely that Dolly de Leon replaces someone among this group, yet I am not confident on who that will be so I will play it safe and keep her on the outside looking in.

    BEST SUPPORTING ACTRESS

    Angela Bassett – Black Panther: Wakanda Forever – GG, CCA, SAG, BAFTA

    Kerry Condon – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Hong Chau – The Whale – SAG, BAFTA

    Jamie Lee Curtis – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Stephanie Hsu – Everything Everywhere All at Once – CCA, SAG

    Could Jump In: Dolly de Leon – Triangle of Sadness – GG, BAFTA, Jessie Buckley – Women Talking – CCA, Janelle Monae – Glass Onion: A Knives Out Mystery – CCA, Carey Mulligan – She Said – GG

  • Final 2023 Oscar Nomination Predictions: Original and Adapted Screenplay

    Final 2023 Oscar Nomination Predictions: Original and Adapted Screenplay

    This category is one of the closest to a sure thing. While I might prefer if Aftersun got the attention it deserves and gets nominated here, the fivesome of Everything Everywhere All at Once, The Banshees of Inisherin, Tar, The Fabelmans, and Triangle of Sadness is far more likely. The first three films are unquestionable locks. Even BAFTA, which gave The Fabelmans only one nomination, let it have an Original Screenplay nod. Many are picking Triangle of Sadness for a Best Picture nod and while I don’t see the Palme d’Or winner being in contention for the Academy’s biggets prize, it’s the kind of audacious, out there film that this category recognizes.

    BEST ORIGINAL SCREENPLAY

    Everything Everywhere All at Once – GG, CCA, BAFTA

    The Banshees of Inisherin – GG, CCA, BAFTA

    Tar – GG, CCA, BAFTA

    The Fabelmans – GG, CCA, BAFTA

    Triangle of Sadness – BAFTA

    Could Jump In: Aftersun – CCA

     

    The Whale and Women Talking are the only two films I think are locked in this category, everything else seems snubbable. I feel confident with Glass Onion as well since it has been pretty successful with the crafts and earned a PGA nod as well.

    While this category isn’t known for nominating war films, 1917 was nominated for Best Original Screenplay in its year and ‘All Quiet’ is an adaptation of one of the most well-read works of literature ever written. As a result, I feel fairly confident in ‘All Quiet’ following the same path that Drive My Car did last year in this category (international feature that only had a BAFTA nod in this category before being nominated here at the Oscars).

    The last slot is between Living and She Said who both received nominations from CCA, USC, and BAFTA. Both seem like traditional picks in this category, She Said the Spotlight-esque celebration of journalism with countless scenes centered in newsrooms, and Living the acclaimed remake of a classic piece of cinema (Ikiru) written by one of the most renowned authors alive today (Kazuo Ishiguro).

    The BAFTA nominees this year were The Whale, All Quiet on the Western Front, Living, She Said, and The Quiet Girl. In the last few years the BAFTA nominees have been quite predictive of the Oscar slate except the BAFTA sometimes picks very British films that don’t make it into the Oscar slate. The Irish ‘The Quiet Girl’ definitely qualifies as that so I don’t see it getting nominated, but I’m wondering if Living is just a British BAFTA pick or something strong enough to receive an Oscar nod? Bill Nighy being a top five Best Actor contender and the film being nominated at CCA and USC seems to hint otherwise though I am not 100%.

    I am going to go with Living because what kind of self-respecting writers branch won’t go for a Kazuo Ishiguro adaptation of Kurosawa’s Ikiru???

    BEST ADAPTED SCREENPLAY

    The Whale – CCA, BAFTA

    Women Talking – GG, CCA, USC

    Glass Onion: A Knives Out Mystery – CCA

    All Quiet on the Western Front – BAFTA

    Living – CCA, USC, BAFTA

    Could Jump In: She Said – CCA, USC, BAFTA

  • Final 2023 Oscar Nomination Predictions: Sound, Original Song, Original Score

    Final 2023 Oscar Nomination Predictions: Sound, Original Song, Original Score

    Four films, Top Gun: Maverick, All Quiet on the Western Front, Avatar: The Way of the Water, and Elvis, all made the slates of the major precursors.

    To me the last slot is between Everything Everywhere All at Once and The Batman. The Batman is probably the most widely-acclaimed superhero movie of the year and this and Visual Effects are where those films get their flowers. But Everything Everywhere All at Once is the Best Picture winner and was the nominations leader at MPSE (although it did get snubbed at CAS). I think it will get in here based on the overwhelming support for the film and since it is an action-adventure film, which often do well in this category.

    BEST SOUND

    Top Gun: Maverick – MPSE, CAS. BAFTA

    Avatar: The Way of the Water – MPSE, CAS, BAFTA

    All Quiet on the Western Front – MPSE, CAS, BAFTA

    Elvis – MPSE, CAS, BAFTA

    Everything Everywhere All at Once – MPSE

    Could Jump In: The Batman – MPSE, CAS

     

    Even though RRR didn’t makes SCL’s nominations, I’m gonna write that off as it being an international film and still keep it as my winner prediction. Guillermo del Toro’s Pinocchio, Top Gun: Maverick, and Black Panther: Wakanda Forever hit all the major precursors and, to my ears, fit the kind of norms this category usually goes for.

    Taylor Swift’s song ‘Carolina’ for Where the Crawdad Sings, but the fact that it’s a song by TAYLOR SWIFT and has less than 50 million plays on Spotify is not a good sign and stands in stark contrast with the songs from Lady Gaga and Rihanna (which both have over 150 million plays each). So even though it hit all the major precursors (and that I think it’s one of the top five songs on the shortlist), I think will be snubbed for this year’s song from Diane Warren who has been nominated in all of the last FIVE years.

    BEST ORIGINAL SONG

    RRR – GG, CCA

    Guillermo del Toro’s Pinocchio – GG, CCA, SCL

    Top Gun: Maverick – GG, CCA, SCL

    Black Panther: Wakanda Forever – GG, CCA, SCL

    Tell It Like a Woman – SCL

    Could Jump In: Where the Crawdads Sing – GG, CCA, SCL, White Noise – CCA, Till, Everything Everywhere All at Once

     

    Justin Hurwitz’s extravagant and bombastic music for Babylon and Alexandre Desplat’s at-one-moment-wondrous-and-devastating-in-the-next backing score for Guillermo del Toro’s Pinocchio will be battling this category out until the end. John Williams’ score for The Fabelmans’ is being billed as the last of his career and as this an Academy that penciled him in for every one of the Star Wars sequel trilogy films, he is locked in my eyes. Hildur Guonadottir’s alternatingly ominous and comforting score for Women Talking seems quite likely to make it in as well.

    The last slot is between The Banshees of Inisherin, Everything Everywhere All at Once, and All Quiet on the Western Front. I am going to stay safe and go with ‘Banshees’ since it has the most precursor nods of the three, but I have a feeling that even though hardly any one is predicting it, Everything Everywhere All at Once has a dark horse shot of attaining a nod in this category.

    BEST ORIGINAL SCORE

    Babylon – GG, CCA, BAFTA

    Guillermo del Toro’s Pinocchio – GG, CCA, SCL, BAFTA

    The Fabelmans – GG, CCA

    Women Talking – GG, CCA

    The Banshees of Inisherin – GG, SCL, BAFTA

    Could Jump In: Everything Everywhere All at Once – SCL, BAFTA, All Quiet on the Western Front – BAFTA