2022 Oscars: Late January Predictions | Awards Insights
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2022 Oscars: Late January Predictions

2022 Oscars: Late January Predictions

The time is almost upon us. These are my penultimate Oscar nomination predictions and I will be releasing one more set before nominations are announced on February 8th.

Like I said in last month’s predictions, the top 8 films in the Best Picture race are The Power of the Dog, Belfast, West Side Story, Licorice Pizza, Dune, CODA, and King Richard and they are close to guarantees for Best Picture nominations. The question is what two films will fill the remaining spots? Once PGA releases their picks this question will hopefully become more clear but for now I think the two are going to come from this group of seven films: tick, tick…BOOM!, The Tragedy of Macbeth, Nightmare Alley, Drive My Car, The Lost Daughter, House of Gucci, and Being the Ricardos.

The Lost Daughter won big at the Gothams and seemed to do well in the BAFTA longlists. It’s lead is also the beloved Olivia Colman who is definitely win-competitive in Best Actress. It’s also a top three contender in Best Adapted Screenplay and Maggie Gylenhaal was nominated in Best Director at the Golden Globes. It’s also the only film nominated at the Indie Spirits that has a chance of getting a BP nom. However, it also has a 6.8 IMDb score and hasn’t gotten a Picture nom at CCA, GG, AFI, or NBR.

House of Gucci received 13 appearances on the BAFTA longlists and got a SAG Ensemble nod to boot. However, usually only 3 to 4 of the SAG Ensemble nominees end up with Best Picture nominations and the other four nominees (Belfast, CODA, Don’t Look Up, and King Richard) are basically locked for nods.

Nicole Kidman did win Best Actress at the Globes which catapults her to the top 2 in that category. Javier Bardem was also nominated at SAG, showing there is some industry support for Being the Ricardos. However, this film seems like it will just be an acting contender as it was tepidly received by both critics and audiences (6.6 IMDb score and 60 Metascore).

Drive My Car is really a wildcard here. It wasn’t given Picture nods at CCA, SAG, AFI, or NBR, yet it is probably the most critically-acclaimed film of the year. It won Best Film at NYFCC, LAFCC, and NSFC, a feat only accomplished by five films: The Social Network, The Hurt Locker, L.A. Confidential, Schindler’s List, and Goodfellas. All of these films received Best Picture nominations and were top 2 contenders in their respective seasons. So this is a really special stat, yet I still think Drive My Car won’t get nominated unless it hits PGA. It’s a three hour long Japanese psychological drama so it’s really not the most widely-accessible of films so I need to see some proof of industry support (either at PGA or DGA) before I predict it for Picture. But of these seven films, it’s also probably the one with the most passion behind it so maybe I actually am going to predict it, for now.

BEST PICTURE

The Power of the Dog (Netflix) – GG (Drama – win), CCA

Belfast (Focus) – GG, CCA, SAG

West Side Story (20th Century) – GG (Comedy/Musical – win), CCA

Licorice Pizza (MGM) – GG, CCA

Dune (Warner Bros.) – GG, CCA

CODA (Apple+) – GG, CCA, SAG

Don’t Look Up (Netflix) – GG, CCA, SAG

King Richard (Warner Bros.) – GG, CCA, SAG

tick, tick…BOOM! (Netflix) – GG, CCA

Drive My Car (Janus) – GG (Foreign – win)

Could Jump In: The Tragedy of Macbeth (A24/Apple+), Nightmare Alley (Searchlight) – CCA, House of Gucci (MGM) – SAG, The Lost Daughter (Netflix), Being the Ricardos (Amazon), Spider-Man: No Way Home (Disney/Marvel), The French Dispatch (Searchlight), Spencer (NEON), Parallel Mothers (Sony Classics) – GG, Cyrano (MGM) – GG

Campion, Spielberg, and Villeneuve seem locked to me, while PTA and Branagh could drop for Hamaguchi or McKay. Other than those seven, I don’t see any filmmakers getting nods here. If Licorice Pizza ends up underperforming due to controversy or other factors, PTA might miss. Branagh fits the mold of other writer-directors (Aaron Sorkin, Peter Farrelly, and Martin McDonagh) who were directors of top 2 Best Picture contenders yet missed Best Director nominations as the Academy sees their films as primarily achievements of writing as opposed to directing.

Hamaguchi directed the most critically-acclaimed film of the year and if Drive My Car gets a PGA nomination, he is 99.9% getting nominated here, though I’m not sure if that will happen. McKay was given nominations for both The Big Short and Vice and while those two films were received more positively by critics than Don’t Look Up there is a good chance he gets his third Best Director nomination.

BEST DIRECTOR

Jane Campion – The Power of the Dog – GG (win), CCA

Steven Spielberg – West Side Story – GG, CCA

Denis Villeneuve – Dune – GG, CCA

Paul Thomas Anderson – Licorice Pizza – CCA

Kenneth Branagh – Belfast – GG, CCA

Could Jump In: Ryusuke Hamaguchi – Drive My Car, Adam McKay – Don’t Look Up, Joel Coen – The Tragedy of Macbeth, Guillermo del Toro – Nightmare Alley – CCA, Pablo Larrain – Spencer, Pedro Almodovar – Parallel Mothers, Maggie Gylenhaal – The Lost Daughter – GG

I think the foursome of Cumberbatch, Smith, Washington, and Garfield are very much locked to receive a nod in February. The question is who will fill that last spot? I think it’s between DiCaprio, Bardem, and Dinklage. All three appeared on the BAFTA longlist and received Golden Globe nominations. Dinklage is the only one of the three that received a nomination at Critics Choice and Bardem is the only one who received a SAG nod. However, there is also a very strong correlation between Best Actor and Best Picture. In the last five years, an average of 3.8 of the five Best Actor nominees for in Best Picture nominees. Don’t Look Up is easily a stronger Best Picture contender than Being the Ricardos and Cyrano and DiCaprio is one of the biggest stars in the world so I am going to go with him unless BAFTA somehow changes my mind.

BEST ACTOR

Benedict Cumberbatch – The Power of the Dog – GG, CCA, SAG

Will Smith – King Richard – GG (win), CCA, SAG

Denzel Washington – The Tragedy of Macbeth – GG, CCA, SAG

Andrew Garfield – Tick, tick…BOOM! – GG (win), CCA, SAG

Leonardo DiCaprio – Don’t Look Up – GG

Could Jump In: Javier Bardem – Being the Ricardos – GG, SAG, Peter Dinklage – Cyrano – GG, CCA, Bradley Cooper – Nightmare Alley, Joaquin Phoenix – C’mon C’mon, Nicolas Cage – Pig – CCA

Kristen Stewart’s snub at SAG was easily the most surprising omission in their nomination slate. This category is now very open and I can see Kidman, Stewart, or Colman eventually winning. Those three and Gaga are pretty firmly set in for nominations and that last slot could go to Cruz, Chastain, Zegler, or Hudson (who has had a resurgence since her SAG nod). BAFTA will probably make that more clear and until then I’ll have Chastain in as she’s hit every major precursor so far.

BEST ACTRESS

Nicole Kidman – Being the Ricardos – GG (win), SAG, CCA

Kristen Stewart – Spencer – GG, CCA

Olivia Colman – The Lost Daughter – GG, SAG, CCA

Lady Gaga – House of Gucci – GG, SAG, CCA

Jessica Chastain – The Eyes of Tammy Faye – GG, SAG, CCA

Could Jump In: Jennifer Hudson – Respect – SAG, Penelope Cruz – Parallel Mothers, Rachel Zegler – West Side Story – GG (win), CCA, Alana Haim – Licorice Pizza – GG, CCA, Frances McDormand – The Tragedy of Macbeth

Kodi Smit-McPhee, Troy Kotsur, and Ciaran Hinds all seem locked for a nomination in my eyes. The last two slots are between Cooper, Dornan, Plemons, and Leto. While House of Gucci will be a bigger Oscar player than last year’s The Little Things, I still think Leto will miss this year after receiving two precursor nods. In the last six Oscar seasons except for one, Jesse Plemons has been in at least one Best Picture-nominated film (Judas and the Black Messiah, The Irishman, Vice, The Post, Bridge of Spies). The actor has consistently done good work in Oscar-caliber films and he might get carried on a river of goodwill for The Power of the Dog and earn his first nomination.

BEST SUPPORTING ACTOR

Kodi Smit-McPhee – The Power of the Dog – GG (win), CCA, SAG

Troy Kotsur – CODA – GG, CCA, SAG

Ciaran Hinds – Belfast – GG, CCA

Bradley Cooper – Licorice Pizza – SAG

Jamie Dornan – Belfast – GG, CCA

Could Jump In: Jesse Plemons – The Power of the Dog, Jared Leto – House of Gucci – CCA, SAG, Ben Affleck – The Tender Bar – GG, SAG, JK Simmons – CCA

Ariana DeBose, Caitrona Balfe, and Kirsten Dunst are locked here since they’ve hit all the major precursors. It’s hard for me to see anyone else usurping either Ellis’ or Negga’s spots and to me, only Moreno or Blanchett really have a realistic chance of doing so.

BEST SUPPORTING ACTRESS

Ariana DeBose – West Side Story – GG (win), CCA, SAG

Caitrona Balfe – Belfast – GG, CCA, SAG

Kirsten Dunst – The Power of the Dog – GG, CCA, SAG

Aunjanue Ellis – King Richard – GG, CCA

Ruth Negga – Passing – GG, SAG

Could Jump In: Rita Moreno – West Side Story – CCA, Cate Blanchett – Nightmare Alley – SAG, Ann Dowd – Mass – CCA, Marlee Matlin – CODA

BEST ORIGINAL SCREENPLAY

Licorice Pizza – GG, CCA

Belfast – GG (win), CCA

Don’t Look Up – GG, CCA

King Richard – CCA

The French Dispatch

Could Jump In: Being the Ricardos – GG, CCA, C’mon C’mon, Parallel Mothers, Red Rocket

BEST ADAPTED SCREENPLAY

The Power of the Dog – GG, CCA, USC

The Lost Daughter – CCA, USC

CODA – CCA

Drive My Car

West Side Story – CCA

Could Jump In: Dune – CCA, USC, Nightmare Alley, Passing – USC, The Last Duel, The Tragedy of Macbeth

BEST ANIMATED FEATURE

Flee – GG, CCA, Annie (Indie)

The Mitchells vs. the Machines – CCA, Annie

Encanto – GG (win), CCA, Annie

Luca – GG, CCA, Annie

Raya and the Last Dragon – GG, CCA, Annie

Could Jump In: Belle – Annie (Indie), Sing 2 – Annie, The Summit of the Gods – Annie (Indie)

BEST PRODUCTION DESIGN

Nightmare Alley – CCA, SDSA

Dune – CCA, SDSA

West Side Story – CCA, SDSA

The Tragedy of Macbeth – SDSA

Belfast – CCA

Could Jump In: The French Dispatch – CCA, SDSA, Being the Ricardos – SDSA, Cyrano – SDSA, The Last Duel, The Power of the Dog – SDSA

BEST CINEMATOGRAPHY

Dune – CCA

The Power of the Dog – CCA

The Tragedy of Macbeth – CCA

West Side Story – CCA

Belfast – CCA

Could Jump In: Nightmare Alley – CCA, The French Dispatch, Spencer, The Green Knight, C’mon C’mon

BEST COSTUME DESIGN

Dune – CCA

Cruella – CCA

West Side Story – CCA

Nightmare Alley – CCA

Spencer

Could Jump In: Cyrano, House of Gucci – CCA, The French Dispatch, Licorice Pizza, The Electrical Life of Louis Wain

BEST FILM EDITING

Dune – CCA

Belfast – CCA

West Side Story – CCA

The Power of the Dog – CCA

Don’t Look Up

Could Jump In: King Richard, Licorice Pizza – CCA, No Time to Die, tick, tick…BOOM!, The French Dispatch

BEST MAKEUP & HAIRSTYLING

Dune – CCA

The Eyes of Tammy Faye – CCA

House of Gucci – CCA

Cruella – CCA

West Side Story

Could Jump In: Coming 2 America, The Suicide Squad, Nightmare Alley – CCA, Cyrano, No Time to Die

BEST SOUND

Dune

West Side Story

No Time to Die

Spider-Man: No Way Home

Belfast

Could Jump In: tick, tick…Boom!, The Power of the Dog, Last Night in Soho, A Quiet Place Part II, The Matrix Resurrections

BEST VISUAL EFFECTS

Dune – CCA, VES

Spider-Man: No Way Home – VES

Godzilla vs. Kong – VES

Shang-Chi and the Legend of the Ten Rings – CCA, VES

The Matrix Resurrections – CCA, VES

Could Jump In: Eternals – VES, Free Guy, No Time to Die – VES, Ghostbusters: Afterlife, Black Widow – VES

BEST ORIGINAL SCORE

Dune – CCA, GG (win), SCL

The Power of the Dog – CCA, GG, SCL

The French Dispatch – GG, SCL

Spencer – CCA, SCL

Don’t Look Up – CCA, SCL

Could Jump In: Parallel Mothers – GG, SCL, Encanto – GG, SCL, No Time to Die, The Green Knight – SCL, The Tragedy of Macbeth

BEST ORIGINAL SONG

No Time to Die – GG, CCA

King Richard – GG, CCA

Encanto – GG, CCA

Respect – GG

Don’t Look Up – CCA

Could Jump In: Belfast – GG, CODA, The Harder They Fall – CCA, Annette, Sing 2

BEST INTERNATIONAL FEATURE

Drive My Car – GG (win), CCA

A Hero – GG, CCA

The Hand of God – GG, CCA

Flee – CCA

The Worst Person in the World – CCA

Could Jump In: Prayers for the Stolen, Compartment No. 6 – GG, I’m Your Man, Lamb, The Good Boss

Keep in mind that the Academy does seem to have an aversion to documentaries composed mostly of archival footage and that’s why I’m hesitant to predict films like Summer of Soul and Attica.

BEST DOCUMENTARY FEATURE

Flee

The Rescue

Procession

Ascension

Faya Dayi

Could Jump In: Summer of Soul, Julia, The First Wave, Attica, The Velvet Underground