Tag: Nominations

  • Late June Oscar Predictions 2024

    Late June Oscar Predictions 2024

    Not much has changed since last month’s predictions. The two biggest developments of the summer so far are the massive amounts of acclaim that have been lauded on Spider-Man: Across the Spider-Verse and Celine Song’s Past Lives. Both will likely remain two of the year’s most beloved come December and while the former is unlikely to eke out anything beyond a Best Animated Feature win, A24’s Past Lives very well could be a Best Picture nominee. Having watched Past Lives, it is definitely accessible and affecting enough to remain in enough Academy members’ hearts come voting time. Outside of Best Picture, expect strong campaigns for Celine Song in Director and Original Screenplay, Greta Lee in Actress, John Magaro in Supporting Actor, and possibly Shabier Kirchner (who also did wonderful work on Steve McQueen’s Lovers Rock) in Cinematography and Grizzly Bear in Original Score.

    My most-anticipated films of next month are Oppenheimer and Barbie, both of which have potential to be Picture contenders. Thankfully, we only have to wait three more weeks to see how they are received. If Oppenheimer is even a moderate hit, I think its nomination is secure. It is a biopic from an auteur director with an all-star cast and if it brings audiences, it will be a Picture nominee even if it has a Metascore around 60. Barbie needs to be both a hit and critical success to be a Picture nominee. Yes, it has the power of Gerwig, Robbie, Gosling, and Baumbach behind it but if a comedy wants to receive a Picture nomination, it must be seen as “serious” in some way. Even though 2021’s Don’t Look Up was a comedy it also functioned as a satire on climate change complacency and, as a result, had people around Hollywood championing its “importance”. That’s something Barbie needs and knowing Gerwig, Barbie’s satire (if it ends up going that route) will be a lot more potent than McKay’s thin and toothless attempt at “sociopolitical commentary”.

    BEST PICTURE

    Killers of the Flower Moon (Apple TV+)

    Oppenheimer (Universal)

    The Color Purple (Warner Bros.)

    Dune: Part Two (Warner Bros.)

    Past Lives (A24)

    The Zone of Interest (A24)

    Maestro (Netflix)

    Saltburn (Amazon)

    Poor Things (Searchlight)

    How Do You Live? (Studio Ghibli)

    Could Jump In: Anatomy of a Fall (Neon), Spider-Man: Across the Spider-Verse (Sony), Rustin (Netflix), Napoleon (Apple TV+), Lee (Sky), The Bikeriders (20th Century), The Wonderful Story of Henry Sugar (Netflix), Ferrari (STX), Shirley (Netflix), Next Goal Wins (Searchlight), The Killer (Netflix), Monster (Toho), Asteroid City (Focus), May December (Sky Cinema), A Thousand and One (Focus), The Holdovers (Focus), The Piano Lesson (Netflix), Barbie (Warner Bros.), Wonka (Warner Bros.)

    BEST DIRECTOR

    Martin Scorsese – Killers of the Flower Moon

    Blitz Bazawule – The Color Purple

    Jonathan Glazer – The Zone of Interest

    Celine Song – Past Lives

    Hayao Miyazaki – How Do You Live?

    Could Jump In: Yorgos Lanthimos – Poor Things, Christopher Nolan – Oppenheimer, Emerald Fennell – Saltburn, Denis Villeneuve – Dune: Part Two, Ridley Scott – Napoleon, Jeff Nichols – The Bikeriders, Ellen Kuras – Lee, Michael Mann – Ferrari, David Fincher – The Killer, Greta Gerwig – Barbie, Ari Aster – Beau is Afraid, Wes Anderson – The Wonderful Story of Henry Sugar, Todd Haynes – May December, George C. Wolfe – Rustin, Nuri Bilge Ceylan – About Dry Grasses

    BEST ACTOR

    Colman Domingo – Rustin

    Bradley Cooper – Maestro

    Leonardo DiCaprio – Killers of the Flower Moon

    Michael Fassbender – The Killer

    Cillian Murphy – Oppenheimer

    Could Jump In: Paul Giamatti – The Holdovers, Adam Driver – Ferrari, Barry Keoghan – Saltburn, Austin Butler – The Bikeriders, Benedict Cumberbatch – The Wonderful Story of Henry Sugar, Anthony Hopkins – One Life, Joaquin Phoenix – Beau is Afraid, Andre Holland – The Actor, Christian Friedel – The Zone of Interest, Matt Damon – Air, Song Kang-Ho – Cobweb, Andrew Scott – Strangers, Timothee Chalamet – Wonka

    BEST ACTRESS

    Annette Bening – Nyad

    Kate Winslet – Lee

    Natalie Portman – May December

    Sandra Huller – Anatomy of a Fall

    Greta Lee – Past Lives

    Could Jump In: Regina King – Shirley, Carey Mulligan – Maestro, Fantasia Barrino – The Color Purple, Emma Stone – Poor Things, Margot Robbie – Barbie, Zendaya – Challengers, Vanessa Kirby – Napoleon, Teyana Taylor – A Thousand and One, Alicia Vikander – Firebrand, Saoirse Ronan – The Outrun, Jessica Chastain – Memory, Sandra Huller – The Zone of Interest

    BEST SUPPORTING ACTOR

    Robert De Niro – Killers of the Flower Moon

    Tom Hardy – The Bikeriders

    Colman Domingo – The Color Purple

    John Magaro – Past Lives

    Jesse Plemons – Killers of the Flower Moon

    Could Jump In: Willem Dafoe – Poor Things, Samuel L. Jackson – The Piano Lesson, Glynn Turman or Jeffrey Wright – Rustin, Louis Gossett Jr. – The Color Purple, Richard E. Grant – Saltburn, Lakeith Stanfield – The Book of Clarence, Andy Samberg – Lee, Paul Mescal – Strangers, Josh O’Connor or Mike Faist – Challengers, Peter Sarsgaard – Memory, Jude Law – Firebrand, Mahershala Ali – Leave the World Behind, Glenn Howerton – BlackBerry (I can hope)

    BEST SUPPORTING ACTRESS

    Lily Gladstone – Killers of the Flower Moon

    Taraji P. Henson – The Color Purple

    Danielle Brooks – The Color Purple,

    Rosamund Pike – Saltburn

    Julianne Moore – May December

    Could Jump In: Jodie Foster – Nyad, Tilda Swinton – The Killer, Jodie Comer – The Bikeriders, Penelope Cruz – Ferrari, Audra McDonald – Rustin,  Claire Foy – Strangers, Margaret Qualley – Poor Things, Carey Mulligan – Saltburn, Helena Bonham Carter – One Life

    BEST ORIGINAL SCREENPLAY

    Past Lives

    Saltburn

    Drive-Away Dolls

    Rustin

    May December

    Could Jump In: Maestro, Asteroid City, The Holdovers, Beau is Afraid, Monster

    BEST ADAPTED SCREENPLAY

    Killers of the Flower Moon

    Poor Things

    The Bikeriders

    How Do You Live?

    The Zone of Interest

    Could Jump In: The Color Purple, Oppenheimer, The Wonderful Story of Henry Sugar, Strangers, Lee, Dune: Part Two

    BEST ANIMATED FEATURE

    How Do You Live?

    Spider-Man: Across the Spider-Verse

    Elemental

    Wish

    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Could Jump In: Migration, Suzume

    BEST PRODUCTION DESIGN

    Poor Things

    Dune: Part Two

    Saltburn

    Oppenheimer

    Napoleon

    Could Jump In: The Wonderful Story of Henry Sugar, Killers of the Flower Moon, The Color Purple, The Zone of Interest, Wonka,

    BEST CINEMATOGRAPHY

    Dune: Part Two

    Killers of the Flower Moon

    Saltburn

    Poor Things

    Napoleon

    Could Jump In: Oppenheimer, The Color Purple, The Wonderful Story of Henry Sugar, Maestro, The Killer, The Zone of Interest

    BEST COSTUME DESIGN

    Dune: Part Two

    Poor Things

    Saltburn

    The Color Purple

    Barbie

    Could Jump In: The Wonderful Story of Henry Sugar, Napoleon, Wonka, Blitz, Lee

    BEST FILM EDITING

    Dune: Part Two

    Killers of the Flower Moon

    The Killer

    Ferrari

    Oppenheimer

    Could Jump In: The Color Purple, Napoleon, Blitz, Maestro, Poor Things

    BEST MAKEUP & HAIRSTYLING

    Maestro

    Barbie

    Dune: Part Two

    Poor Things

    Wonka

    Could Jump In: The Color Purple, Ferrari, Napoleon, The Wonderful Story of Henry Sugar, The Bikeriders

    BEST SOUND

    Dune: Part Two

    Oppenheimer

    Ferrari

    The Color Purple

    Maestro

    Could Jump In: Mission: Impossible – Dead Reckoning Part One, Wonka, The Marvels. Barbie

    BEST VISUAL EFFECTS

    Dune: Part Two

    Transformers: Rise of the Beasts

    Guardians of the Galaxy Vol. 3

    Oppenheimer

    Wonka

    Could Jump In: Barbie, The Little Mermaid, The Marvels, Indiana Jones and the Dial of Destiny, Blue Beetle

    BEST ORIGINAL SCORE

    Dune: Part Two

    How Do You Live?

    Oppenheimer

    The Killer

    Asteroid City

    Could Jump In: Elemental, The Zone of Interest, Barbie, Challengers, Lee, Killers of the Flower Moon

  • Year-In-Advance Oscar Predictions 2024

    Year-In-Advance Oscar Predictions 2024

    With the end of one Oscar season comes the start of another…or maybe I’m just insane. Either way, the 2024 Oscars won’t truly start picking up steam until festival season in fall, but it’s always fun to predict what films will make it through and find success at the finish line. 

    Acclaimed filmmakers like Martin Scorsese, Christopher Nolan, Denis Villeneuve, Emerald Fennell, Yorgos Lanthimos, Ridley Scott, Hayao Miyazaki, Steve McQueen, Greta Gerwig, Jeff Nichols, Wes Anderson, Michael Mann, David Fincher, Todd Haynes, Ari Aster, Andrew Haigh, and Alexander Payne all likely have films coming out this year. Buzzy newcomers like Celine Song and Blitz Bazawule also have movies that very possibly will receive an immense amount of attention. 

    It’s an exciting season filled with talent old and new, so without further ado, here are my year-in-advance predictions!

    BEST PICTURE

    Killers of the Flower Moon (Apple TV+)

    Oppenheimer (Universal)

    The Color Purple (Warner Bros.)

    Past Lives (A24)

    Dune: Part Two (Warner Bros.)

    Saltburn (Amazon)

    Poor Things (Searchlight)

    Napoleon (Apple TV+)

    How Do You Live? (Studio Ghibli)

    Blitz (Apple TV+)

    Rustin (Netflix) (if Blitz doesn’t release this year)

    Could Jump In: Lee (Sky), The Bikeriders (20th Century), The Wonderful Story of Henry Sugar (Netflix), Ferrari (STX), Maestro (Netflix), Shirley (Netflix), Next Goal Wins (Searchlight), The Killer (Netflix), Monster (Toho), Asteroid City (Focus), May December (Sky Cinema), Beau is Afraid (A24), Barbie (Warner Bros.), A Thousand and One (Focus), Wonka (Warner Bros.), Strangers (Searchlight), The Holdovers (Focus), The Piano Lesson (Netflix), One Life (See-Saw)

    Longer Shots: Nyad (Netflix), Leave the World Behind (Netflix), The Actor (Netflix), Challengers (MGM), The Zone of Interest (A24), The Iron Claw (A24), About Dry Grasses (Atmo), Limonov: The Ballad of Eddie (Vision), Are You There God? It’s Me Margaret (Lionsgate), Spider-Man: Across the Universe (Sony), Firebrand (MBK), Magazine Dreams (Searchlight), The Bastard (Magnolia), Io Capitano (01), Memory (MUBI), The Perfumed Hill, The New Boy (CAA/UTA), The Book of Clarence (Legendary), La Chimera (NEON)

    BEST DIRECTOR

    Martin Scorsese – Killers of the Flower Moon

    Steve McQueen – Blitz

    Blitz Bazawule – The Color Purple

    Celine Song – Past Lives

    Hayao Miyazaki – How Do You Live?

    Could Jump In: Emerald Fennell – Saltburn, Yorgos Lanthimos – Poor Things, Christopher Nolan – Oppenheimer, Denis Villeneuve – Dune: Part Two, Blitz Bazawule – The Color Purple, Ridley Scott – Napoleon, Jeff Nichols – The Bikeriders, Ellen Kuras – Lee, Michael Mann – Ferrari, David Fincher – The Killer, Greta Gerwig – Barbie, Ari Aster – Beau is Afraid, Wes Anderson – The Wonderful Story of Henry Sugar, Todd Haynes – May December, George C. Wolfe – Rustin, Nuri Bilge Ceylan – About Dry Grasses 

    BEST ACTOR

    Colman Domingo – Rustin

    Bradley Cooper – Maestro

    Leonardo DiCaprio – Killers of the Flower Moon

    Michael Fassbender – The Killer

    Adam Driver – Ferrari

    Could Jump In: Paul Giamatti – The Holdovers, Barry Keoghan – Saltburn, Cillian Murphy – Oppenheimer, Austin Butler – The Bikeriders, Benedict Cumberbatch – The Wonderful Story of Henry Sugar, Anthony Hopkins – One Life, Joaquin Phoenix – Beau is Afraid, Andre Holland – The Actor, Song Kang-Ho – Cobweb, Andrew Scott – Strangers, Timothee Chalamet – Wonka

    BEST ACTRESS

    Kate Winslet – Lee

    Natalie Portman – May December

    Greta Lee – Past Lives

    Saoirse Ronan – Blitz

    Carey Mulligan – Maestro

    Could Jump In: Regina King – Shirley, Annette Bening – Nyad, Fantasia Barrino – The Color Purple, Emma Stone – Poor Things, Zendaya – Challengers, Margot Robbie – Barbie, Vanessa Kirby – Napoleon, Teyana Taylor – A Thousand and One, Alicia Vikander – Firebrand, Jessica Chastain – Memory, Sakura Ando – Monster

    BEST SUPPORTING ACTOR

    Robert De Niro – Killers of the Flower Moon

    Tom Hardy – The Bikeriders

    John Magaro – Past Lives

    Colman Domingo – The Color Purple

    Jesse Plemons – Killers of the Flower Moon

    Could Jump In: Richard E. Grant – Saltburn, Willem Dafoe – Poor Things, Glynn Turman or Jeffrey Wright – Rustin, Stephen Graham – Blitz, Louis Gossett Jr. – The Color Purple, Lakeith Stanfield – The Book of Clarence, Andy Samberg – Lee, Paul Mescal – Strangers, Josh O’Connor or Mike Faist – Challengers, Peter Sarsgaard – Memory, Jude Law – Firebrand, Mahershala Ali – Leave the World Behind

    BEST SUPPORTING ACTRESS

    Taraji P. Henson – The Color Purple

    Lily Gladstone – Killers of the Flower Moon

    Rosamund Pike – Saltburn

    Jodie Comer – The Bikeriders

    Julianne Moore – May December

    Could Jump In: Jodie Foster – Nyad, Tilda Swinton – The Killer, Penelope Cruz – Ferrari Audra McDonald – Rustin, Danielle Brooks – The Color Purple, Claire Foy – Strangers, Margaret Qualley – Poor Things, Carey Mulligan – Saltburn, Helena Bonham Carter – One Life

    BEST ORIGINAL SCREENPLAY

    Past Lives

    Blitz

    Saltburn

    Rustin

    May December

    Could Jump In: Maestro, Asteroid City, The Holdovers, Beau is Afraid, Monster

    BEST ADAPTED SCREENPLAY

    Killers of the Flower Moon

    Poor Things

    The Bikeriders

    Oppenheimer

    How Do You Live?

    Could Jump In: The Color Purple, The Wonderful Story of Henry Sugar, Strangers, Lee, Dune: Part Two

    BEST ANIMATED FEATURE

    How Do You Live?

    Spider-Man: Across the Spider-Verse

    Elemental

    Wish

    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Could Jump In: Migration, Suzume

    BEST PRODUCTION DESIGN

    Poor Things

    Dune: Part Two

    Saltburn

    Oppenheimer

    Napoleon

    Could Jump In: The Wonderful Story of Henry Sugar, Killers of the Flower Moon, The Color Purple, Blitz, Wonka,

    BEST CINEMATOGRAPHY

    Dune: Part Two

    Killers of the Flower Moon

    Saltburn

    Poor Things

    Napoleon

    Could Jump In: Oppenheimer, The Color Purple, The Wonderful Story of Henry Sugar, Maestro, The Killer

    BEST COSTUME DESIGN

    Dune: Part Two

    Poor Things

    Saltburn

    The Color Purple

    Barbie

    Could Jump In: The Wonderful Story of Henry Sugar, Napoleon, Wonka, Blitz, Lee

    BEST FILM EDITING

    Dune: Part Two

    Killers of the Flower Moon

    The Killer

    Ferrari

    Oppenheimer

    Could Jump In: The Color Purple, Napoleon, Blitz, Maestro, Poor Things

    BEST MAKEUP & HAIRSTYLING

    Maestro

    Barbie

    Dune: Part Two

    Poor Things

    Wonka

    Could Jump In: The Color Purple, Ferrari, Napoleon, The Wonderful Story of Henry Sugar, The Bikeriders

    BEST SOUND

    Dune: Part Two

    Oppenheimer

    Ferrari

    The Color Purple

    Blitz

    Could Jump In: Mission: Impossible – Dead Reckoning Part One, Maestro, Wonka, The Marvels. Barbie

    BEST VISUAL EFFECTS

    Dune: Part Two

    Transformers: Rise of the Beasts

    Guardians of the Galaxy Vol. 3

    Oppenheimer

    Wonka

    Could Jump In: Barbie, The Little Mermaid, The Marvels, Indiana Jones and the Dial of Destiny, Blue Beetle

    BEST ORIGINAL SCORE

    Dune: Part Two

    How Do You Live?

    Oppenheimer

    The Killer

    Asteroid City

    Could Jump In: Elemental, Barbie, Challengers, Lee, Killers of the Flower Moon

  • Final 2023 Oscar Predictions: Best Picture and Best Director

    Final 2023 Oscar Predictions: Best Picture and Best Director

    BEST PICTURE

    I love it when the biggest award of the night is the easiest to predict. This year has been the story of Everything Everywhere All at Once’s dominance. From its premiere at South by Southwest on March 11 last year, the Daniels-directed film has been building steam, racking up award after award in the process. It’s a film that has restored many in Hollywood’s faith that word-of-mouth successes can still exist when the film industry is moving so rapidly away from theaters. “Everything Everywhere All at Once” is a fantastic film that has touched such a large swathe of people and it is undeniably deserving of Best Picture this year.

    Nominees:

    Everything Everywhere All at Once – PGA, SAG, DGA, CCA, WGA

    The Banshees of Inisherin – GG (Comedy/Musical)

    All Quiet on the Western Front – BAFTA

    The Fabelmans – GG (Drama)

    Tar

    Elvis

    Top Gun: Maverick

    Women Talking – WGA

    Triangle of Sadness

    Avatar: The Way of Water

    Pick: Everything Everywhere All at Once

    BEST DIRECTOR

    While the tagline “Steven Spielberg makes a film about his burgeoning childhood interest in filmmaking” sounds like prime bait for a category like Best Director, the Daniels have already won the Directors Guild Award, one of the best barometers of who will win Best Director. Park Chan-Wook or Charlotte Wells would have also been deserving picks, yet were snubbed here. Wells’ exclusion is especially notable because it meant that no female-identifying filmmaker was nominated for Best Director.

    Nominees:

    Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once – CCA, DGA

    Steven Spielberg – The Fabelmans – GG

    Todd Field – Tar

    Martin McDonagh – The Banshees of Inisherin

    Ruben Ostlund – Triangle of Sadness

    Pick: Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once

  • Final 2023 Oscar Predictions: Film Editing, Cinematography, Costume Design

    Final 2023 Oscar Predictions: Film Editing, Cinematography, Costume Design

    BEST FILM EDITING

    Since 2013, every winner in Best Editing has won a Sound award as well. This year, I think that streak ends. Oftentimes, the Academy voters here award genre films with incredibly flashy editing. These films oftentimes have very flashy sound design as well which is why this trend has continued. However, this year, Everything Everywhere All at Once has won the major precursors and is a genre film with a lot of quick cuts, action scenes, and flashy visuals. It makes sense as a winner and while Top Gun: Maverick would be the safe pick I am going to go with EEAAO here.

    Nominees:

    Everything Everywhere All at Once – ACE (Comedy/Musical), CCA, BAFTA

    Top Gun: Maverick – ACE (Drama)

    Elvis

    The Banshees of Inisherin

    Tar

    Pick: Everything Everywhere All at Once

     

    BEST CINEMATOGRAPHY

    2022 – Dune – BAFTA, ASC

    2021 – Mank – ASC

    2020 – 1917 – BAFTA, ASC, CCA

    2019 – Roma – BAFTA, CCA

    2018 – Blade Runner 2049 – BAFTA, ASC, CCA

    2017 – La La Land – BAFTA, CCA

    2016 – The Revenant – BAFTA, ASC, CCA

    2015 – Birdman – BAFTA, ASC, CCA

    2014 – Gravity – BAFTA, ASC, CCA

    2013 – Life of Pi – BAFTA, CCA

    Based on past winners, the Academy seems to like very flashy cinematography in this category. For this category, BAFTA and ASC are the most important precursors. While All Quiet on the Western Front won BAFTA, Elvis won ASC though that was without All Quiet on the Western Front being nominated at ASC. An Elvis win here would be historic with Mandy Walker possibly becoming the first female cinematographer to win an Oscar. All Quiet on the Western Front just has the mix of landscape shots and stark color palettes that the Academy loves so James Friend will very likely win his first Oscar.

    Nominees:

    All Quiet on the Western Front – BAFTA

    Elvis – ASC

    Tar

    Empire of Light

    Bardo

    Pick: All Quiet on the Western Front

     

    BEST COSTUME DESIGN

    Elvis is the clear frontrunner and the kind of opulent period piece that the Academy likes to award here. Baz Luhrmann’s films have won twice already in this category (Moulin Rouge! and The Great Gatsby) and as this is the Aussie director’s biggest Picture contender since Moulin Rouge!, it shouldn’t have much trouble taking Costume Design this time around as well.

    Nominees: 

    Elvis – BAFTA, CDG (Period)

    Babylon

    Black Panther: Wakanda Forever – CCA

    Everything Everywhere All at Once – CDG (Sci-Fi/Fantasy)

    Mrs. Harris Goes to Paris

    Pick: Elvis

  • Final 2023 Oscar Predictions: Sound, Original Song, Original Score

    Final 2023 Oscar Predictions: Sound, Original Song, Original Score

    BEST SOUND

    Top Gun: Maverick and All Quiet on the Western Front are the major contenders here. While both fit the mold of the genre film that often wins here, ‘Top Gun: Maverick’ has an Editing nomination which ‘All Quiet’ does not. Sound and Editing often go hand in hand and every Editing winner has also had a win in Sound since 2013 and that trend shows no signs of slowing down anytime soon.

    Nominees:

    Top Gun: Maverick – MPSE, CAS

    All Quiet on the Western Front – MPSE, BAFTA

    Elvis – MPSE

    Avatar: The Way of Water

    The Batman

    Pick: Top Gun: Maverick

     

    BEST ORIGINAL SONG

    In the last 10 years, every film that has won both the Golden Globe and Critics Choice Award in Original Song have also won the corresponding Oscar. This year RRR has won both awards and while Lady Gaga and Rihanna are very big names it has to compete with, there is a strong enough push to award the Tollywood track and I think it should be able to prevail.

    Nominees:

    RRR – “Naatu Naatu” – GG, CCA

    Black Panther: Wakanda Forever – “Lift Me Up”

    Top Gun: Maverick – “Hold My Hand”

    Everything Everywhere All at Once – “This is a Life”

    Tell Me Like a Woman – “Applause”

    Pick: RRR

     

    BEST ORIGINAL SCORE

    This one is incredibly tight. Babylon won the Golden Globe, All Quiet on the Western Front took the BAFTA, and Tar, which was not even nominated here, won at Critics Choice. A stat working against Babylon is that every Original Score winner in the last 15 years was also nominated for Best Picture except for two (Soul and the Hateful Eight). And both Soul and The Hateful Eight swept BAFTA, CCA, and GG before going on to win the Oscar. While Babylon is definitely the score I prefer, Volker Bertelmann’s work on ‘All Quiet’ is a very good companion piece that lines up better with the Academy’s tastes. Watch out for John Williams’ work on The Fabelmans or Son Lux’s work on “Everything Everywhere All at Once” as possible upsets. John Williams is the greatest living composer on his last score and while I think he needed at least one precursor to win like Ennio Morricone did back in 2016, it still is possible.

    Nominees:

    All Quiet on the Western Front – BAFTA

    Babylon – GG

    The Fabelmans

    Everything Everywhere All at Once

    The Banshees of Inisherin

    Pick: All Quiet on the Western Front

  • 2023 Oscar Nominations: ‘Everything Everywhere’ and ‘All Quiet’ Lead the Pack

    2023 Oscar Nominations: ‘Everything Everywhere’ and ‘All Quiet’ Lead the Pack

    Everything Everywhere All at Once getting in for Costume Design and Score (should’ve gone with my gut on this), and Original Song, all categories the film was not favored to get nominated in, is a clear indication of the overwhelming Academy-wide support it has. It led the pack with 11 nominations.

    All Quiet on the Western Front announced itself as a tech giant, taking nine nominations. The war film followed up its massive BAFTA haul with reduced, but still impressive, results with the Academy.

    They did what they did last year with Belfast’s Caitrona Balfe and Judi Dench. While Balfe did better with the precursor nominations, the Academy went with the veteran Dench come nominations morning. This time around, The Fabelmans’ Paul Dano performed better at the precursors, but his costar Judd Hirsch got in with the Academy.

    Descendent becomes the first Higher Ground Oscar-eligible documentary film to miss Best Documentary. Making way for A House Made of Splinters to receive a nomination.

    Ruben Ostlund got in for Triangle of Sadness and his film was selected for Picture over The Whale (which was snubbed in Adapted Screenplay as well). Brendan Fraser is still the front runner for Actor, but his path now seems slightly more difficult.

    In the acting categories, Brian Tyree Henry (YES!), Paul Mescal (YES!), and Andrea Riseborough surprised with nominations. Riseborough’s inclusion is especially notable as she had a strong but incredibly last-minute campaign that was ran by her Hollywood friends. Her inclusion (along with Michelle Williams) led to both Danielle Deadwyler and Viola Davis being snubbed for Till and The Woman King respectively.

    The Oscars will be televised on March 12th, live from the Dolby Theater on ABC.

    Here is the complete list of nominees:

    Best Picture

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Banshees of Inisherin

    Elvis

    Everything Everywhere All at Once

    The Fabelmans

    TÁR

    Top Gun: Maverick

    Triangle of Sadness

    Women Talking

    Directing

    Martin McDonagh, The Banshees of Inisherin

    Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once

    Steven Spielberg, The Fabelmans

    Todd Field, TÁR

    Ruben Östlund, Triangle of Sadness

    Actor in a Leading Role

    Austin Butler, Elvis

    Colin Farrell, The Banshees of Inisherin

    Brendan Fraser, The Whale

    Paul Mescal, Aftersun

    Bill Nighy, Living

    Actress in a Leading Role

    Cate Blanchett, TÁR

    Ana de Armas, Blonde

    Andrea Riseborough, To Leslie

    Michelle Williams, The Fabelmans

    Michelle Yeoh, Everything Everywhere All at Once

    Actor in a Supporting Role

    Brendan Gleeson, The Banshees of Inisherin

    Bryan Tyree Henry, Causeway

    Judd Hirsch, The Fabelmans

    Barry Keoghan, The Banshees of Inisherin

    Ke Huy Quan, Everything Everywhere All at Once

    Actress in a Supporting Role

    Angela Bassett, Black Panther: Wakanda Forever

    Hong Chao, The Whale

    Kerry Condon, The Banshees of Inisherin

    Jamie Lee Curtis, Everything Everywhere All at Once

    Stephanie Hsu, Everything Everywhere All at Once

    International Feature Film

    All Quiet on the Western Front

    Argentina, 1985

    Close

    EO

    The Quiet Girl

    Cinematography

    All Quiet on the Western Front

    Bardo, False Chronicle of a Handful of Truths

    Elvis

    Empire of Light

    TÁR

    Production Design

    All Quiet on the Western Front

    Avatar: The Way of Water

    Babylon

    Elvis

    The Fabelmans

    Visual Effects

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Batman

    Black Panther: Wakanda Forever

    Top Gun: Maverick

    Costume Design

    Babylon

    Black Panther: Wakanda Forever

    Elvis

    Everything Everywhere All at Once

    Mrs. Harris Goes to Paris

    Sound

    All Quiet on the Western Front

    Avatar: The Way of Water

    The Batman

    Elvis

    Top Gun: Maverick

    Original Score

    All Quiet on the Western Front

    Babylon

    The Banshees of Inisherin

    Everything Everywhere All at Once

    The Fabelmans

    Writing (Adapted Screenplay)

    All Quiet on the Western Front

    Glass Onion: A Knives Out Mystery

    Living

    Top Gun: Maverick

    Women Talking

    Writing (Original Screenplay)

    The Banshees of Inisherin

    Everything Everywhere All at Once

    The Fabelmans

    TÁR

    Triangle of Sadness

    Live Action Short Film

    An Irish Goodbye

    Ivalu

    Le Pupille

    Night Ride

    The Red Suitcase

    Animated Short Film

    The Boy, the Mole, the Fox, and the Horse

    The Flying Sailor

    Ice Merchants

    My Year of Dicks

    An Ostrich Told Me the World Is Fake and I Think I Believe It

    Film Editing

    The Banshees of Inisherin

    Elvis

    Everything Everywhere All at Once

    TÁR

    Top Gun: Maverick

    Makeup and Hairstyling

    All Quiet on the Western Front

    The Batman

    Black Panther: Wakanda Forever

    Elvis

    The Whale

    Animated Feature Film

    Guillermo del Toro’s Pinocchio

    Marcel the Shell With Shoes On

    Puss in Boots: The Last Wish

    The Sea Beast

    Turning Red

    Original Song

    “Applause”

    “Hold My Hand”

    “Lift Me Up”

    “Naatu Naatu”

    “This Is A Life”

    Documentary Short Subject

    The Elephant Whisperers

    Haulout

    How Do You Measure a Year?

    The Martha Mitchell Effect

    Stranger at the Gate

    Documentary Feature

    All That Breathes

    All the Beauty and the Bloodshed

    Fire of Love

    A House Made of Splinters

    Navalny

  • Final 2023 Oscar Nomination Predictions

    Final 2023 Oscar Nomination Predictions

    After months of predicting (here are my May predictions if you want to see how off I was), the time has finally come. The Academy will reveal their nominations on the morning of Tuesday, January 24th and in just over a month, their winners will be announced at the Dolby Theatre on March 12th.

    Anyways, here are my predictions (with explanations for each linked):

     

    ‘Everything Everywhere All at Once’ (A24)

     

    BEST PICTURE

    Everything Everywhere All at Once (A24)

    The Banshees of Inisherin (Searchlight)

    The Fabelmans (Universal)

    Top Gun: Maverick (Paramount)

    Tar (Focus)

    Elvis (Warner Bros.)

    All Quiet on the Western Front (Netflix)

    Avatar: the Way of the Water (20th Century)

    The Whale (A24)

    Babylon (Paramount)

    Could Jump In: Triangle of Sadness (NEON), Women Talking (MGM/UA)

     

    ‘The Fabelmans’ (Universal)

     

    BEST DIRECTOR

    The Daniels – Everything Everywhere All at Once

    Steven Spielberg – The Fabelmans

    Todd Field – Tar

    Martin McDonagh – The Banshees of Inisherin

    Ruben Ostlund – Triangle of Sadness

    Could Jump In: Edward Berger – All Quiet on the Western Front, Park Chan-Wook – Decision to Leave, Baz Luhrmann – Elvis

     

    ‘The Whale’ (A24)

     

    BEST ACTOR

    Brendan Fraser – The Whale

    Colin Farrell – The Banshees of Inisherin

    Austin Butler – Elvis

    Bill Nighy – Living

    Paul Mescal – Aftersun

    Could Jump In: Tom Cruise – Top Gun: Maverick

     

    ‘Tar’ (Focus)

     

    BEST ACTRESS

    Cate Blanchett – Tar

    Michelle Yeoh – Everything Everywhere All at Once

    Viola Davis – The Woman King

    Ana de Armas – Blonde

    Danielle Deadwyler – Till

    Could Jump In: Michelle Williams – The Fabelmans, Margot Robbie – Babylon Andrea Riseborough – To Leslie

     

    ‘Everything Everywhere All at Once’ (A24)

     

    BEST SUPPORTING ACTOR

    Ke Huy Quan – Everything Everywhere All at Once

    Brendan Gleeson – The Banshees of Inisherin

    Barry Keoghan – The Banshees of Inisherin

    Paul Dano – The Fabelmans

    Brian Tyree Henry – Causeway

    Could Jump In: Eddie Redmayne – The Good Nurse, Ben Whishaw – Women Talking, Brad Pitt – Babylon, Judd Hirsch – The Fabelmans, Albrecht Schuch – All Quiet on the Western Front

     

    ‘Black Panther: Wakanda Forever’ (Disney/Marvel)

     

    BEST SUPPORTING ACTRESS

    Angela Bassett – Black Panther: Wakanda Forever

    Kerry Condon – The Banshees of Inisherin

    Hong Chau – The Whale

    Jamie Lee Curtis – Everything Everywhere All at Once

    Stephanie Hsu – Everything Everywhere All at Once

    Could Jump In: Dolly de Leon – Triangle of Sadness, Jessie Buckley – Women Talking, Janelle Monae – Glass Onion: A Knives Out Mystery, Carey Mulligan – She Said

     

    ‘The Banshees of Inisherin’ (Searchlight)

     

    BEST ORIGINAL SCREENPLAY

    Everything Everywhere All at Once

    The Banshees of Inisherin

    Tar

    The Fabelmans

    Triangle of Sadness

    Could Jump In: Aftersun

     

    ‘The Whale’ (A24)

     

    BEST ADAPTED SCREENPLAY

    The Whale

    Women Talking

    Glass Onion: A Knives Out Mystery

    All Quiet on the Western Front

    Living

    Could Jump In: She Said

     

    ‘Guillermo del Toro’s Pinocchio’ (Netflix)

     

    BEST ANIMATED FEATURE

    Guillermo del Toro’s Pinocchio

    Marcel the Shell with Shoes On

    Turning Red

    Puss in Boots: The Last Wish

    My Father’s Dragon

    Could Jump In: Wendell & Wild, Inu-Oh, Annie, The Sea Beast

     

    ‘Babylon’ (Paramount)

     

    BEST PRODUCTION DESIGN

    Babylon

    Elvis

    Avatar: The Way of the Water

    All Quiet on the Western Front

    The Fabelmans

    Could Jump In: Black Panther: Wakanda Forever, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio

     

    ‘Top Gun: Maverick’ (Paramount)

     

    BEST CINEMATOGRAPHY

    Top Gun: Maverick

    All Quiet on the Western Front

    Empire of Light

    Elvis

    Babylon

    Could Jump In:  The Batman, The Fabelmans, Avatar 2: The Way of the Water, Bardo

     

    ‘Elvis’ (Warner Bros.)

     

    BEST COSTUME DESIGN

    Babylon

    Elvis

    Black Panther: Wakanda Forever

    The Woman King

    Mrs. Harris Goes to Paris

    Could Jump In: Amsterdam, Corsage, Everything Everywhere All at Once, The Fabelmans

     

    ‘Top Gun: Maverick’ (Paramount)

     

    BEST FILM EDITING

    Top Gun: Maverick

    Everything Everywhere All at Once

    Elvis

    All Quiet on the Western Front

    Avatar: The Way of Water

    Could Jump In: The Banshees of Inisherin, Tar, The Fabelmans, Babylon

     

    ‘The Batman’ (Warner Bros.)

     

    BEST MAKEUP & HAIRSTYLING

    The Whale

    The Batman

    Elvis

    Black Panther: Wakanda Forever

    Babylon

    Could Jump In: Blonde, All Quiet on the Western Front, Amsterdam

     

    ‘All Quiet on the Western Front’ (Netflix)

     

    BEST SOUND

    Top Gun: Maverick

    Avatar: The Way of the Water

    All Quiet on the Western Front

    Elvis

    Everything Everywhere All at Once

    Could Jump In: The Batman

     

    ‘The Batman’ (Warner Bros.)

     

    BEST VISUAL EFFECTS

    Avatar: The Way of the Water

    Top Gun: Maverick

    The Batman

    Black Panther: Wakanda Forever

    Nope

    Could Jump In: All Quiet on the Western Front, Thirteen Lives, Doctor Strange in the Multiverse of Madness

     

    ‘Babylon’ (Paramount)

     

    BEST ORIGINAL SCORE

    Babylon

    Guillermo del Toro’s Pinocchio

    The Fabelmans

    Women Talking

    The Banshees of Inisherin

    Could Jump In: Everything Everywhere All at Once, All Quiet on the Western Front

     

    ‘RRR’ (Netflix)

     

    BEST ORIGINAL SONG

    RRR

    Guillermo del Toro’s Pinocchio

    Top Gun: Maverick

    Black Panther: Wakanda Forever

    Tell It Like a Woman

    Could Jump In: Where the Crawdads Sing, White Noise, Till, Everything Everywhere All at Once

     

    ‘Decision to Leave’ (MUBI)

     

    BEST INTERNATIONAL FEATURE

    All Quiet on the Western Front

    Decision to Leave

    Argentina, 1985

    Close

    The Quiet Girl

    Could Jump In: EO, Bardo, Holy Spider, Return to Seoul, Corsage

     

    ‘All The Beauty and the Bloodshed’ (Participant)

     

    BEST DOCUMENTARY FEATURE

    All the Beauty and the Bloodshed

    Fire of Love

    Navalny

    All that Breathes

    Descendent

    Could Jump In: The Territory, The Janes, Moonage Daydream, Bad Axe

     

    ‘Le Pupille’ (Disney+)

     

    BEST LIVE ACTION SHORT

    Le Pupille

    An Irish Goodbye

    The Red Suitcase

    Warsha

    Nakam

    Could Jump In: Almost Home, The Lone Wolf

     

    ‘The Flagmakers’ (National Geographic)

     

    BEST DOCUMENTARY SHORT

    The Flagmakers

    The Elephant Whisperers

    How Do You Measure a Year?

    38 at the Garden

    Nuisance Bear

    Could Jump In: Holding Moses, How Far Can They Run

     

    ‘The Boy, the Mole, the Fox and the Horse’ (Apple+)

     

    BEST ANIMATED SHORT

    The Boy, the Mole, the Fox and the Horse

    New Moon

    Save Ralph

    The Flying Sailor

    My Year of Dicks

    Could Jump In: Ice Merchants, An Ostrich Told Me the World is Fake and I Think I Believe It

  • Final 2023 Oscar Nomination Predictions: Best Picture And Best Director

    Final 2023 Oscar Nomination Predictions: Best Picture And Best Director

    Six films: Everything Everywhere All at Once, The Banshees of Inisherin, The Fabelmans, Tar, Top Gun: Maverick, and Elvis are undeniably locked for Picture nominations. All Quiet on the Western Front and Avatar: the Way of the Water follow close behind though I can see there being a world where either of the two films miss (maybe wishful thinking for the latter?).

    The last two slots are a lot trickier in my eyes and I have honestly spent hours trying to decide on the films that will make those last two slots. There are four films that I think can get those last two slots: The Whale, Babylon, Women Talking, and Triangle of Sadness.

    One thing I am looking at is what films have passion behind them. The IMDb scores of these four films are as follows: The Whale (8.0), Babylon (7.5), Women Talking (7.5 on 2.1K ratings), and Triangle of Sadness (7.5). All of these films are relatively well-liked across the board, though Women Talking having lower than 2500 ratings is concerning especially when the other three all have over 15K (Triangle of Sadness is at 63K).

    As mentioned previously, The Whale has had a recent surge, having the best limited release of a 2022 film (yes, even over its A24 sibling Everything Everywhere All at Once). Brendan Fraser is the frontrunner in the Best Actor race and the last time a Best Actor winner won without his film being nominated for Best Picture was 13 years ago when Jeff Bridges won for Crazy Heart. With The Whale getting nominated at PGA, Hong Chau surging in Best Supporting Actress, and the film being locked for both Adapted Screenplay (where I believe it may win) and Best Hair & Makeup, I think I can confidently slot it in.

    The last slot is a lot more complicated. Women Talking being completely snubbed by BAFTA, even in Adapted Screenplay where many are predicting it to be the Oscar winner, was a very troubling sign. It received a SAG ensemble nom yet didn’t get anything for any of its actors. As someone whose seen the film, I am not sure the Academy will fall for a film that feels so non-narrative. While there is a clear story in the film, the vast majority of the film takes place over the span of a few days and mainly consists of women discussing whether they should leave a Mennonite colony as many have been victims of rape from the colony’s men. It’s a good film, I just don’t think it’s getting the level of attention or generating the kind of conversation that a film like it needs to get the 1st, 2nd, and 3rd place votes needed to be nominated for Best Picture.

    So that leaves Babylon and Triangle of Sadness. To me, Babylon’s haul is very reminiscent of last year’s Nightmare Alley. It is helmed by someone who has won Best Director in the past, did well at CCA (getting a Picture nod and multiple other nominations), was restricted to just 3 technical categories at BAFTA, and boasts an ensemble cast of well-known stars and character actors. I honestly think Babylon might be stronger than Nightmare Alley since it also has SAG and Globe nods while Nightmare Alley just had CCA. But the question is, is Triangle of Sadness stronger than both films?

    The Palme D’Or winner has been in the conversation since May and of the overtly anti-capitalist high-profile films of the year (The Menu, Glass Onion, etc.), it is the best. As evidenced by it winning the biggest prize at Cannes, it’s definitely a film that inspires passion from its fans. The thing I am wondering is will enough people love it? Drive My Car got in last year without any precursor nominations because many people touted it as the best film of the year, it was a no-brainer after it won critics’ trifecta (NYFCC, LAFCA, NSFC).

    Even though it’s a tired trope in Best Picture nominees, I am going to go with Babylon because at its core, it’s an ode to the film industry with bug stars, extravagant sets, and an audacious story. it checks way too many boxes of what oftentimes gets in here and for the biggest category of the morning I guess I’m going to play it safe.

    BEST PICTURE

    Everything Everywhere All at Once (A24) – AFI, GG, CCA, SAG, PGA, BAFTA

    The Banshees of Inisherin (Searchlight) – AFI (Special Award), GG, CCA, SAG, PGA, BAFTA

    The Fabelmans (Universal) – AFI, GG, CCA, SAG, PGA

    Top Gun: Maverick (Paramount) – AFI, GG, CCA, PGA

    Tar (Focus) – AFI, GG, CCA, PGA, BAFTA

    Elvis (Warner Bros.) – AFI, GG, CCA, PGA, BAFTA

    All Quiet on the Western Front (Netflix) – BAFTA

    Avatar: the Way of the Water (20th Century) – AFI, GG, CCA, PGA

    The Whale (A24) – PGA

    Babylon (Paramount) – GG, CCA, SAG

    Could Jump In: Triangle of Sadness (NEON) – GG, Women Talking (MGM/UA) – CCA, SAG

     

    This is category is famous for snubbing directors like Peter Farrelly and Aaron Sorkin. Directors who the members of the branch don’t see as auteurs or auteur-adjacent. Their directorial styles are either too indistinct or lack some sort of stylistic signature or vision that this branch likes to see. Will any of this year’s directors suffer the same fate?

    Well, I can practically guarantee that The Daniels and Steven Spielberg are safe, both have very clear visions for their projects that would be appealing to a group of directors. McDonagh has missed in the past for Three Billboards Outside of Ebbing, Missouri which was seen as a film driven by actors and screenplay more than by directing. This time around, McDonagh has done much better at the critics’ awards as a a director than he did for ‘Billboards’, but I still think Field is more likely to be nominated (especially with an endorsement from Scorsese himself).

    Will BAFTA help fill the last slot in this category once again? It seems so, though Berger may not be the filmmaker that accomplishes that. Edward Berger is not like past surprise director nominees in this category like Ryusuke Hamaguchi, Thomas Vinterberg, Pawel Pawilkowski, and Paul Thomas Anderson. Berger’s only director nomination for his work on ‘All Quiet’, other than BAFTA, came from the San Diego Film Critics Society. All four of these rceently-nominated directors are incredibly critically-acclaimed and have made films that were considered by critics to be in the top five of the years they released.

    So, if Berger won’t fill the fifth slot, who will? To me, it’s between Ruben Ostlund and Park Chan-Wook. Both are definitely auteurs who have multiple acclaimed films under their belt, Ruben Ostlund with Force Majeure and The Square and Park with The Handmaiden, Oldboy, the rest of the Vengeance trilogy, and J.S.A.: Joint Security Area. Since Ostlund’s film is a bigger Picture contender, I am going to go with him but don’t count at the BAFTA-nominated Park as he is, in general, a much more respected filmmaker.

    BEST DIRECTOR

    The Daniels – Everything Everywhere All at Once – GG, CCA, DGA, BAFTA

    Steven Spielberg – The Fabelmans – GG, CCA, DGA

    Todd Field – Tar – CCA, DGA, BAFTA

    Martin McDonagh – The Banshees of Inisherin – GG, CCA, DGA, BAFTA

    Ruben Ostlund – Triangle of Sadness

    Could Jump In: Edward Berger – All Quiet on the Western Front – BAFTA, Park Chan-Wook – Decision to Leave – BAFTA, Baz Luhrmann – Elvis – GG, CCA

  • Final 2023 Oscar Nomination Predictions: Acting Categories

    Final 2023 Oscar Nomination Predictions: Acting Categories

    The first four men are essentially locked for nominations as they have been for over a month now. My fifth pick is between Paul Mescal and Tom Cruise. As I’ve mentioned previously, Best Actor is often connected with Best Picture and Cruise is in an unquestionable Best Picture nominee while Mescal is not (even though Aftersun should be!). Aftersun is a massive critics favorite and this is the category where it has the best chance for a nomination in. But it is still a very small movie and Cruise is one of the biggest actors of all-time in one of the biggest movies of the year. However, Cruise’s SAG miss is concerning is that was the guild where a big star like him should have landed (especially over someone like Bill Nighy in a small movie like Living). I think in the end, the quality of Paul Mescal’s performance will win out especially since the film peaked at the exact right time

    BEST ACTOR

    Brendan Fraser – The Whale – GG, CCA, SAG, BAFTA

    Colin Farrell – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Austin Butler – Elvis – GG, CCA, SAG, BAFTA

    Bill Nighy – Living – GG, CCA, SAG, BAFTA

    Paul Mescal – Aftersun – CCA, BAFTA

    Could Jump In: Tom Cruise – Top Gun: Maverick – CCA

     

    Sigh, if only Michelle Williams was submitted in Supporting for The Fabelmans, she would have the Oscar her career so rightly deserves. And now, she’s at risk of missing out on a nomination as there just doesn’t seem to be much passion for herperformance.

    Cate Blanchett and Michelle Yeoh are beyond locked for nominations and while Viola Davis has also hit every precursor so far, I think there is a slight, though not very likely, chance that she gets the Lady Gaga treatment and gets snubbed even after hitting all the major precursors. This is because her film is not a top 13 Best Picture contender though Viola Davis is so beloved that she honestly could get in even if she did not hit as many precursors as she did.

    While I didn’t have Ana de Armas in my predictions for months, now that she has hit 3 of the 4 major precursors, she cannot be ignored. We know how much the Academy loves biopic performances and especially depictions of stars of Hollywood’s past and de Armas has given an acclaimed turn as MARILYN MONROE. Basically, she is very very likely for a nomination.

    Back to Michelle Williams. I want to put her here and she is in a top-three Best Picture contender. But The Fabelmans’ star seems to be falling as evidenced by its sole BAFTA nomination for Original Screenplay. Danielle Deadwyler on the other hand has passion behind her performance and I think she will get in here over Williams

    BEST ACTRESS

    Cate Blanchett – Tar – GG, CCA, SAG, BAFTA

    Michelle Yeoh – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Viola Davis – The Woman King – GG, CCA, SAG, BAFTA

    Ana de Armas – Blonde – GG, SAG, BAFTA

    Danielle Deadwyler – Till – CCA, SAG, BAFTA

    Could Jump In: Michelle Williams – The Fabelmans – GG, CCA, Margot Robbie – Babylon – GG, CCA, Andrea Riseborough – To Leslie

     

    Ke Huy Quan is a lock for the win in this category and him, Brendan Gleeson, and Barry Keoghan are all locked for nominations after hitting all the major precursors. The next two slots however, seems to me a toss-up between seven actors (Paul Dano, Eddie Redmayne, Brad Pitt, Judd Hirsch, Albrecht Schuch, Brian Tyree Henry, and Ben Whishaw).

    This category usually rewards actors that are connected with a top Best Picture contender and that’s why in the last ten years, only six nominees in this category (Robert Duvall for The Judge, Sylvester Stallone for Creed, Michael Shannon for Nocturnal Animals, Willem Dafoe for The Florida Project, Christopher Plummer for All The Money in the World, and Tom Hanks for A Beautiful Day in the Neighborhood) have been their film’s sole nominee. In the cases of Duvall, Plummer, and Hanks, they were nominated as they were highly-respected and well-liked actors in the later third of their careers. Stallone and Dafoe were both top two contenders in their respective years and had either won multiple major precursors (Stallone) or was nominated at every major precursor (Dafoe). Shannon was a top three NSFC contender and had done well at the critics’ awards (while his costar Aaron Taylor-Johnson performed better at the major precursors and even won a Globe).

    Of the seven who are vying for the last two slots, Paul Dano is the only one who both has at least two precursor nods under their belt and is in a top 13 Best Picture contender so I’m slotting him in as my fourth pick. None of the rest of the six are top two contenders or are legendary actors in the last third of their careers. That means that the last slot will either go to someone who has done very well at the critics’ awards or Eddie Redmayne. Brian Tyree Henry is the best performer of the former category, yet I feel like Causeway is too much of a non-entity for him to get nominated. But at the same time, Henry, like his Atlanta costar Lakeith Stanfield for Judas and the Black Messiah, has been putting in acclaimed performance after acclaimed performance, and could finally get his due from the Academy in a surprise pick. If Whishaw had a Critics Choice Award nomination this would be an easy decision, but he was snubbed scross the board and has not had the critical success that Henry has had.

    BEST SUPPORTING ACTOR

    Ke Huy Quan – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Brendan Gleeson – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Barry Keoghan – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Paul Dano – The Fabelmans – CCA, SAG

    Brian Tyree Henry – Causeway – CCA

    Could Jump In: Eddie Redmayne – The Good Nurse – GG, SAG, BAFTA, Ben Whishaw – Women Talking, Brad Pitt – Babylon – GG, Judd Hirsch – The Fabelmans, Albrecht Schuch – All Quiet on the Western Front – BAFTA

     

    The first two, Angela Bassett and Kerry Condon are locked for nominations. While Jamie Lee Curtis has hit all the precursors, having seen her performance in Everything Everywhere All at Once, I am not sure if it’s the kind of work that will get nominated here. Don’t get me wrong, she’s great in the film, it just doesn’t strike me as the kind of performance the Oscars would recognize, especially in comparison to Stephanie Hsu’s alternatingly intimidating and vulnerable work. I still think both will get nominated but watch out for a snub.

    The Whale has had a last-minute surge with its PGA nod and both BAFTA and SAG nods for Hong Chau in Supporting Actress. She should be able to continue that momentum into the Oscars. I think that it is very likely that Dolly de Leon replaces someone among this group, yet I am not confident on who that will be so I will play it safe and keep her on the outside looking in.

    BEST SUPPORTING ACTRESS

    Angela Bassett – Black Panther: Wakanda Forever – GG, CCA, SAG, BAFTA

    Kerry Condon – The Banshees of Inisherin – GG, CCA, SAG, BAFTA

    Hong Chau – The Whale – SAG, BAFTA

    Jamie Lee Curtis – Everything Everywhere All at Once – GG, CCA, SAG, BAFTA

    Stephanie Hsu – Everything Everywhere All at Once – CCA, SAG

    Could Jump In: Dolly de Leon – Triangle of Sadness – GG, BAFTA, Jessie Buckley – Women Talking – CCA, Janelle Monae – Glass Onion: A Knives Out Mystery – CCA, Carey Mulligan – She Said – GG

  • Final 2023 Oscar Nomination Predictions: Original and Adapted Screenplay

    Final 2023 Oscar Nomination Predictions: Original and Adapted Screenplay

    This category is one of the closest to a sure thing. While I might prefer if Aftersun got the attention it deserves and gets nominated here, the fivesome of Everything Everywhere All at Once, The Banshees of Inisherin, Tar, The Fabelmans, and Triangle of Sadness is far more likely. The first three films are unquestionable locks. Even BAFTA, which gave The Fabelmans only one nomination, let it have an Original Screenplay nod. Many are picking Triangle of Sadness for a Best Picture nod and while I don’t see the Palme d’Or winner being in contention for the Academy’s biggets prize, it’s the kind of audacious, out there film that this category recognizes.

    BEST ORIGINAL SCREENPLAY

    Everything Everywhere All at Once – GG, CCA, BAFTA

    The Banshees of Inisherin – GG, CCA, BAFTA

    Tar – GG, CCA, BAFTA

    The Fabelmans – GG, CCA, BAFTA

    Triangle of Sadness – BAFTA

    Could Jump In: Aftersun – CCA

     

    The Whale and Women Talking are the only two films I think are locked in this category, everything else seems snubbable. I feel confident with Glass Onion as well since it has been pretty successful with the crafts and earned a PGA nod as well.

    While this category isn’t known for nominating war films, 1917 was nominated for Best Original Screenplay in its year and ‘All Quiet’ is an adaptation of one of the most well-read works of literature ever written. As a result, I feel fairly confident in ‘All Quiet’ following the same path that Drive My Car did last year in this category (international feature that only had a BAFTA nod in this category before being nominated here at the Oscars).

    The last slot is between Living and She Said who both received nominations from CCA, USC, and BAFTA. Both seem like traditional picks in this category, She Said the Spotlight-esque celebration of journalism with countless scenes centered in newsrooms, and Living the acclaimed remake of a classic piece of cinema (Ikiru) written by one of the most renowned authors alive today (Kazuo Ishiguro).

    The BAFTA nominees this year were The Whale, All Quiet on the Western Front, Living, She Said, and The Quiet Girl. In the last few years the BAFTA nominees have been quite predictive of the Oscar slate except the BAFTA sometimes picks very British films that don’t make it into the Oscar slate. The Irish ‘The Quiet Girl’ definitely qualifies as that so I don’t see it getting nominated, but I’m wondering if Living is just a British BAFTA pick or something strong enough to receive an Oscar nod? Bill Nighy being a top five Best Actor contender and the film being nominated at CCA and USC seems to hint otherwise though I am not 100%.

    I am going to go with Living because what kind of self-respecting writers branch won’t go for a Kazuo Ishiguro adaptation of Kurosawa’s Ikiru???

    BEST ADAPTED SCREENPLAY

    The Whale – CCA, BAFTA

    Women Talking – GG, CCA, USC

    Glass Onion: A Knives Out Mystery – CCA

    All Quiet on the Western Front – BAFTA

    Living – CCA, USC, BAFTA

    Could Jump In: She Said – CCA, USC, BAFTA