2022 Oscars: Late September Oscar Predictions | Awards Insights
16697
post-template-default,single,single-post,postid-16697,single-format-standard,qode-quick-links-1.0,ajax_fade,page_not_loaded,,qode-theme-ver-11.0,qode-theme-bridge,wpb-js-composer js-comp-ver-5.1.1,vc_responsive

2022 Oscars: Late September Oscar Predictions

2022 Oscars: Late September Oscar Predictions

We finally have sure things in this race. The Power of the Dog and Belfast are locks for Best Picture nominations after their success at TIFF. And Dune, which did not meet the high expectations for it in critics’ ratings (its 76 Metascore is pretty good but not fantastic) but it seems to be making up for that in box office success and popular acclaim. However, while the film is doing well overseas, if it ends up flopping stateside it will most likely end up like Blade Runner 2049: an underseen Villenueve gem that is limited to just tech nominations. Still, I doubt that it will flop too badly as it has had a strong performance internationally.

Nightmare Alley’s trailer was released and this kind of noir-y psychological thriller needs stellar reviews to get into Best Picture. If it doesn’t have popular acclaim and/or critical acclaim (at least 85+ Metascore), then it might miss. But Guillermo del Toro and that all-star cast give me confidence to place it as high as I have it.

The Tragedy of Macbeth premiered at New York around a week ago and has received stellar reviews from many critics (it has a 90 Metascore right now). Even though many say that it might not be exactly on the Academy’s wavelength, Denzel Washington, and Frances McDormand, and Joel Coen are too beloved in the industry and it’s hard for me to believe that a film with those three and fantastic reviews will not get into Picture.

The trailer for Licorice Pizza came out (officially) yesterday and it looks like Paul Thomas Anderson’s most accessible film yet. PTA has still never won an Oscar even though he’s been nominated eight time and this coming-of-age period dramedy could be his ticket to finally getting some Oscar love.

The most important section of fall festival season has come to a close and other than films that have been previously-mentioned, films like King Richard, Spencer, Parallel Mothers, and The Lost Daughter have definitely made an impact. Of these four films, King Richard has the best chance of a Best Picture nominations and looks to be the kind of crowdpleaser that receives support from both general audiences and critics. Spencer and Parallel Mothers also have received acclaim and I project both to receive Best Actress nominations (for Kristen Stewart and Penelope Cruz respectively). Both have 85 Metascores but have different struggles that could be obstacles on their way to the Oscars. Spencer may be too artsy and inaccessible for the Academy while Parallel Mothers, the more accessible film, might not be able to transcend its status as an International Feature and get the eyeballs it needs to be nominated. The Lost Daughter has an 88 Metascore and a pretty well-known cast yet the subject matter may be too edgy for the Academy at large, though I do think it can get an Adapted Screenplay nom.

BEST PICTURE

The Power of the Dog (Netflix)

Belfast (Focus)

Dune (Warner Bros.)

Nightmare Alley (Searchlight)

Don’t Look Up (Netflix)

Licorice Pizza (MGM)

West Side Story (20th Century)

The Tragedy of Macbeth (A24/Apple TV+)

King Richard (Warner Bros.)

Spencer (NEON)

Could Jump In: House of Gucci, Being the Ricardos, Parallel Mothers, The French Dispatch, Passing, The Hand of God, The Lost Daughter, C’mon C’mon, The Humans, CODA, A Hero, Tick, Tick…Boom!, Eternals, Mass, The Tender Bar

BEST DIRECTOR

Jane Campion – The Power of the Dog

Denis Villeneuve – Dune

Kenneth Branagh – Belfast

Joel Coen – The Tragedy of Macbeth

Guillermo del Toro – Nightmare Alley

Could Jump In: Pedro Almodovar – Parallel Mothers, Paul Thomas Anderson – Licorice Pizza, Steven Spielberg – West Side Story, Wes Anderson – The French Dispatch, Pablo Larrain – Spencer, Adam McKay – Don’t Look Up, Ridley Scott – House of Gucci, Paolo Sorrentino – The Hand of God, Chloe Zhao – Eternals, Reinaldo Marcus Green – King Richard

BEST ACTOR

Benedict Cumberbatch – The Power of the Dog

Denzel Washington – The Tragedy of Macbeth

Will Smith – King Richard

Bradley Cooper – Nightmare Alley

Leonardo Dicaprio – Don’t Look Up

Could Jump In: Joaquin Phoenix – C’mon C’mon, Peter Dinklage – Cyrano, Adam Driver – House of Gucci, Jamie Dornan – Belfast, Andrew Garfield – Tick, Tick…Boom!, Clifton Collins Jr. – Jockey, Oscar Isaac – The Card Counter

BEST ACTRESS

Kristen Stewart – Spencer

Frances McDormand – The Tragedy of Macbeth

Jessica Chastain – The Eyes of Tammy Faye

Jennifer Hudson – Respect

Penelope Cruz – Parallel Mothers

Could Jump In: Nicole Kidman – Being the Ricardos (if it comes out this year she’s in), Lady Gaga – House of Gucci, Caitrona Balfe – Belfast, Cate Blanchett – Nightmare Alley, Olivia Colman – The Lost Daughter, Tessa Thompson – Passing, Jennifer Lawrence – Don’t Look Up

BEST SUPPORTING ACTRESS

Kirsten Dunst – The Power of the Dog

Ruth Negga – Passing

Judi Dench – Belfast (Or Caitrona Balfe if she is slotted in here)

Toni Colette – Nightmare Alley (Or Cate Blanchett if she is slotted in here)

Aunjanue Ellis – King Richard

Could Jump In: Ann Dowd – Mass, Meryl Streep – Don’t Look Up, Jayne Houdyshell – The Humans, Marlee Matlin – CODA, Ariana DeBose – West Side Story, Rooney Mara – Nightmare Alley, Glenn Close – Swan Song

BEST SUPPORTING ACTOR

Richard Jenkins – The Humans

Bradley Cooper – Licorice Pizza

Ciaran Hinds – Belfast

Kodi Smit-McPhee – The Power of the Dog

Corey Hawkins – The Tragedy of Macbeth

Could Jump In: Jamie Dornan – Belfast, Jared Leto – House of Gucci, Jesse Plemons – The Power of the Dog, JK Simmons – Being the Ricardos, Jason Isaacs – Mass, Al Pacino – House of Gucci, Jon Bernthal – King Richard

BEST ORIGINAL SCREENPLAY

Licorice Pizza

Belfast

Don’t Look Up

King Richard

The French Dispatch

Could Jump In: Parallel Mothers, Being the Ricardos, Spencer, C’mon C’mon, Mass, The Hand of God, A Hero, The Worst Person in the World

BEST ADAPTED SCREENPLAY

The Power of the Dog

Nightmare Alley

The Lost Daughter

Dune

House of Gucci

Could Jump In: Passing, The Tragedy of Macbeth, CODA, The Humans, The Tender Bar, West Side Story, The Last Duel

BEST ANIMATED FEATURE

Flee

Luca

The Mitchells vs. the Machines

Encanto

Belle

Could Jump In: Raya and the Last Dragon, Where is Anne Frank?, Sing 2, Vivo, Cryptozoo

BEST PRODUCTION DESIGN

The French Dispatch

West Side Story

Nightmare Alley

Dune

Belfast

Could Jump In: Being the Ricardos (if it releases this year it’s in), Licorice Pizza, The Tragedy of Macbeth, The Last Duel, Spencer, Passing, The Power of the Dog

BEST CINEMATOGRAPHY

Dune

The Tragedy of Macbeth

Belfast

The Power of the Dog

West Side Story

Could Jump In: The French Dispatch, Spencer, Nightmare Alley, Licorice Pizza, Passing

BEST COSTUME DESIGN

Spencer

Nightmare Alley

Dune

The French Dispatch

Belfast

Could Jump In: Being the Ricardos (will be here if it’s released this year), Cruella, Respect, West Side Story, House of Gucci

BEST EDITING

Dune

Don’t Look Up

Belfast

The Power of the Dog

Nightmare Alley

Could Jump In: King Richard, The French Dispatch, Licorice Pizza, Eternals, Being the Ricardos

BEST MAKEUP AND HAIRSTYLING

The Eyes of Tammy Faye

House of Gucci

Cruella

Spencer

Dune

Could Jump In: Being the Ricardos (if it releases this year it’s in), The Suicide Squad, Respect, King Richard, The French Dispatch

BEST SOUND

Dune

Eternals

West Side Story

No Time to Die

Belfast

Could Jump In: Don’t Look Up, Tick, Tick…Boom, A Quiet Place Part II, The Power of the Dog, The Matrix: Resurrections

BEST VISUAL EFFECTS

Dune

Eternals

The Matrix: Resurrections

Spider-Man: No Way Home

The Tomorrow War

Could Jump In: Shang-Chi: The Legend of the Ten Rings, Godzilla vs Kong, The Suicide Squad, No Time to Die, Black Widow

Hans Zimmer (Dune and No Time to Die; Zimmer has a couple other scores from this year but hopefully nobody is seriously considering The Boss Baby 2 in this category), Alexandre Desplat Nightmare Alley and The French Dispatch), and Jonny Greenwood (The Power of the Dog and Spencer; Greenwood also has Licorice Pizza) all have at least two scores in contention this year. I am pretty sure at least one of them will be double-nominated

BEST ORIGINAL SCORE

Dune

The Power of the Dog

Nightmare Alley

Spencer

Don’t Look Up

Could Jump In: The French Dispatch, Parallel Mothers, The Tragedy of Macbeth, Luca, Eternals

BEST ORIGINAL SONG

No Time to Die

King Richard

Encanto

Respect

Annette

Could Jump In: Belfast, Cyrano, Dear Evan Hansen, The Starling, The Automat

BEST INTERNATIONAL FEATURE

Parallel Mothers

A Hero

The Hand of God

The Worst Person in the World

Flee

Could Jump In: Happening or Petite Maman (I don’t see France choosing Titane when these two are available but they might), Compartment No. 6, I’m Your Man, Drive My Car