BEST ANIMATED FEATURE The Boy and the Heron is competitive here and can't be underestimated. It's animation legend Hayao Miyazaki's final film (though knowing him he's...
BEST LIVE ACTION SHORT These categories are hell to predict. The most unpredictable and, frankly, confounding categories at the Oscars are undoubtedly the shorts. Each of...
BEST VISUAL EFFECTS The last 10 winners in this category (Avatar: The Way of Water, Dune, Tenet, 1917, First Man, Blade Runner 2049, The Jungle Book,...
With Picture, Director, Screenplay, and Editing nods, Oppenheimer is the clear frontrunner for Best Picture. Killers of the Flower Moon's misses in Adapted Screenplay and...
[caption id="attachment_17516" align="alignnone" width="300"] 'Oppenheimer' (Universal)[/caption] BEST PICTURE Oppenheimer (Universal) – AFI, GG, CCA, SAG, PGA, BAFTA Killers of the Flower Moon (Apple TV+) – AFI, GG, CCA, SAG, PGA,...
It's crazy to me that the biggest category of the night also seems like one of the most secure categories of the night. I don't...
Giamatti, Murphy, and Cooper are locked for nominations. Even though Wright missed at BAFTA, I don't think it;s too troubling and while he isn't locked...
Past Lives, The Holdovers, and Anatomy of a Fall are undeniable locks here. Maestro is another Best Picture nominee eligible in this category but like...
Three films hit all the major precursors, Oppenheimer, Maestro, and Ferrari. I wouldn't say Ferrari is locked because it won't be a Best Picture nominee,...
In the last five years, every film nominated in this category has been a Best Picture nominee, with the only exception being tick, tick...