Category: Oscar

  • FINAL 2021 Oscar Predictions: Original and Adapted Screenplay

    FINAL 2021 Oscar Predictions: Original and Adapted Screenplay

    BEST ORIGINAL SCREENPLAY

    2020 – Parasite – BAFTA, WGA

    2019 – Green Book – GG

    2018 – Get Out – CCA, WGA

    2017 – Manchester by the Sea – BAFTA, CCA

    2016 – Spotlight – BAFTA, CCA, WGA

    2015 – Birdman – GG

    2014 – Her – GG, CCA, WGA

    2013 – Django Unchained – GG, BAFTA, CCA

    2012 – Midnight in Paris – GG, CCA, WGA

    So, essentially, the winner in this category is the film that wins the most precursors unless a film that won at least one precursor wins Best Picture. Therefore, Promising Young Woman will win Original Screenplay unless The Trial of the Chicago 7 somehow pulls off a Best Picture win. And if two films are tied (Get Out and Three Billboards Outside Ebbing, Missouri both had two precursors each in 2018), the film that won’t win anywhere else will win.

    Nominees:

    Promising Young Woman – CCA, WGA, BAFTA

    The Trial of the Chicago 7 – GG

    Minari

    Judas and the Black Messiah

    Sound of Metal

    Pick: Promising Young Woman

    BEST ADAPTED SCREENPLAY

    2020 – Jojo Rabbit – BAFTA, WGA

    2019 – BlacKKKlansman – BAFTA

    2018 – Call Me By Your Name – BAFTA, CCA, WGA, USC

    2017 – Moonlight – WGA (Original), USC

    2016 – The Big Short – BAFTA, CCA, WGA, USC

    2015 – The Imitation Game – WGA, USC

    The same rules I laid out for Original Screenplay apply here as well. It will be the film that has won the most precursors unless its competitor wins Best Picture and if two or more films are tied it will be the one that won’t win anywhere else. This year, Nomadland, the Best Picture frontrunner, has the most precursors with two (CCA, USC) and The Father has 1 (BAFTA). So going by my rules Nomadland should win this but I can’t shake the feeling that the people who saw The Father really liked it (it has an 8.3 IMDb rating right now) and since the film probably won’t win anywhere else (Hopkins has chance in Best Actor but it’s extremely slim), maybe they’ll want to push it here. It’s also true that Nomadland does not seem like a Screenplay film and more like a Director film and doesn’t seem to be in the same caliber of film that generates the kind of love that wins Picture, Director, and Screenplay (Parasite, Birdman, and 12 Years a Slave have recently accomplished this feat). Anyway, if Nomadland loses Picture it will definitely lose here but it does not need a win here to win Picture. So I am going to go with The Father because I believe that The Father is that late-breaking film that surprises and I’ve seen so much love for Anthony Hopkins’ performance in the last couple of weeks. I was previously thinking that maybe all the love for the film is reserved solely for Hopkins’ performance but its 8.3 IMDb score says otherwise. All of this might just be smoke and mirrors but I do think the love for the film will get it a win here and I feel safe saying that since Nomadland does not need a win here to win Picture.

    Nominees:

    The Father – BAFTA

    Nomadland – CCA, USC

    Borat Subsequent Moviefilm – WGA

    One Night in Miami

    The White Tiger

    Pick: The Father

     

     

  • FINAL 2021 Oscar Predictions: Sound, Original Song, Original Score

    FINAL 2021 Oscar Predictions: Sound, Original Song, Original Score

    BEST SOUND

    One stat that I thing is crucial here is that no winner in either Best Sound Editing or Best Sound Mixing in the 2010s was not a best Picture nominee. Skyfall in 2013 is the sole exception but it tied for the Best Sound Editing win with Zero Dark Thirty, a Best Picture nominee. Sound Of Metal and Mank are the only Best Picture nominees here and since Sound of Metal has the precursor support it should win. Also, sound is such a crucial component of Sound of Metal as the film follows the journey of a man losing his hearing. Soul is probably Sound Of Metal’s only competition here but I think that Sound of Metal should be able to pull away with the win.

    Nominees:

    Sound of Metal – BAFTA, CAS

    Soul – CAS (Animated), MPSE (Animated)

    Greyhound – MPSE

    Mank

    News of the World

    Pick: Sound of Metal

    BEST ORIGINAL SONG

    2020 – Rocketman GG, CCA

    2019 – A Star is Born – GG, CCA

    2018 – Coco – CCA

    2017 – La La Land – GG, CCA

    2016 – Spectre – GG

    2015 – Selma – GG, CCA

    2014 – Frozen – CCA

    2013 – Skyfall – GG, CCA

    This is a 3-way race between Husavik from Eurovision Song Contest, Speak Now from One Night in Miami, and lo si (Seen) from The Life Ahead. Husavik is the only nominated song that is heard within the movie and not in the closing credits, which is something the Academy often looks favorly upon. Speak Now is the uplifting socially-relevant song that will give some recognition to a film that many thought was snubbed. And lo si (Seen) is Diane Warren’s twelfth Oscar nomination and many might feel that this is a great opportunity to give the veteran her due. Going by past data it seems that it’s between The Life Ahead and One Night in Miami as the former won the Globe and the latter won at the CCA. It’s also, I think, important to mention that all of these films are well-known films that had love. One Night in Miami fits that description to a much greater degree than The Life Ahead so even though Speak Now could split votes from the other socially-relevant songs from The Trial of the Chicago 7 and Judas and the Black Messiah. I’m still going to go with Speak Now because of One Night in Miami’s popularity and nominations in other categories and since this will probably be the place where they awarddouble-nominated Leslie Odom Jr.

    Nominees:

    One Night in Miami – Speak Now – CCA

    Eurovision Song Contest – Husavik

    The Life Ahead – lo si (Seen) – GG

    Judas and the Black Messiah – Fight For You

    The Trial of the Chicago 7 – Hear My Voice

    Pick: One Night in Miami

    BEST ORIGINAL SCORE

    Soul has won at the Golden Globes, BAFTA, and the Critics Choice Awards in this category and has a pretty secure hold on the Oscar as well. Soul has strong advantage as the film is about a jazz musician and since Jon Batiste’s original jazz pieces are included as part of the score with Trent Reznor and Atticus Ross’s background score, I don’t see how Soul can lose here.

    Nominees:

    Soul – GG, CCA, BAFTA

    Minari

    News of the World

    Mank

    Da 5 Bloods

    Pick: Soul

     

  • FINAL 2021 Oscar Predictions: Film Editing, Cinematography, Costume Design

    FINAL 2021 Oscar Predictions: Film Editing, Cinematography, Costume Design

    BEST FILM EDITING

    2020 – Ford v Ferrari – BAFTA

    2019 – Bohemian Rhapsody – ACE

    2018 – Dunkirk – ACE, CCA

    2017 – Hacksaw Ridge – BAFTA

    2016 – Mad Max: Fury Road – BAFTA, ACE, CCA

    2015 – Whiplash – BAFTA

    In the past six years, the winner in the Best Editing category has crossed over with a Best Sound Mixing or Editing winner as well. Sound of Metal has a good chance of continuing that trend as, like Whiplash before it, is a drummer-focused drama with great editing. However, I think that The Trial of the Chicago 7 has a great chance of pulling away here since I don’t really see it winning anywhere else. With its recent wins from SAG, ACE and MPSE, it seems that The Trial of the Chicago 7 is a well-liked film among people in the industry. It is certainly the most widely-watched of the Best Picture nominees and I think that its popularity should bring it at least one win. Therefore, I think the film’s flashy editing should bring it a win as it has the precursors necessary.

    Nominees:

    The Trial of the Chicago 7 – CCA (tied), ACE

    Sound of Metal – CCA (tied), BAFTA

    Nomadland

    The Father

    Promising Young Woman

    Pick: The Trial of the Chicago 7

    BEST CINEMATOGRAPHY

    2020 – 1917 – BAFTA, ASC, CCA

    2019 – Roma – BAFTA, CCA

    2018 – Blade Runner 2049 – BAFTA, ASC, CCA

    2017 – La La Land – BAFTA, CCA

    2016 – The Revenant – BAFTA, ASC, CCA

    2015 – Birdman – BAFTA, ASC, CCA

    Even though Mank did nab ASC, Nomadland is still most likely going to take this especially since ASC often diverges from Oscar. Nomadland took BAFTA and CCA which are more predictive so I’ll keep it as the winner. While Mank does have that showy black-and-white cinematography, Nomadland’s vistas are absolutely stunning as well so I think it still should win.

    Nominees: 

    Nomadland – BAFTA, CCA

    Mank – ASC

    News of the World

    Judas and the Black Messiah

    The Trial of the Chicago 7

    Pick: Nomadland

    BEST COSTUME DESIGN

    2020 – Little Women – BAFTA

    2019 – Black Panther – CCA, CDG

    2018 – Phantom Thread – BAFTA, CCA

    2017 – Fantastic Beasts and Where to Find Them – 

    2016 – Mad Max: Fury Road – BAFTA, CCA, CDG

    2015 – The Grand Budapest Hotel – BAFTA, CCA, CDG

    While Fantastic Beasts and Where to Find Them recently won with no precursor wins, it was not facing a film that had swept BAFTA, CCA, and CDA since its main competition, Jackie, lost CDA. So Ma Rainey’s Black Bottom should win this over Emma..

    Nominees:

    Ma Rainey’s Black Bottom – BAFTA, CCA, CDG (Period)

    Emma.

    Mulan – CDG (Fantasy)

    Mank

    Pinocchio

    Pick: Ma Rainey’s Black Bottom

  • FINAL 2021 Oscar Predictions: Animated Feature, International Feature, Documentary Feature

    FINAL 2021 Oscar Predictions: Animated Feature, International Feature, Documentary Feature

    ANIMATED FEATURE

    With the Annie award yesterday, Soul has completely swept this category and it seems close to impossible that anything else can win.

    Nominees:

    Soul – GG, CCA, PGA, BAFTA, Annie

    Wolfwalkers

    Onward

    Over the Moon

    A Shaun the Sheep: Farmageddon

    Pick: Soul

    INTERNATIONAL FEATURE

    This one also seems like a no-brainer since Another Round’s Thomas Vinterberg earned a nomination in Best Director. The movie obviously has a lot of love and while it would probably be more satisfying for Vinterberg to earn his Oscar recognition for something like Festen or The Hunt, it’s great that he’s finally getting his due from the Academy.

    Nominees:

    Another Round – BAFTA

    Quo Vadis, Aida?

    Collective

    Better Days

    The Man Who Sold His Skin

    Pick: Another Round

    DOCUMENTARY FEATURE

    2020 – American Factory – DGA

    2019 – Free Solo – BAFTA, ACE

    2018 – Icarus 

    2017 – OJ: Made in America – ACE, CCA, DGA, PGA

    2016 – Amy – BAFTA, ACE, CCA, PGA

    2015 – Citizenfour – BAFTA, ACE, DGA

    Even though it doesn’t seem to be a tough to predict race going by the precursors that My Octopus Teacher has won, I could easily see every other nominee, except for The Mole Agent, pulling away with a victory. Collective and Time are critical favorites and Crip Camp has the Obamas behind them but none of them have won any major precursors. I think that what is happening is that those “message” films are essentially splitting votes with one another and the comparatively lighter My Octopus Teacher is benefitting as a result. Another thing to mention is that no winner in this category in the past six years has won without a nomination at both BAFTA and DGA and this year the only film that fits that criteria is My Octopus Teacher.

    Nominees:

    My Octopus Teacher – BAFTA, PGA, ACE

    Collective

    Time

    Crip Camp

    The Mole Agent

    Pick: My Octopus Teacher

  • FINAL 2021 Oscar Predictions: Live Action Short, Animated Short, Documentary Short

    FINAL 2021 Oscar Predictions: Live Action Short, Animated Short, Documentary Short

    BEST LIVE ACTION SHORT

    To me, the winners of these short categories either go to a film with qn extremely satisfying ending or a film that touches on an especially relevant issue. Two Distant Strangers, a film about a man who has to constantly relive his encounter with a police officer, is extremely relevant right now with the trial of Derek Chauvin for the killing of George Floyd going on right now and the killing of Daunte Wright on Sunday fresh in our memories. While a film like Feeling Through or The Present may have won last year or the year before, I don’t really see how Two Distant Strangers loses this award especially since the voters have previously awarded a film tackling race relations recently in this category (Skin in 2019), so they are not shy about this topic. Still, watch out for Feeling Through which is the probably the most optimistic of the films here and follows the past templates of films that have won. Also, The Letter Room stars Oscar Isaac so make of that what you will.

    Nominees:

    Two Distant Strangers

    The Letter Room

    Feeling Through

    The Present – BAFTA

    White Eye

    Pick: Two Distant Strangers

    BEST ANIMATED SHORT

    Two shorts, If Anything Happens I Love You and Burrow are the only two that I can see winning here. The former is a Netflix tearjerker that tackles the subject of school shootings, while the latter is a comparatively lighter Pixar short. While Pixar has a great track record here, I believe that If Anything Happens I Love You will win as I have heard talk about it in non-Oscar contexts and it is a tearjerker, which will be really tempting to vote for especially in this category.

    Nominees:

    If Anything Happens I Love You

    Burrow

    Genius Loci

    Opera

    Yes-People

    Pick: If Anything Happens I Love You

    BEST DOCUMENTARY SHORT

    This one is probably the most wide-open of the categories and there definitely is no clear frontrunner. However, since I chose a Netflix-distributed short in the previous two categories I don’t think I can choose A Love Song for Latasha here since the Academy still does have a bias against streaming films. Granted, Netflix has had a lot of past success in these categories but I don’t see them sweeping these categories when films like Ma Rainey’s Black Bottom were left out of the Best Picture fold partly since it was a Netflix film (my theory). Anyway, that leaves the other three films with the greatest odds of winning this: A Concerto is a Conversation, Colette, and Hunger Ward. I am going to go with A Concerto is a Conversation since Colette doesn’t seem to have enough timeliness or lightness to win here and while Hunger Ward tackles an important subject, its probably too long as it is 40 minutes while the other films are closer to 20. That is if the Academy members actually watch the films because I don’t believe that the majority of the Academy chooses to vote in the shorts categories. Quick note: Do Not Split is about the protests in Hong Kong and I am barely mentioning it because I don’t believe that the Academy wants to anger China when it is so important to Hollywood market.

    Nominees:

    A Conversation is a Conversation

    A Love Song for Latasha

    Colette

    Hunger Ward

    Do Not Split

    Pick: A Concerto is a Conversation

     

     

  • Final 2021 Oscar Predictions: Visual Effects, Production Design, Makeup and Hairstyling

    Final 2021 Oscar Predictions: Visual Effects, Production Design, Makeup and Hairstyling

    VISUAL EFFECTS

    The last 10 winners in this category (1917, First Man, Blade Runner 2049, The Jungle Book, Ex Machina, Interstellar, Gravity, Life of Pi, Hugo, Inception) have a few things in common. First, they were all nominated in categories other than Visual Effects in addition to their Visual Effects nominations (except for The Jungle Book but that film won BAFTA, VES, and the CCA so it was the definite frontrunner coming in). Only Tenet and Mulan can boast the same this year. All of these films are also critically-acclaimed and are widely-acknowledged to be in the top 30 films of their year. Only Tenet can claim the same as none of its competitors have a Metascore above 60 (except Mulan but its reputation is greatly tarnished after the widespread backlash to the film).

    With that said, the VES award for best Visual Effects in a Photoreal Feature is one of the best predictors when it comes to this award and The Midnight Sky triumphed over Tenet there. Still, based on the facts above I am going to go with Tenet here.

    Nominees:

    Tenet – CCA, BAFTA

    The Midnight Sky – VES

    The One and Only Ivan – VES

    Mulan

    Love and Monsters

    Pick: Tenet

    PRODUCTION DESIGN

    2020 – Once Upon a Time in Hollywood – CCA, ADG

    2019 – Black Panther – CCA, ADG

    2018 – The Shape of Water – BAFTA, CCA, ADG

    2017 – La La Land – CCA, ADG

    2016 – Mad Max: Fury Road – BAFTA, CCA, ADG

    2015 – The Grand Budapest Hotel – BAFTA, CCA, ADG

    In the past six years, every winner in this category has won both an ADG award and a CCA award and Mank should continue that trend. With Once Upon a Time in Hollywood’s win last year we know that this category loves to reward nostalgia and Mank is a great source of that with its immaculately-crafted and period-specific sets that give the audience a window into Old Hollywood. I don’t really see how anything can win since Mank has swept all the major precursors.

    Nominees:

    Mank – CCA, BAFTA, ADG (Period), SDSA

    Ma Rainey’s Black Bottom

    News of the World

    Tenet – ADG (Fantasy)

    The Father

    Pick: Mank

    MAKEUP AND HAIRSTYLING

    2020 – Bombshell – BAFTA, CCA, MUAH

    2019 – Vice – CCA, MUAH

    2018 – Darkest Hour – BAFTA, CCA, MUAH

    2017 – Suicide Squad – MUAH

    2016 – Mad Max: Fury Road – BAFTA, CCA, MUAH

    2015 – The Grand Budapest Hotel – BAFTA, MUAH

    Among the past six winners in this category, every single one has won a Makeup and Hairstyling Guild (MUAH) award. The two films that have one this year are Ma Rainey’s Black Bottom and Pinocchio. Suicide Squad is the only film in the past six years that has won with just MUAH but the other two precursors, BAFTA and CCA, were taken by Florence Foster Jenkins and Jackie respectively so Suicide Squad was not against a film that had swept the precursors. Therefore, I don’t think Pinocchio has enough to pull this off and Ma Rainey’s Black Bottom should add this category to its total.

    Nominees:

    Ma Rainey’s Black Bottom – CCA, BAFTA, MUAH

    Pinocchio – MUAH

    Hillbilly Elegy

    Mank

    Emma.

    Pick: Ma Rainey’s Black Bottom

     

     

  • Current Predictions

    Current Predictions

    I will constantly update this page which will just hold my current predictions without reasoning.

    BEST PICTURE: Nomadland

    Could Steal: The Trial of the Chicago 7 or Minari

    BEST DIRECTOR: Chloe Zhao – Nomadland

    Could Steal: No one

    BEST ACTOR: Chadwick Boseman – Ma Rainey’s Black Bottom

    Could Steal: No one

    BEST ACTRESS: Carey Mulligan – Promising Young Woman

    Could Steal: Viola Davis – Ma Rainey’s Black Bottom and Andra Day – The United States vs. Billie Holiday

    BEST SUPPORTING ACTOR: Daniel Kaluuya – Judas and the Black Messiah

    Could Steal: No one

    BEST SUPPORTING ACTRESS: Youn Yuh-Jung – Minari

    Could Steal: Maria Bakalova – Borat Subsequent Moviefilm

    BEST ORIGINAL SCREENPLAY: Promising Young Woman

    Could Steal: The Trial of the Chicago 7

    BEST ADAPTED SCREENPLAY: The Father

    Could Steal: Nomadland

    BEST ANIMATED FEATURE: Soul

    Could Steal: Wolfwalkers

    BEST PRODUCTION DESIGN: Mank

    Could Steal: No one

    BEST CINEMATOGRAPHY: Nomadland

    Could Steal: Mank

    BEST COSTUME DESIGN: Ma Rainey’s Black Bottom

    Could Steal: Emma.

    BEST EDITING: The Trial of the Chicago 7

    Could Steal: Sound of Metal or Nomadland

    BEST MAKEUP AND HAIRSTYLING: Ma Rainey’s Black Bottom

    Could Steal: Hillbilly Elegy or Pinocchio

    BEST SOUND: Sound of Metal

    Could Steal: No one

    BEST VISUAL EFFECTS: Tenet

    Could Steal: The Midnight Sky

    BEST ORIGINAL SCORE: Soul

    Could Steal: No one

    BEST ORIGINAL SONG: One Night in Miami

    Could Steal: The Life Ahead or Eurovision Song Contest: The Story of Fire Saga

    BEST INTERNATIONAL FEATURE: Another Round

    Could Steal: Collective or Quo Vadis, Aida?

    BEST DOCUMENTARY FEATURE: My Octopus Teacher

    Could Steal: Time, Collective, or Crip Camp

    BEST ANIMATED SHORT: If Anything Happens I Love You

    Could Steal: Burrow

    BEST LIVE ACTION SHORT: Two Distant Strangers

    Could Steal: The Letter Room or Feeling Through

    BEST DOCUMENTARY SHORT: A Concerto is a Conversation

    Could Steal: A Love Song for Latasha, Colette, or Hunger Ward

  • FINAL Oscar Nomination Predictions 2021

    FINAL Oscar Nomination Predictions 2021

    Let’s just cut right to the chase.

    The first six here seemed all but assured for a nomination and I’m pretty sure the first seven will as well but from there on out it is uncertain. One of Sound of Metal, Judas, or News will make it due to PFCS, One of Da 5 Bloods, ‘Judas, and Sound for AFI. One of ‘Sound’, Da 5 Bloods, or News for CCA. In the past 4 years, every film that has been nominated for both CCA and PGA in this category has gone on to be nominated for Best Picture (except for The Big Sick, which didn’t get nominated because the Academy has a bias against pure comedies). Nomadland, The Trial of the Chicago 7, Promising Young Woman, Minari, One Night in Miami, Mank, Ma Rainey’s Black Bottom, and Sound of Metal all fit this criteria this year so I think they all should get in. Judas and the Black Messiah is having a great final push and as it fits the criteria of an Oscar favorite to a T (I think it would be a top 5 contender if it was just released earlier), it will likely jump into the fray. The Father received a BAFTA nomination for Best Film, but it just doesn’t seem to be getting the support of the guilds which are so important in being successful here.

    BEST PICTURE

    Nomadland – BAFTA, CCA, GG (Drama), PGA, AFI

    The Trial of the Chicago 7 – BAFTA, CCA, GG (Drama), PGA, SAG, AFI

    Promising Young Woman – BAFTA, CCA, GG (Drama), PGA

    Minari – CCA, GG (Foreign), PGA, SAG, AFI

    One Night in Miami – CCA, PGA, SAG, AFI

    Mank – CCA, GG (Drama), PGA, AFI

    Ma Rainey’s Black Bottom – CCA, PGA, SAG, AFI

    Judas and the Black Messiah – PGA, AFI

    Sound of Metal – CCA, PGA, AFI

    Could Jump In: The Father – BAFTA, GG (Drama), Da 5 Bloods – CCA, SAG, AFI, News of the World – CCA, Borat Subsequent Moviefilm – GG (Comedy), PGA, Soul – AFI, First Cow

     

    This one is really between 7 people: Chloe Zhao, David Fincher, Aaron Sorkin, Emerald Fennell, Regina King, Lee Isaac Chung, and Spike Lee. Zhao seems like the only nominee who is locked in for a nomination as I could see any one of the others being forgotten on nomination day. Every day Minari’s stock rises and seems more and more like a top three Best Picture contender and if that is the case, Chung will definitely get in. Fennell’s Promising Young Woman could also be a top 3 contender but since her and Sorkin’s films are more screenplay-driven, I could see either of them missing here like Peter Farrelly did for Green Book two years ago. Fincher is likely only getting this nomination on the strength of his legacy as Mank seems to be faltering somewhat. Regina King and Spike Lee could also definitely get in as well. This category is prone to surprises and that usually comes in the form of the director of a serious period drama that the below-the line groups love. So watch out for Spike Lee or Paul Greengrass to surprise.

    BEST DIRECTOR

    Chloe Zhao – Nomadland – GG, BAFTA, CCA, DGA

    Lee Isaac Chung – Minari – BAFTA, CCA, DGA

    Emerald Fennell – Promising Young Woman – GG, CCA, DGA

    Aaron Sorkin – The Trial of the Chicago 7 – GG, CCA, DGA

    David Fincher – Mank – GG, CCA, DGA

    Could Jump In: Regina King – One Night in Miami – GG, CCA, Spike Lee – Da 5 Bloods – CCA, Darius Marder – Sound Of Metal, Paul Greengrass – News of the World

     

    The first three here are locked for nominations while I think the last two spots could realistically only be filled by two of three people, Steven Yeun, Gary Oldman, or Delroy Lindo. Oldman has had nods at three of the spotlighted precursors, but Mank seems very vulnerable right now. Steven Yeun got two important precursors but surprisingly didn’t get BAFTA even though his film got a lot of love in the other jury-nominated categories like Supporting Actress, Supporting Actor, and Director. I thought Lindo would get BAFTA and catapult himself to an Oscar nomination with a nomination there, but, even though the man is British and we saw vast diversity in the nominations, he still didn’t get a nom at the BAFTAs. I am going to put Oldman here but something tells me that Lindo will replace him on nominations morning.

    BEST ACTOR

    Chadwick Boseman – Ma Rainey’s Black Bottom – GG, SAG, CCA, BAFTA

    Anthony Hopkins – The Father – GG, SAG, CCA, BAFTA

    Riz Ahmed – Sound of Metal – GG, SAG, CCA, BAFTA

    Steven Yeun – Minari – CCA, SAG

    Gary Oldman – Mank – GG, SAG, CCA

    Could Jump In: Delroy Lindo – Da 5 Bloods – CCA, Mads Mikkelsen – Another Round – BAFTA, Tahar Rahim – The Mauritanian – GG, BAFTA

     

    This one seems airtight and I really don’t think anybody else has enough momentum to join in here.

    BEST ACTRESS

    Carey Mulligan – Promising Young Woman – CCA, GG, SAG

    Viola Davis – Ma Rainey’s Black Bottom – CCA, GG, SAG

    Frances McDormand – Nomadland – BAFTA, CCA, GG, SAG

    Vanessa Kirby – Pieces of a Woman – BAFTA, CCA, GG, SAG

    Andra Day – The United States vs. Billie Holiday – CCA, GG

     

    Kaluuya, Cohen, and Odom Jr. are all locked for a nomination here and I think that Raci is as well. The fifth slot is really the only question mark. I think the last slot is between Bill Murray, Chadwick Boseman, and Mark Rylance. Rylance could get in out of the Academy’s love for The Trial of the Chicago 7. Bill Murray could get in as the Oscars do often give nominations to older veterans (Tom Hanks last year and Christopher Plummer three years ago) who end up being their film’s one and only nomination. And Boseman could get in on the strength of his performance in Ma Rainey’s Black Bottom and on the outpouring of love for the late star. If neither Murray nor Boseman get in, it will be Rylance.

    BEST SUPPORTING ACTOR

    Daniel Kaluuya – BAFTA, CCA, GG, SAG

    Leslie Odom Jr. – BAFTA, CCA, GG, SAG

    Sacha Baron Cohen – CCA, GG, SAG

    Paul Raci – BAFTA, CCA

    Chadwick Boseman – Da 5 Bloods – CCA, SAG

    Could Jump In: Bill Murray – On the Rocks – CCA, GG, Mark Rylance – The Trial of the Chicago 7, Jared Leto – The Little Things – GG, SAG

     

    This is one of the weirder categories as only one actress here (Maria Bakalova) has received nominations from the four main organizations and that too for a performance in a comedy. That said, she definitely deserves all of this recognition and is probably the only person that I think is locked for a nomination. Both Youn Yuh-jung and Olivia Colman are pretty much locked and while Close has received the same nominations as Colman she also received a nomination for Worst Supporting Actress at the Razzies so I am not sure if she will be nominated. Seyfried is slowly falling along with her film but I think she should still have enough strength to hold on to a position here. Foster’s surprise win at the Globes may turn out to be unsuccessful in creating an Oscar nom but her popularity in Hollywood coupled with the fact that this is her first major performance in at least seven years (excepting Hotel Artemis which most people do) should push her to a nomination here.

    BEST SUPPORTING ACTRESS

    Maria Bakalova – Borat Subsequent Moviefilm – BAFTA, CCA, GG (lead), SAG

    Youn Yuh-jung – Minari – BAFTA, CCA, SAG

    Olivia Colman – The Father – CCA, GG, SAG

    Amanda Seyfried – Mank – CCA, GG

    Jodie Foster – The Mauritanian – GG

    Could Jump In: Glenn Close – Hillbilly Elegy – CCA, GG, SAG, Ellen Burstyn – Pieces of a Woman – CCA, Dominique Fishback – Judas and the Black Messiah – BAFTA

     

    Both Mank and Minari were ineligible for nominations at WGA, so there exclusions there are not concerning. The first three I have here I think are locked while the next three slots could be filled by Sound of Metal, Mank, or Judas and the Black Messiah. Mank seems to be falling but it did receive a BAFTA nomination here so I think it should be fine. Sound of Metal is about language itself so it should be especially appealing and would be a great way to give ‘Blue Valentine’ writer Derek Cianfrance his first Oscar nomination.

    BEST ORIGINAL SCREENPLAY

    The Trial of the Chicago 7 – BAFTA, CCA, GG, WGA

    Promising Young Woman – BAFTA, CCA, GG, WGA

    Minari – CCA

    Sound of Metal – CCA, WGA

    Mank – BAFTA, CCA, GG

    Could Jump In: Judas and the Black Messiah – WGA, Never Rarely Sometimes Always – CCA

     

    The first four here seem essentially locked but there are four films that are realistically vying for the last slot. I am going to go with The White Tiger as it has quietly surged and received a couple of BAFTA nominations. But I could see it very possibly going to First Cow, Borat Subsequent Moviefilm, or News of the World. First Cow since no film that has won the New York Film Critics Circle’s Best Film award has ever been completely shut out at the Oscars, Borat Subsequent Moviefilm because of its overt political commentary, and News of the World since it has the highest chance of being nominated for Best Picture among the four films.

    BEST ADAPTED SCREENPLAY

    Nomadland – BAFTA, USC, GG, CCA

    One Night in Miami – USC, CCA, WGA

    Ma Rainey’s Black Bottom – USC, CCA, WGA

    The Father – BAFTA, GG, CCA

    The White Tiger – BAFTA, WGA

    Could Jump In: First Cow – USC, CCA, Borat Subsequent Moviefilm – WGA, News of the World – USC, CCA, WGA

     

    The first three are definitely locked and I am pretty confident about including Over the Moon and The Croods: A New Age but The Willoughbys could surprise and enter the fold.

    BEST ANIMATED FEATURE

    Soul

    Wolfwalkers

    Onward

    The Croods: A New Age

    Over the Moon

    Could Jump In: The Willoughbys

     

    The top 3 here Mank, News of the World, and Ma Rainey’s Black Bottom seem locked here. Both Mank and News of the World have received nominations from BAFTA, the Art Directors Guild, and the Critics Choice Awards. Ma Rainey’s Black Bottom received noms from both the CCA and the ADG. Tenet did as well, but this category does not nominate contemporary films nearly as much as they do period films so I don’t think it’s locked.

    BEST PRODUCTION DESIGN

    Mank – ADG, BAFTA, CCA

    News of the World – ADG, BAFTA, CCA

    Ma Rainey’s Black Bottom – CCA, ADG

    Tenet – CCA, ADG

    The Trial of the Chicago 7 – ADG

    Could Jump In: Mulan – ADG, Personal History of David Copperfield – CCA, Emma. – CCA

     

    Nomadland, Mank, and News of the World seem locked here. ASC has the best historical track record here and in the past ten years they have always gotten either 4 or 5 of their picks in the Oscar nominee slate. Since The Trial of the Chicago 7 is a much bigger Oscar contender then Cherry is, I put the former in. Now, the last slot. Personally, I believe that it could really only go to Minari, Tenet, or Judas and the Black Messiah. I am going to go with Minari because it seems like it has widespread industry support. However, I could probably say the same thing about ‘Judas’ and I would be the least bit surprised if it showed up in a bunch of categories on Monday morning. Also, don’t count out First Cow as the Academy might want to award the critical favorite somewhere and as its chances at an Adapted Screenplay nomination are dwindling this may be the place that at lands.

    BEST CINEMATOGRAPHY

    Nomadland – ASC, BAFTA, CCA

    Mank – ASC, BAFTA, CCA

    News of the World – ASC, BAFTA, CCA

    The Trial of the Chicago 7 – ASC

    Minari – CCA

    Could Jump In: Tenet – CCA, Judas and the Black Messiah – BAFTA, First Cow – CCA, Da 5 Bloods – CCA, Cherry – ASC

     

    Period films almost always fully occupy this category and that is probably the most important thing to keep in mind here. Ma Rainey’s Black Bottom, Mank, and Emma. are all locked for nominations here and Mulan seems well in place as well. I am going to choose Ammonite to fill the last spot here since it is a period piece and BAFTA has a really good track record in this category.

    BEST COSTUME DESIGN

    Ma Rainey’s Black Bottom – BAFTA, CCA, CDG

    Mank – BAFTA, CCA, CDG

    Emma. – BAFTA, CCA, CDG

    Mulan – CCA, CDG

    Ammonite – BAFTA

    Could Jump In: News of the World, Promising Young Woman – CCA, CDG, The Glorias, The Personal History of David Copperfield – CCA

     

    The first three are locked for nominations and I could see next two slots going to The Father, Promising Young Woman, or Minari. I am going to go with Promising Young Woman and Minari as The Father’s star is really falling right now as it didn’t get a nod from the ACE, which it was expected to do.

    BEST EDITING

    The Trial of the Chicago 7 – BAFTA, CCA, ACE

    Sound of Metal – BAFTA, CCA, ACE

    Nomadland – BAFTA, CCA, ACE

    Promising Young Woman – BAFTA, ACE

    Minari – ACE

    Could Jump In: The Father – BAFTA, CCA, Mank – ACE, CCA, Tenet – CCA

     

    BEST MAKEUP AND HAIRSTYLING

    Ma Rainey’s Black Bottom – BAFTA, CCA, MUAH

    Hillbilly Elegy – BAFTA, CCA, MUAH

    Mank – BAFTA, CCA, MUAH

    Birds of Prey – MUAH

    Pinocchio – BAFTA, MUAH

    Could Jump In: Emma. – CCA, The Glorias, Jingle Jangle: A Christmas Journey – MUAH

     

    BEST SOUND

    Sound of Metal – BAFTA, CAS, MPSE

    News of the World – BAFTA, CAS, MPSE

    Mank – CAS, MPSE

    Greyhound – BAFTA, CAS, MPSE

    Soul – BAFTA, MPSE

    Could Jump In: Nomadland – BAFTA, MPSE, Tenet – MPSE, The Trial of the Chicago 7 – CAS, MPSE, The Midnight Sky – MPSE

     

    My instincts are telling me to put in Birds of Prey instead of Welcome to Chechnya here but I just can’t bring myself to do it since it did not get any nominations from the Visual Effects Society.

    BEST VISUAL EFFECTS

    Tenet – BAFTA, CCA, VES

    The Midnight Sky – BAFTA, CCA, VES

    Mulan – BAFTA, CCA, VES

    Welcome to Chechnya – VES

    The One and Only Ivan – BAFTA, VES

    Could Jump In: Birds of Prey, Mank – CCA, VES, Soul – BAFTA, VES

     

    BEST ORIGINAL SCORE

    Soul – BAFTA, CCA, GG, HMMA, SCL

    News of the World – BAFTA, CCA, GG, HMMA, SCL

    Mank – BAFTA, CCA, GG, HMMA, SCL

    Minari – BAFTA, CCA, HMMA, SCL

    The Midnight Sky – CCA, GG, HMMA

    Could Jump In: Tenet, The Little Things

     

    BEST ORIGINAL SONG

    One Night in Miami – CCA, GG, HMMA

    The Life Ahead – CCA, GG, HMMA, SCL

    Judas and the Black Messiah – CCA, HMMA

    Eurovision Song Contest – CCA, HMMA, SCL

    All In: The Fight for Democracy – HMMA

    Could Jump In: Giving Voice – HMMA, The Trial of the Chicago 7 – GG, HMMA, Borat Subsequent Moviefilm – SCL, Minari – HMMA

     

    BEST INTERNATIONAL FEATURE FILM

    Another Round – GG, BAFTA, CCA

    Quo Vadis, Aida? – BAFTA

    Two of Us – GG, CCA

    I’m No Longer Here

    Night of the Kings

    Could Jump In: Collective – CCA, Dear Comrades! – BAFTA, La Llorona – GG, CCA

     

    BEST DOCUMENTARY FEATURE

    Time – CCA, CEH, IDA, PGA

    Collective – BAFTA, CEH, IDA

    Crip Camp – CCA, IDA

    Welcome to Chechnya – DGA, IDA

    Dick Johnson is Dead – CCA, PGA

    Could Jump In: The Truffle Hunters – DGA, PGA, IDA, Boys State – CEH, DGA, All In: The Fight for Democracy, My Octopus Teacher – BAFTA, CCA

     

    BEST LIVE ACTION SHORT

    The Letter Room

    The Human Voice

    Two Distant Strangers

    Feeling Through

    The Present

     

    BEST DOCUMENTARY SHORT

    Colette

    Hunger Ward

    A Love Song for Latasha

    A Concerto is a Conversation

    Abortion Helpline, This is Lisa

     

    BEST ANIMATED SHORT

    If Anything Happens I Love You

    Out

    Opera

    Burrow

    Kapaemahu

  • February Oscar Nominations Predictions

    February Oscar Nominations Predictions

    Key:

    CCA – Critics Choice Awards

    SAG – Screen Actors Guild Awards

    GG – Golden Globes

    AFI – American Film Institute pick

    WGA – Writers’ Guild

    USC – USC Scripter awards

    As I explain in this post, I think there will be eight nominations in this category this year and my eight picks are, as of right now, The Trial of the Chicago 7, Nomadland, Promising Young Woman, Mank, Minari, One Night in Miami, Da 5 Bloods, and Ma Rainey’s Black Bottom. If Judas and the Black Messiah ends up with a PGA nomination, I think it will be the 9th nominee.

    BEST PICTURE

    The Trial of the Chicago 7 – CCA, SAG, GG (Drama), AFI

    Nomadland – CCA, GG (Drama), AFI

    Promising Young Woman – CCA, GG (Drama)

    Mank – CCA, GG (Drama), AFI

    Minari – CCA, SAG, GG (Foreign), AFI

    One Night in Miami – CCA, SAG, AFI

    Da 5 Bloods – CCA, SAG, AFI

    Ma Rainey’s Black Bottom – CCA, SAG, AFI

    Judas and the Black Messiah – AFI

    The Father – GG (Drama)

    Could Jump In: Sound of Metal – CCA, AFI, News of the World – CCA, Soul – AFI, First Cow, Never Rarely Sometimes Always, The Mauritanian

     

    While I do think the backlash to Spike Lee not getting a nomination at the Globes could vault him to a spot here, Emerald Fennell looks poised to take her position here on the strength of Promising Young Woman’s upward surge.

    BEST DIRECTOR

    Chloe Zhao – Nomadland – CCA, GG

    David Fincher – Mank – CCA, GG

    Aaron Sorkin – The Trial of the Chicago 7 – CCA, GG

    Regina King – One Night in Miami – CCA, GG

    Emerald Fennell – Promising Young Woman – CCA, GG

    Could Jump In: Spike Lee – Da 5 Bloods – CCA, Lee Isaac Chung – Minari – CCA

     

    If Lindo gets BAFTA he will be nominated but if Yeun does he will get nominated because I think it is very likely that the foursome of Boseman, Hopkins, Ahmed, and Oldman will be nominated at BAFTA as well (especially because three of them are British).

    BEST ACTOR

    Chadwick Boseman – Ma Rainey’s Black Bottom – CCA, SAG, GG (Drama)

    Anthony Hopkins – The Father – CCA, SAG, GG (Drama)

    Riz Ahmed – Sound of Metal – CCA, SAG, GG (Drama)

    Gary Oldman – Mank – CCA, SAG, GG (Drama)

    Delroy Lindo – Da 5 Bloods – CCA

    Could Jump In: Steven Yeun – Minari – SAG, CCA, Tom Hanks – News of the World – CCA, Tahar Rahim – The Mauritanian – GG (Drama), Ben Affleck – The Way Back – CCA, Kingsley Ben-Adir – One Night in Miami

     

    This slate of five seems essentially locked as nobody on the outside looking in seems like they have enough to jump in. However, this could be that surprise category where someone like Sidney Flanigan jumps in at the last second.

    BEST ACTRESS

    Carey Mulligan – Promising Young Woman – GG (Drama), SAG, CCA

    Frances McDormand – Nomadland – GG (Drama), SAG, CCA

    Viola Davis – Ma Rainey’s Black Bottom – GG (Drama), SAG, CCA

    Vanessa Kirby – Pieces of a Woman – GG (Drama), SAG, CCA

    Andra Day – The United States vs. Billie Holiday – GG (Drama), CCA

    Could Jump In: Zendaya – Malcolm & Marie – CCA, Amy Adams – Hillbilly Elegy – SAG, Sidney Flanigan – Never Rarely Sometimes Always – CCA

     

    Even though I am not sure about his film getting nominated for Best Picture, Daniel Kaluuya, I think, will win this as his performance as exactly the kind of performance the Academy likes to award in this category. The question here is who will be the two men that will fill the last two spots? Well, I think Raci should be getting one of them and it will be between Murray and Boseman to fit the last spot. Apple+ really has only one thing to campaign this Oscar season and that is Bill Murray in On the Rocks so going by that I’m going to place Murray here instead of Boseman.

    BEST SUPPORTING ACTOR

    Daniel Kaluuya – Judas and the Black Messiah – CCA, SAG, GG

    Leslie Odom Jr. – One Night in Miami – CCA, SAG, GG

    Sacha Baron Cohen – The Trial of the Chicago 7 – CCA, SAG, GG

    Paul Raci – Sound of Metal – CCA

    Bill Murray – On the Rocks – CCA, GG

    Could Jump In: Chadwick Boseman – Da 5 Bloods – CCA, SAG, Jared Leto – The Little Things – SAG, GG

     

    SAG does have a habit of nominating young people in this category so I expected Zengel to get a nomination there. However, she also received a nomination from the Globes so maybe she has more of a chance than I had thought. But I am still going to hold off on picking her just yet.

    BEST SUPPORTING ACTRESS

    Olivia Colman – The Father – CCA, SAG, GG

    Glenn Close – Hillbilly Elegy – CCA, SAG, GG

    Amanda Seyfried – Mank – CCA, GG

    Youn Yuh-Jung – Minari – CCA, SAG

    Maria Bakalova – Borat Subsequent Moviefilm – CCA, SAG, GG (in lead)

    Could Jump In: Helena Zengel – News of the World – SAG, GG, Ellen Burstyn – Pieces of a Woman – CCA, Jodie Foster – The Mauritanian – GG, Dominique Fishback – Judas and the Black Messiah

     

    Trial and the Chicago 7 and Promising Young Woman have both received nominations at Critics Choice, the Golden Globes, and from the WGA. Mank received nods from the Globes and the CCA and was not eligible for the WGA. Minari and Soul were also not eligible for nomination from the WGA.

    The dilemma with this category is that I am pretty sure about the first four receiving nominations but the last slot could be filled by either Soul, Judas and the Black Messiah, or Sound of Metal. Sound of Metal received nods from both the CCA and the WGA. I am going to go with ‘Judas’ because it is the biggest Best Picture contender of the three, but Sound of Metal and Soul both have a great chance here. Also, I still have a small feeling that Judas and the Black Messiah can win Best Picture (especially after watching it) and it needs this nomination to do that.

    But it is also true that there is usually at least one film in the Original Screenplay nominated five that does not get a Best Picture nod.

    BEST ORIGINAL SCREENPLAY

    The Trial of the Chicago 7 – CCA, GG, WGA

    Promising Young Woman – CCA, GG, WGA

    Mank – CCA, GG

    Minari – CCA

    Judas and the Black Messiah – WGA

    Could Jump In: Soul, Sound of Metal – CCA, WGA, Never Rarely Sometimes Always – CCA, Da 5 Bloods, Palm Springs – WGA

     

    BEST ADAPTED SCREENPLAY

    Nomadland – CCA, GG, USC

    One Night in Miami – CCA, USC, WGA

    The Father – CCA, GG

    Ma Rainey’s Black Bottom – CCA, USC, WGA

    First Cow – CCA, USC

    Could Jump In: News of the World – CCA, WGA, Borat Subsequent Moviefilm – WGA, The White Tiger – WGA

     

    BEST ANIMATED FEATURE

    Soul – GG

    Wolfwalkers – GG

    Over the Moon – GG

    Onward – GG

    Bombay Rose

    Could Jump In: The Croods: A New Age – GG, No. 7 Cherry Lane, The Willoughbys, A Shaun the Sheep Movie: Farmageddon

     

    BEST PRODUCTION DESIGN

    Mank – CCA,

    Ma Rainey’s Black Bottom – CCA

    News of the World – CCA

    Tenet – CCA

    Emma. – CCA

    Could Jump In: Personal History of David Copperfield – CCA, The Midnight Sky, The Trial of the Chicago 7, Mulan

     

    BEST CINEMATOGRAPHY

    Nomadland – CCA

    Mank – CCA

    News of the World – CCA

    Tenet – CCA

    Minari – CCA

    Could Jump In: Judas and the Black Messiah, The Trial of the Chicago 7 – CCA, One Night in Miami, First Cow, Da 5 Bloods

     

    BEST COSTUME DESIGN

    Ma Rainey’s Black Bottom – CCA

    Mank – CCA

    Emma. – CCA

    News of the World

    Mulan – CCA

    Could Jump In: The Personal History of David Copperfield – CCA, Promising Young Woman – CCA, Jingle Jangle: A Christmas Journey, The Glorias, The United States vs Billie Holiday

     

    BEST FILM EDITING

    The Trial of the Chicago 7 – CCA

    Nomadland – CCA

    Mank – CCA

    Tenet – CCA

    Sound of Metal – CCA

    Could Jump In: The Father – CCA, Judas and the Black Messiah, News of the World, Da 5 Bloods, Promising Young Woman

     

    BEST MAKEUP AND HAIRSTYLING

    Ma Rainey’s Black Bottom – CCA

    Hillbilly Elegy – CCA

    Emma. – CCA

    Mank – CCA

    Birds of Prey

    Could Jump In: Pinocchio, The United States vs Billie Holiday – CCA, Promising Young Woman – CCA

     

    BEST SOUND

    Sound of Metal

    Tenet

    The Midnight Sky

    Mank

    Soul

    Could Jump In: News of the World, The Trial of the Chicago 7, Ma Rainey’s Black Bottom

     

    BEST VISUAL EFFECTS

    Tenet – CCA

    The Midnight Sky – CCA

    Mank – CCA

    Mulan – CCA

    Birds of Prey

    Could Jump In: Welcome to Chechnya, Soul, The One and Only Ivan

     

    BEST ORIGINAL SCORE

    Soul – CCA, GG

    Mank – CCA, GG

    News of the World – CCA, GG

    Minari – CCA

    Da 5 Bloods

    Could Jump In: Tenet – GG, CCA, The Midnight Sky – GG, CCA, The Trial of the Chicago 7, The Little Things

     

    BEST ORIGINAL SONG

    One Night in Miami – GG, CCA

    The Life Ahead – GG, CCA

    Judas and the Black Messiah – GG, CCA

    All In: The Fight for Democracy

    Eurovision Song Contest – CCA

    Could Jump In: The Trial of the Chicago 7 – GG, Minari, Giving Voice

     

    BEST INTERNATIONAL FEATURE FILM

    Another Round – CCA, GG

    Collective – CCA

    Two of Us – CCA, GG

    Quo Vadis, Aida?

    Night of the Kings

    Could Jump In: La Llorona – CCA, GG, I’m No Longer Here, Dear Comrades!

     

    BEST DOCUMENTARY FEATURE

    Time – CCA

    Dick Johnson is Dead – CCA (win)

    Collective

    Crip Camp – CCA

    Boys State

    Could Jump In: Welcome to Chechnya, All In: The Fight for Democracy, The Truffle Hunters

     

    BEST ANIMATED SHORT

    If Anything Happens I Love You

    Burrow

    Out

    Kapaemahu

    Opera

    Could Jump In: The Snail and the Whale, To Gerard

     

    BEST LIVE ACTION SHORT

    The Letter Room

    The Human Voice

    Two Distant Strangers

    White Eye

    Da Yie

    Could Jump In: Feeling Through, The Present

     

    BEST DOCUMENTARY SHORT

    Colette

    Hunger Ward

    A Love Song for Latasha

    What Would Sophia Loren Do?

    The Speed Cubers

    Could Jump In: Abortion Helpline, This is Lisa, A Concerto is a Conversation, Do Not Split

  • January Oscar Predictions

    January Oscar Predictions

    We’re at the stage in the game where we essentially know what films will be considered. In my view, there are 13 films that have a good chance to get a Best Picture nomination, the ten I put in my predictions and News of the World, Soul, and Sound of Metal. 6 of these films (Nomadland, ‘Trial’, Mank, ‘Ma Rainey’, Minari, and ‘One Night’) I think are essentially locked in for a nomination while the rest will probably shuffle around until nomination morning on March 15th.

    I was thinking of leaving out Da 5 Bloods from my nominations this month, but the film has continued to stay relevant in the race due to the enormous attention it has received from the critics’ awards in a variety of categories. It seems this film, even though it was released in June, will be remembered come Oscar nomination morning.

    At this point in the race, I think there are only 3 films that can win Best Picture Nomadland, The Trial of the Chicago 7, and Judas and the Black Messiah. The first two have been widely-seen and are generally well-liked by both the critics and public. However, Judas and the Black Messiah has not been seen by the general public but early word is very good and if this movie makes a big impact with critics then this film will shoot up on this list.

    This is the first time I have Promising Young Woman in the top 10 and I think it will stay there since due to this category’s use of the preferential ballot, films with a passionate following benefit, which is something this film has in spades.

    I’m keeping The Father and News of the World as they are films that will likely appeal to the “old guard” of the Academy but at the same I don’t see as much passion behind them and something like Da 5 Bloods, Soul, or Sound of Metal could easily take up one of their slots.

    BEST PICTURE

    Nomadland (Searchlight)

    The Trial of the Chicago 7 (Netflix)

    Minari (A24)

    Mank (Netflix)

    Ma Rainey’s Black Bottom (Netflix)

    One Night in Miami (Amazon)

    Judas and the Black Messiah (Warner Bros.)

    The Father (Sony Classics)

    Da 5 Bloods (Netflix)

    Promising Young Woman (Focus)

    Could Jump In: News of the World, Soul, Sound of Metal, Never Rarely Sometimes Always, First Cow, The United States vs Billie Holliday, Malcolm and Marie, On the Rocks, The Prom, Cherry

     

    Chloe Zhao does not look like she can lose this at this point in the race. Something may change but Zhao is the director of a top 3 Best Picture contender and has won essentially all of the critics’ awards so far for Best Director.

    To me, Zhao, Fincher, and Sorkin are all but assured a nomination with the bottom two slots being more of a question mark.

    BEST DIRECTOR

    Chloe Zhao – Nomadland

    David Fincher – Mank

    Aaron Sorkin – The Trial of the Chicago 7

    Regina King – One Night in Miami

    Lee Isaac Chung – Minari

    Could Jump In: George C. Wolfe – Ma Rainey’s Black Bottom, Paul Greengrass – News of the World, Spike Lee – Da 5 Bloods, Shaka King – Judas and the Black Messiah, Florian Zeller – The Father

     

    Like Zhao in director, there doesn’t seem to be a way that Boseman loses this. His performance has been getting plaudits from everywhere and while he is not far and away the leader in critics’ awards he has won at the ones that are more predictive of success at the Oscars.

    I had trouble leaving Yeun out of the top five and if Mank continues to receive a mostly tepid reception from the public and critics’ groups, Oldman might drop out. Ahmed, Boseman, and Lindo are the actors receiving the most attention from the critics’ groups and while I didn’t have Ahmed in here last month his performance (and his film for that matter) is gaining notices.

    BEST ACTOR

    Chadwick Boseman – Ma Rainey’s Black Bottom

    Anthony Hopkins – The Father

    Delroy Lindo – Da 5 Bloods

    Riz Ahmed – Sound of Metal

    Gary Oldman – Mank

    Could Jump In: Steven Yeun – Minari, Lakeith Stanfield – Judas and the Black Messiah, Tom Hanks – News of the World, John David Washington – Malcolm and Marie, Kingsley Ben-Adir – One Night in Miami

     

    Carey Mulligan is slowly but surely rising up the ranks as her performance continues to get more and more recognition. She and McDormand are getting most of the attention in this category from critics’ groups, but don’t underestimate Davis who would become only the second-ever Black woman to win in this category (Halle Berry won for Monster’s Ball in 2002).

    Zendaya is coming off a surprise Emmy win and her performance in Malcolm and Marie is being praised as one of the best of the year by the critics that have seen the film. That Emmy momentum could propel Zendaya in to the top five but she would likely replace either Kirby or Day.

    BEST ACTRESS

    Viola Davis – Ma Rainey’s Black Bottom

    Carey Mulligan – Promising Young Woman

    Frances McDormand – Nomadland

    Vanessa Kirby – Pieces of a Woman

    Andra Day – The United States vs Billie Holliday

    Could Jump In: Zendaya – Malcolm and Marie, Sidney Flanigan – Never Rarely Sometimes Always, Sophia Loren – The Life Ahead, Kate Winslet – Ammonite, Meryl Streep – The Prom

     

    Daniel Kaluuya is getting raves from the few reviews of Judas and the Black Messiah that are out there and I don’t really see him not being a nominee. Odom Jr. and Baron Cohen are definitely his Kaluuya’s main competition in this category and either of these actors playing historical figures could win.

    Paul Raci has (by far) won the most critics’ awards in this category and that catapults him into the top five this month. I don’t see him winning because his film is not a frontrunner but it’s definitely a possibility.

    BEST SUPPORTING ACTOR

    Daniel Kaluuya – Judas and the Black Messiah

    Leslie Odom Jr. – One Night in Miami

    Sacha Baron Cohen – The Trial of the Chicago 7

    Paul Raci – Sound of Metal

    Chadwick Boseman – Da 5 Bloods

    Could Jump In: Bill Murray – On the Rocks, Mark Rylance – The Trial of the Chicago 7, Stanley Tucci – Supernova, Glynn Turman – Ma Rainey’s Black Bottom, David Strathairn – Nomadland

     

    I don’t see anybody outside of my top six listed here getting nominated in this category. However, choosing that one actress that will get left out is difficult. But I’m going to go with Close since her film was widely panned.

    Maria Bakalova and Youn Yuh-Jung have won most of the critics’ awards in this category but they both have things working against them. Bakalova’s performance was in a comedy and as purely comedic performances hardly ever get nominated, Bakalova has to work through that barrier.

    BEST SUPPORTING ACTRESS

    Amanda Seyfried – Mank

    Olivia Colman – The Father

    Ellen Burstyn – Pieces of a Woman

    Maria Bakalova – Borat Subsequent Moviefilm

    Youn Yuh-Jung – Minari

    Could Jump In: Glenn Close – Hillbilly Elegy, Dominique Fishback – Judas and the Black Messiah, Jodie Foster – The Mauritanian, Helena Zengel – News of the World, Saoirse Ronan – Ammonite

     

    BEST ORIGINAL SCREENPLAY

    The Trial of the Chicago 7

    Promising Young Woman

    Mank

    Minari

    Judas and the Black Messiah

    Could Jump In: Never Rarely Sometimes Always, Soul, Da 5 Bloods, Palm Springs, Sound of Metal

     

    BEST ADAPTED SCREENPLAY

    Nomadland

    One Night in Miami

    The Father

    Ma Rainey’s Black Bottom

    First Cow

    Could Jump In: News of the World, I’m Thinking of Ending Things, Pieces of a Woman, Borat Subsequent Moviefilm, The United States vs. Billie Holiday

     

    BEST ANIMATED FEATURE

    Soul

    Wolfwalkers

    Onward

    Over the Moon

    Earwig and the Witch

    Could Jump In: A Shaun the Sheep Movie: Farmageddon, The Croods: A New Age, Lupin III: The First, Trolls: World Tour, Demon Slayer

     

    BEST PRODUCTION DESIGN

    Mank

    News of the World

    Ma Rainey’s Black Bottom

    The Personal History of David Copperfield

    Mulan

    Could Jump In: The Midnight Sky, The Trial of the Chicago 7, One Night in Miami, The Prom, Tenet

     

    BEST CINEMATOGRAPHY

    Nomadland

    Mank

    News of the World

    Tenet

    Judas and the Black Messiah

    Could Jump In: Ma Rainey’s Black Bottom, The Trial of the Chicago 7, One Night in Miami, Da 5 Bloods, The Midnight Sky

     

    BEST COSTUME DESIGN

    Ma Rainey’s Black Bottom

    Mank

    Emma

    Mulan

    The United States vs Billie Holiday

    Could Jump In: The Personal History of David Copperfield, News of the World, The Prom, Ammonite, The Trial of the Chicago 7

     

    BEST FILM EDITING

    The Trial of the Chicago 7

    Nomadland

    Mank

    News of the World

    One Night in Miami

    Could Jump In: Tenet, Judas and the Black Messiah, Ma Rainey’s Black Bottom, The Father, Da 5 Bloods

     

    BEST MAKEUP AND HAIRSTYLING

    Ma Rainey’s Black Bottom

    Hillbilly Elegy

    Mank

    Borat Subsequent Moviefilm

    The United States vs Billie Holiday

    Could Jump In: Bill and Ted Face the Music, The Prom, Birds of Prey, Emma., Mulan

     

    BEST SOUND

    Sound of Metal

    Tenet

    The Midnight Sky

    Mank

    Soul

    Could Jump In: News of the World, The Trial of the Chicago 7, Ma Rainey’s Black Bottom, The Prom, The Invisible Man

     

    BEST VISUAL EFFECTS

    Tenet

    The Midnight Sky

    Greyhound

    The Invisible Man

    Mulan

    Could Jump In: Wonder Woman 1984, Mank, Sonic the Hedgehog, Birds of Prey, The One and Only Ivan

     

    BEST ORIGINAL SCORE

    Soul

    Mank

    News of the World

    Minari

    The Midnight Sky

    Could Jump In: Tenet, Da 5 Bloods, The Little Things, The Trial of the Chicago 7, Ma Rainey’s Black Bottom

     

    BEST ORIGINAL SONG

    One Night in Miami

    The Life Ahead

    Over the Moon

    All In: The Fight for Democracy

    Borat Subsequent Moviefilm

    Could Jump In: The Prom, Trolls: World Tour, Miss Americana, The Outpost, The One and Only Ivan

     

    BEST DOCUMENTARY FEATURE

    Dick Johnson is Dead

    Crip Camp

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