Author: Awards Insights

  • Greatest Films of the Decade (2010-2019) 50-26

    Greatest Films of the Decade (2010-2019) 50-26

    Happy New Year!

    Let’s start off the new year by continuing the Greatest Films of the 2010s. Here’s to countless more amazing films in the decade to come!

    50. The Martian

    'The Martian' (20th Century Fox)
    ‘The Martian’ (20th Century Fox)

    Directed by: Ridley Scott

    During a manned mission to Mars, Astronaut Mark Watney (Matt Damon) is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenuity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Millions of miles away, NASA and a team of international scientists work tirelessly to bring “the Martian” home, while his crewmates concurrently plot a daring, if not impossible rescue mission. As these stories of incredible bravery unfold, the world comes together to root for Watney’s safe return. (20th Century Fox)

    49. Zootopia

    'Zootopia' (Disney)
    ‘Zootopia’ (Disney)

    Directed by: Byron Howard, Rich Moore, and Jared Bush

    In a city of anthropomorphic animals, a rookie bunny cop (Ginnifer Goodwin) and a cynical con artist fox (Jason Bateman) must work together to uncover a conspiracy. (IMDb)

    48. The LEGO Movie

    'The LEGO Movie' (Warner Bros.)
    ‘The LEGO Movie’ (Warner Bros.)

    Directed by: Phil Lord and Christopher Miller

    “The LEGO (R) Movie” is the first-ever, full-length theatrical LEGO (R) adventure. The original 3D computer animated story follows Emmet (Chris Pratt) an ordinary, rules- following, perfectly average LEGO minifigure who is mistakenly identified as the most extraordinary person and the key to saving the world. He is drafted into a fellowship of strangers on an epic quest to stop an evil tyrant, a journey for which Emmet is hopelessly and hilariously underprepared. (Warner Bros)

    47. The Big Sick

    'The Big Sick' (Amazon Studios)
    ‘The Big Sick’ (Amazon Studios)

    Directed by: Michael Showalter

    Pakistan-born comedian Kumail Nanjiani (Kumail Nanjiani) and grad student Emily Gardner (Zoe Kazan) fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family’s expectations, and his true feelings. (IMDb)

    46. Argo

    'Argo' (Warner Bros.)
    ‘Argo’ (Warner Bros.)

    Directed by: Ben Affleck

    Based on true events, Argo chronicles the life-or-death covert operation to rescue six Americans, which unfolded behind the scenes of the Iran hostage crisis-the truth of which was unknown by the public for decades. On November 4, 1979, as the Iranian revolution reaches its boiling point, militants storm the U.S. embassy in Tehran, taking 52 Americans hostage. But, in the midst of the chaos, six Americans manage to slip away and find refuge in the home of the Canadian ambassador. Knowing it is only a matter of time before the six are found out and likely killed, a CIA “exfiltration” specialist named Tony Mendez (Ben Affleck) comes up with a risky plan to get them safely out of the country. A plan so incredible, it could only happen in the movies. (Warner Bros.)

    45. Nebraska

    'Nebraska' (Paramount Pictures)
    ‘Nebraska’ (Paramount Pictures)

    Directed by: Alexander Payne

    An aging, booze-addled father (Bruce Dern) makes the trip from Montana to Nebraska with his estranged son (Will Forte) in order to claim a million-dollar Mega Sweepstakes Marketing prize. (IMDb)

    44. Hell or High Water

    'Hell or High Water' (Film 44)
    ‘Hell or High Water’ (Film 44)

    Directed by: David Mackenzie

    Texas brothers–Toby (Chris Pine), and Tanner (Ben Foster), come together after years divided to rob branches of the bank threatening to foreclose on their family land. For them, the hold-ups are just part of a last-ditch scheme to take back a future that seemed to have been stolen from under them. Justice seems to be theirs, until they find themselves on the radar of Texas Ranger, Marcus (Jeff Bridges) looking for one last grand pursuit on the eve of his retirement, and his half-Comanche partner, Alberto (Gil Birmingham). As the brothers plot a final bank heist to complete their scheme, and with the Rangers on their heels, a showdown looms at the crossroads where the values of the Old and New West murderously collide. (Rotten Tomatoes)

    43. Arrival

    'Arrival' (21 Laps Entertainment)
    ‘Arrival’ (21 Laps Entertainment)

    Directed by: Denis Villeneuve

    When mysterious spacecraft touch down across the globe, an elite team–lead by expert linguist Louise Banks (Amy Adams)–are brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers–and to find them, she will take a chance that could threaten her life, and quite possibly humanity. (Rotten Tomatoes)

    42. Moonrise Kingdom

    'Moonrise Kingdom' (Focus Features)
    ‘Moonrise Kingdom’ (Focus Features)

    Directed by: Wes Anderson

    Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two twelve-year-olds (Kara Hayward and Jared Gilman) who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle.  (Focus Features)

    41. Lady Bird

    'Lady Bird' (A24)
    ‘Lady Bird’ (A24)

    Directed by: Greta Gerwig

    Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mom (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Set in Sacramento, California in 2002, amidst a rapidly shifting American economic landscape, Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. (Rotten Tomatoes)

    40. Paddington 2

    'Paddington 2' (Warner Bros.)
    ‘Paddington 2’ (Warner Bros.)

    Directed by: Paul King

    Paddington (Ben Whishaw) is happily settled with the Brown family in Windsor Gardens, where he has become a popular member of the community, spreading joy and marmalade wherever he goes. While searching for the perfect present for his beloved Aunt Lucy’s (Imelda Staunton’s) 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber’s antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it’s up to Paddington and the Browns to unmask the thief. (StudioCanal)

    39. Short Term 12

    'Short Term 12' (Cinedigm)
    ‘Short Term 12’ (Cinedigm)

    Directed by: Destin Daniel Cretton

    A 20-something supervising staff member (Brie Larson) of a residential treatment facility navigates the troubled waters of that world alongside her co-worker and longtime boyfriend (John Gallagher Jr.). (IMDb)

    38. The Florida Project

    'The Florida Project' (A24)
    ‘The Florida Project’ (A24)

    Directed by: Sean Baker

    Set over one summer, the film follows precocious six-year-old Moonee (Brooklynn Prince) as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother (Bria Vinaite), all while living in the shadows of Walt Disney World. (A24)

    37. The Irishman

    'The Irishman' (Netflix)
    ‘The Irishman’ (Netflix)

    Directed by: Martin Scorsese

    This biographical crime thriller follows Frank Sheeran (Robert De Niro) as he recalls his past years working for the Bufalino crime family. Now older, the WWII veteran once again reflects on his most prolific hits and, in particular, considers his involvement with his good friend Jimmy Hoffa’s (Al Pacino) disappearance in 1975. (Rotten Tomatoes)

    36. Get Out

    'Get Out' (Universal Pictures)
    ‘Get Out’ (Universal Pictures)

    Directed by: Jordan Peele

    Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener) and Dean (Bradley Whitford). At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. (Rotten Tomatoes)

    35. The King’s Speech

    'The King's Speech' (The Weinstein Company)
    ‘The King’s Speech’ (The Weinstein Company)

    Directed by: Tom Hooper

    After the death of his father King George V (Michael Gambon) and the scandalous abdication of King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle. (The Weinstein Company)

    34. Coco

    'Coco' (Disney/Pixar)
    ‘Coco’ (Disney/Pixar)

    Directed by: Lee Unkrich and Adrian Molina

    Despite his family’s baffling generations-old ban on music, Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector (Gael Garcia Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. (Disney/Pixar)

    33. The Handmaiden

    'The Handmaiden' (CJ Entertainment)
    ‘The Handmaiden’ (CJ Entertainment)

    Directed by: Park Chan-Wook

    1930s Korea, in the period of Japanese occupation, a new girl, Sookee (Kim Tae-Ri), is hired as a handmaiden to a Japanese heiress, Hideko (Kim Min-Hee), who lives a secluded life on a large countryside estate with her domineering Uncle (Cho Jin-Woong). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions. (CJ Entertainment)

    32. Django Unchained

    'Django Unchained' (The Weinstein Company)
    ‘Django Unchained’ (The Weinstein Company)

    Directed by: Quentin Tarantino

    Set in the South two years before the Civil War, Django Unchained stars Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz (Christoph Waltz). Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago. Django and Schultz’s search ultimately leads them to Calvin Candie (Leonardo DiCaprio), the proprietor of “Candyland,” an infamous plantation. Exploring the compound under false pretenses, Django and Schultz arouse the suspicion of Stephen (Samuel L. Jackson), Candie’s trusted house slave. (The Weinstein Company)

    31. Roma

    'Roma' (Netflix)
    ‘Roma’ (Netflix)

    Directed by: Alfonso Cuaron

    A year in the life of a middle-class family’s maid (Yalitza Aparicio) in Mexico City in the early 1970s. (IMDb)

    ROMA is Alfonso Cuaron’s semi-autobiographical take on life in 1970s Mexico in the midst of political and domestic upheaval.

    30. Harry Potter and the Deathly Hallows: Part 2

    'Harry Potter and the Deathly Hallows: Part 2' (Warner Bros.)
    ‘Harry Potter and the Deathly Hallows: Part 2’ (Warner Bros.)

    Directed by: David Yates

    Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) search for Voldemort’s (Ralph Fiennes) remaining Horcruxes in their effort to destroy the Dark Lord as the final battle rages on at Hogwarts. (IMDb)

    29. A Prophet

    'A Prophet' (Sony Pictures Classics)
    ‘A Prophet’ (Sony Pictures Classics)

    Directed by: Jacques Audiard

    Condemned to six years in prison, Malik El Djebena (Tahar Rahim), part Arab, part Corsican, cannot read or write. Arriving at the jail entirely alone, he appears younger and more fragile than the other convicts. He is 19 years old. Cornered by the leader of the Corsican gang (Niels Arestrup) currently ruling the prison, he is given a number of “missions” to carry out, toughening him up and gaining the gang leader’s confidence in the process. Malik is a fast learner and rises up the prison ranks, all the while secretly devising his own plans. (Rotten Tomatoes)

    28. The Grand Budapest Hotel

    'The Grand Budapest Hotel' (Fox Searchlight Pictures)
    ‘The Grand Budapest Hotel’ (Fox Searchlight Pictures)

    Directed by: Wes Anderson

    THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H (Ralph Fiennes), a legendary concierge at a famous European hotel between the wars, and Zero Moustafa (Tony Revolori), the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune — all against the back-drop of a suddenly and dramatically changing Continent. (Fox Searchlight)

    27. The Artist

    'The Artist' (The Weinstein Company)
    ‘The Artist’ (The Weinstein Company)

    Directed by: Michel Hazanavicius

    Hollywood 1927. George Valentin (Jean Dujardin) is a silent movie superstar. The advent of the talkies will sound the death knell for his career and see him fall into oblivion. For young extra Peppy Miller (Berenice Bejo), it seems the sky’s the limit – major movie stardom awaits. The Artist tells the story of their interlinked destinies. (The Weinstein Company)

    26. Under the Skin

    'Under the Skin' (A24)
    ‘Under the Skin’ (A24)

    Directed by: Jonathan Glazer

    A woman of unknown origin (Scarlett Johansson) combs the highways in search of isolated or forsaken men, luring a succession of lost souls into an otherworldly lair. They are seduced, stripped of their humanity, and never heard from again. (Rotten Tomatoes)

  • Greatest Films of the Decade (2010-2019) 75-51

    Greatest Films of the Decade (2010-2019) 75-51

    75. Guardians of the Galaxy

    'Guardians of the Galaxy' (Marvel)
    ‘Guardians of the Galaxy’ (Marvel)

    Directed by: James Gunn

    Brash adventurer Peter Quill (Chris Pratt) finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan (Lee Pace), a powerful villain with ambitions that threaten the entire universe. To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits-Rocket (Bradley Cooper), a gun-toting raccoon, Groot (Vin Diesel), a tree-like humanoid, the deadly and enigmatic Gamora (Zoe Saldana) and the revenge-driven Drax the Destroyer (Dave Bautista). But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last, desperate stand-with the galaxy’s fate in the balance. (Walt Disney)

    74. Blue is the Warmest Color

    'Blue is the Warmest Color' (IFC Films)
    ‘Blue is the Warmest Color’ (IFC Films)

    Directed by: Abdellatif Kechiche

    Adèle’s (Adele Exarc life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss. (IMDb)

    73. Avengers: Endgame

    'Avengers: Endgame' (Marvel Studios)
    ‘Avengers: Endgame’ (Marvel Studios)

    Directed by: Anthony and Joe Russo

    After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos’ actions and restore balance to the universe. (IMDb)

    72. Incendies

    'Incendies' (Sony Pictures Classics)
    ‘Incendies’ (Sony Pictures Classics)

    Directed by: Denis Villeneuve

    Twin siblings uncover a shocking family secret after they agree to their mother’s dying wish: to locate the father they thought was dead, and a brother they never knew existed. (Amazon)

    71. Inside Llewyn Davis

    'Inside Llewyn Davis' (CBS Films)
    ‘Inside Llewyn Davis’ (CBS Films)

    Directed by: Joel and Ethan Coen

    INSIDE LLEWYN DAVIS follows a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles-some of them of his own making. (CBS)

    70. Blade Runner 2049

    'Blade Runner 2049' (Warner Bros. Pictures)
    ‘Blade Runner 2049’ (Warner Bros. Pictures)

    Directed by: Denis Villeneuve

    Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. (Warner Bros.)

    69. Captain Phillips

    'Captain Phillips' (Sony Pictures)
    ‘Captain Phillips’ (Sony Pictures)

    Directed by: Paul Greengrass

    The film focuses on the relationship between the Alabama’s commanding officer, Captain Richard Phillips (Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips’ unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control. (Sony Pictures)

    68. Gone Girl

    'Gone Girl' (20th Century Fox)
    ‘Gone Girl’ (20th Century Fox)

    Directed by: David Fincher

    On the occasion of his fifth wedding anniversary, Nick Dunne (Ben Affleck) reports that his beautiful wife, Amy (Rosamund Pike), has gone missing. Under pressure from the police and a growing media frenzy, Nick’s portrait of a blissful union begins to crumble. Soon his lies, deceits and strange behavior have everyone asking the same dark question: Did Nick Dunne kill his wife? (20th Century Fox)

    67. Once Upon a Time in Anatolia

    'Once Upon a Time in Anatolia' (The Cinema Guild)
    ‘Once Upon a Time in Anatolia’ (The Cinema Guild)

    Directed by: Nuri Bilge Ceylan

    In the dead of night, a group of men – including a police commissioner, a prosecutor, a doctor and a murder suspect – drive through the tenebrous Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars. They are searching for a corpse, the victim of a brutal murder. The suspect, who claims he was drunk, can’t remember where he buried the body. As the night draws on, details about the murder emerge and the investigators’ own secrets and hypocrisies come to light. In the Anatolian steppes, nothing is what it seems; and when the body is found, the real questions begin. (The Cinema Guild)

    66. Logan

    'Logan' (20th Century Fox)
    ‘Logan’ (20th Century Fox)

    Directed by: James Mangold

    In a future where mutants are nearly extinct, an elderly and weary Logan (Hugh Jackman) leads a quiet life. But when Laura (Dafne Keen), a mutant child pursued by scientists, comes to him for help, he must get her to safety. (IMDb)

    65. Birdman

    'Birdman' (Fox Searchlight Pictures)
    ‘Birdman’ (Fox Searchlight Pictures)

    Directed by: Alejandro G. Inarritu

    BIRDMAN or The Unexpected Virtue Of Ignorance is a black comedy that tells the story of an actor (Michael Keaton) – famous for portraying an iconic superhero – as he struggles to mount a Broadway play. In the days leading up to opening night, he battles his ego and attempts to recover his family, his career, and himself. (Fox Searchlight)

    64. Dallas Buyers Club

    'Dallas Buyers Club' (Focus Features)
    ‘Dallas Buyers Club’ (Focus Features)

    Directed by: Jean-Marc Vallee

    Matthew McConaughey stars in DALLAS BUYERS CLUB as real-life Texas cowboy Ron Woodroof, whose free-wheeling life was overturned in 1985 when he was diagnosed as HIV-positive and given 30 days to live. These were the early days of the AIDS epidemic, and the U.S. was divided over how to combat the virus. Ron, now shunned and ostracized by many of his old friends, and bereft of government-approved effective medicines, decided to take matters in his own hands, tracking down alternative treatments from all over the world by means both legal and illegal. Bypassing the establishment, the entrepreneurial Woodroof joined forces with an unlikely band of renegades and outcasts – who he once would have shunned – and established a hugely successful “buyers’ club.” Their shared struggle for dignity and acceptance is a uniquely American story of the transformative power of resilience. (Focus Features)

    63. Gangs of Wasseypur

    'Gangs of Wasseypur' (Studio 18)
    ‘Gangs of Wasseypur’ (Studio 18)

    Directed by: Anurag Kashyap

    Towards the end of colonial India, Shahid Khan (Jaideep Ahlawat) loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh’s colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid’s son, the philandering Sardar Khan (Manoj Bajpayee) vows to get his father’s honor back, becoming the most feared man of Wasseypur. (Studio 18)

    62. Moneyball

    'Moneyball' (Sony Pictures)
    ‘Moneyball’ (Sony Pictures)

    Directed by: Bennett Miller

    Brad Pitt stars as Billy Beane, the general manager of the Oakland A’s and the guy who assembles the team, who has an epiphany: all of baseball’s conventional wisdom is wrong. Forced to reinvent his team on a tight budget, Beane will have to outsmart the richer clubs. The onetime jock teams with Ivy League grad Peter Brand (Jonah Hill) in an unlikely partnership, recruiting bargain players that the scouts call flawed, but all of whom have an ability to get on base, score runs, and win games. It’s more than baseball, it’s a revolution – one that challenges old school traditions and puts Beane in the crosshairs of those who say he’s tearing out the heart and soul of the game. (Sony Pictures)

    The film boasts a magnificent screenplay from a dream duo of Steven Zaillan (Schindler’s List, The Irishman) and Aaron Sorkin (The Social Network, Steve Jobs), and for any lover of sports analysis and statistics, this is the movie for you.

    61. The Hunt

    'The Hunt' (Magnolia Pictures)
    ‘The Hunt’ (Magnolia Pictures)

    Directed by: Thomas Vinterberg

    Mads Mikkelsen won the Best Actor Award at the 2012 Cannes Film Festival for his penetrating portrayal of Lucas, a former school teacher who has been forced to start over having overcome a tough divorce and the loss of his job. Just as things are starting to go his way, his life is shattered when an untruthful remark throws his small community into a collective state of hysteria. As the lie spreads, Lucas is forced to fight a lonely fight for his life and dignity. (Magnolia)

    60. Nightcrawler

    'Nightcrawler' (Open Road Films)
    ‘Nightcrawler’ (Open Road Films)

    Directed by: Dan Gilroy

    NIGHTCRAWLER is a pulse-pounding thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling — where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou thrives. In the breakneck, ceaseless search for footage, he becomes the star of his own story. (Open Road)

    59. Selma

    'Selma' (Paramount Pictures)
    ‘Selma’ (Paramount Pictures)

    Directed by: Ava DuVernay

    SELMA is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s SELMA tells the real story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history. (Paramount)

    58. Eighth Grade

    'Eighth Grade' (A24)
    ‘Eighth Grade’ (A24)

    Directed by: Bo Burnham

    Thirteen-year-old Kayla (Elsie Fisher) endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school—the end of her thus far disastrous eighth grade year—before she begins high school. (A24)

    57. Star Wars: The Force Awakens

    'Star Wars: The Force Awakens' (Disney)
    ‘Star Wars: The Force Awakens’ (Disney)

    Directed by: J.J. Abrams

    Three decades after the Empire’s defeat, a new threat arises in the militant First Order. Defected stormtrooper Finn (John Boyega) and the scavenger Rey (Daisy Ridley) are caught up in the Resistance’s search for the missing Luke Skywalker (Mark Hamill). (IMDb)

    56. Mission: Impossible – Fallout

    'Mission: Impossible - Fallout' (Paramount Pictures)
    ‘Mission: Impossible – Fallout’ (Paramount Pictures)

    Directed by: Christopher McQuarrie

    Ethan Hunt (Tom Cruise) chooses to save his team over completing a mission, allowing stolen plutonium to fall into the wrong hands. Now, he must partner with a hard-hitting CIA agent (Henry Cavill) in a race against time to stop a nuclear threat. (Amazon)

    55. The Favourite 

    'The Favourite' (Fox Searchlight Pictures)
    ‘The Favourite’ (Fox Searchlight Pictures)

    Directed by: Yorgos Lanthimos

    Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah Churchill (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail Masham (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way. (Rotten Tomatoes)

    54. Sing Street

    'Sing Street' (Likely Story)
    ‘Sing Street’ (Likely Story)

    Directed by: John Carney

    SING STREET takes us back to 1980s Dublin seen through the eyes of a 14-year-old boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents’ relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina (Lucy Boynton), and with the aim of winning her heart he invites her to star in his band’s music videos. There’s only one problem: he’s not part of a band…yet. She agrees, and now Conor must deliver what he’s promised – calling himself “Cosmo” and immersing himself in the vibrant rock music trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos. (Likely Story)

    53. A Star is Born

    'A Star is Born' (Warner Bros.)
    ‘A Star is Born’ (Warner Bros.)

    Directed by: Bradley Cooper

    Seasoned musician Jackson Maine (Bradley Cooper) discovers-and falls in love with-struggling artist Ally (Lady Gaga). She has just about given up on her dream to make it big as a singer – until Jack coaxes her into the spotlight. But even as Ally’s career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons. (Warner Bros.)

    52. Burning

    'Burning' (Well Go USA)
    ‘Burning’ (Well Go USA)

    Directed by: Chang-Dong Lee

    Jong-su (Ah-in Yoo) bumps into a girl (Jong-Seo Jun) who used to live in the same neighborhood, who asks him to look after her cat while she’s on a trip to Africa. When back, she introduces Ben (Steven Yeun), a mysterious guy she met there, who confesses his secret hobby. (

    51. The Wolf of Wall Street

    'The Wolf of Wall Street' (Paramount Studios)
    ‘The Wolf of Wall Street’ (Paramount Studios)

    Directed by: Martin Scorsese

    From the American dream to corporate greed, Jordan Belfort (Leonardo DiCaprio) goes from penny stocks and righteousness to IPOs and a life of corruption in the late 80s. Excess success and affluence in his early twenties as founder of the brokerage firm Stratton Oakmont warranted Belfort the title “The Wolf of Wall Street.” (Paramount)

  • Greatest Films of the Decade (2010-2019) 100-76

    Greatest Films of the Decade (2010-2019) 100-76

    As the decade draws to a close, I want to look back at the most critically-acclaimed and most-loved films of the decade. (Note: Even though there were some spectacular documentaries and shorts released this decade, I am limiting this list to feature-length narrative films.)

    100. Kubo and the Two Strings

    'Kubo and the Two Strings' (LAIKA)
    ‘Kubo and the Two Strings’

    Directed by: Travis Knight

    In a small village in an ancient mythical Japan, Kubo (Art Parkinson) and his magic shamisen unwittingly summon vengeful spirits who wish to harm him and his ailing mother. While on the run, he encounters magical creatures, and learns the truth of his earthly family’s connection to the heaven and stars. (LAIKA)

    99. 127 Hours

    '127 Hours' (Fox Searchlight)
    ‘127 Hours’ (Fox Searchlight)

    Directed by: Danny Boyle

    127 Hours is the true story of mountain climber Aron Ralston’s remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston (James Franco) examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? (Fox Searc

    98. Hugo

    'Hugo' (Paramount)
    ‘Hugo’ (Paramount)

    Directed by: Martin Scorsese

    Hugo is the astonishing adventure of a wily and resourceful boy (Asa Butterfield) whose quest to unlock a secret left to him by his father will transform Hugo and all those around him, and reveal a safe and loving place he can call home. (Paramount Pictures)

    97. Silver Linings Playbook

    'Silver Linings Playbook' (TWC)
    ‘Silver Linings Playbook’ (TWC)

    Directed by: David O. Russell

    Life doesn’t always go according to plan. Pat Solatano (Bradley Cooper) has lost everything – his house, his job, and his wife. He now finds himself living back with his mother and father after spending eight months in a state institution on a plea bargain. Pat is determined to rebuild his life, remain positive and reunite with his wife, despite the challenging circumstances of their separation. All Pat’s parents want is for him to get back on his feet – and to share their family’s obsession with the Philadelphia Eagles football team. When Pat meets Tiffany (Jennifer Lawrence), a mysterious girl with problems of her own, things get complicated. Tiffany offers to help Pat reconnect with his wife, but only if he’ll do something very important for her in return. As their deal plays out, an unexpected bond begins to form between them, and silver linings appear in both of their lives. (The Weinstein Company)

    96. Lincoln

    'Lincoln' (Dreamworks)
    ‘Lincoln’ (Dreamworks)

    Directed by: Steven Spielberg

    In a nation divided by war and the strong winds of change, Lincoln (Daniel Day-Lewis) pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come. (Disney)

    95. Winter’s Bone

    'Winter's Bone' (Roadside Attractions)
    ‘Winter’s Bone’ (Roadside Attractions)

    Directed by: Debra Granik

    In this unflinching noir drama, a resilient teen (Jennifer Lawrence) goes on the trail of her missing, drug-dealing father when his absence threatens the family’s safety. (Netflix)

    94. Midnight in Paris

    'Midnight in Paris' (Sony Pictures Classics)
    ‘Midnight in Paris’ (Sony Pictures Classics)

    Directed by: Woody Allen

    This is a romantic comedy set in Paris about a family that goes there because of business, and two young people who are engaged to be married in the fall have experiences there that change their lives. It’s about a young man’s great love for a city, Paris, and the illusion people have that a life different from theirs would be much better. (Sony Classics)

    93. Ex Machina

    'Ex Machina' (A24)
    ‘Ex Machina’ (A24)

    Directed by: Alex Garland

    Caleb Smith (Domnhall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company’s brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test-charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan’s latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated–and more deceptive–than the two men could have imagined. (A24)

    92. Baby Driver

    'Baby Driver' (Sony Pictures)
    ‘Baby Driver’ (Sony Pictures)

    Directed by: Edgar Wright

    A talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom. (Rotten Tomatoes)

    91. Black Swan

    'Black Swan' (Fox Searchlight)
    ‘Black Swan’ (Fox Searchlight)

    Directed by: Darren Aronofsky

    Nina (Natalie Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Barbara Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth MacIntyre (Winona Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Mila Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side – a recklessness that threatens to destroy her. (Fox Searchlight Pictures)

    90. Ida

    'Ida' (Music Box Films)
    ‘Ida’ (Music Box Films)

    Directed by: Pawel Pawlikowski

    18-year old Anna (Agata Trzebuchowska), a sheltered orphan raised in a convent, is preparing to become a nun when the Mother Superior insists she first visit her sole living relative. Naïve, innocent Anna soon finds herself in the presence of her aunt Wanda (Agata Kulesza), a worldly and cynical Communist Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism. (Amazon)

    89. Phantom Thread

    'Phantom Thread' (Focus Features)
    ‘Phantom Thread’ (Focus Features)

    Directed by: Paul Thomas Anderson

    Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love. (Focus Features)

    88. True Grit 

    'True Grit' (Paramount Pictures)
    ‘True Grit’ (Paramount Pictures)

    Directed by: Joel and Ethan Coen

    Following the murder of her father by hired hand Tom Chaney (Josh Brolin), 14-year-old farm girl Mattie Ross (Hailee Steinfeld) sets out to capture the killer. To aid her, she hires the toughest U.S. marshal she can find, a man with “true grit,” Reuben J. “Rooster” Cogburn (Jeff Bridges). (Amazon)

    87. The Great Beauty

    'The Great Beauty' (Janus Films)
    ‘The Great Beauty’ (Janus Films)

    Directed by: Paolo Sorrentino

    Journalist Jep Gambardella (Toni Servillo) has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city’s literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty. (Janus)

    86. Son of Saul

    'Son of Saul' (Sony Pictures Classics)
    ‘Son of Saul’ (Sony Pictures Classics)

    Directed by: Lazslo Nemes

    In 1944 Auschwitz-Berkenau, Saul (Geza Rohrig) decides to carry out an impossible task: offer a proper burial for the body of a boy he takes for his son. (Amazon)

    85. Carol

    'Carol' (The Weinstein Company)
    ‘Carol’ (The Weinstein Company)

    Directed by: Todd Haynes

    In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light. (The Weinstein Company)

    84. The Fighter

    'The Fighter' (Paramount Pictures)
    ‘The Fighter’ (Paramount Pictures)

    Directed by: David O. Russell

    Mark Wahlberg stars in Paramount Pictures’ inspirational docudrama exploring the remarkable rise of Massachusetts-born lightweight title winner “Irish” Micky Ward. A determined pugilist whose career in the ring was shepherded by his loyal half-brother, Dicky (Christian Bale) – a hard-living boxer-turned-trainer whose own career in the ring was nearly sent down for the count due to drugs and crime. (Amazon)

    83. Creed

    'Creed' (Warner Bros.)
    ‘Creed’ (Warner Bros.)

    Directed by: Ryan Coogler

    Adonis Johnson (Michael B. Jordan) never knew his famous father, world heavyweight champion Apollo Creed, who died before he was born. Still, there’s no denying that boxing is in his blood, so Adonis heads to Philadelphia, the site of Apollo Creed’s legendary match with a tough upstart named Rocky Balboa (Sylvester Stallone). Once in a City of Brotherly Love, Adonis tracks Rocky down and asks him to be his trainer.

    82. Paterson

    'Paterson' (Amazon Studios)
    ‘Paterson’ (Amazon Studios)

    Directed by: Jim Jarmusch

    A quiet observation of the triumphs and defeats of daily life, along with the poetry evident in its smallest details.

    81. Black Panther

    'Black Panther' (Marvel Studios)
    ‘Black Panther’ (Marvel Studios)

    Directed by: Ryan Coogler

    When young King T’Challa (Chadwick Boseman) is drawn into conflict with an old foe that puts his homeland Wakanda and the entire world at risk, he must release Black Panther’s full power to save them. (Amazon)

    80. Drive

    'Drive' (FilmDistrict)
    ‘Drive’ (FilmDistrict)

    Directed by: Nicolas Winding Refn

    Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals. But when he realizes that the gangsters are after more than the bag of cash in his trunk-that they’re coming straight for Irene and her son-Driver is forced to shift gears and go on offense. (FilmDistrict)

    79. Toni Erdmann

    'Toni Erdmann' (Fox Searchlight Pictures)
    ‘Toni Erdmann’ (Fox Searchlight Pictures)

    Directed by: Maren Ade

    Winfried doesn’t see much of his working daughter Ines (Sandra Huller). He pays her a surprise visit in Bucharest, where she’s busy as a corporate strategist. The geographical change doesn’t help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried’s flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines’ work circle, claiming to be her CEO’s life coach. As Toni, Winfried doesn’t hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life. (Fox Searchlight)

    78. Zero Dark Thirty

    'Zero Dark Thirty' (Columbia Pictures)
    ‘Zero Dark Thirty’ (Columbia Pictures)

    Directed by: Kathryn Bigelow

    In the aftermath of the September 11, 2001 terrorist attacks, the CIA began interrogating suspected Al-Qaeda agents across the globe in a bid to locate the elusive bin Laden. Upon arriving at a CIA black site and witnessing the brutal interrogation tactics firsthand, driven CIA operative Maya (Chastain) aids her unpredictable colleague Dan (Jason Clarke) in gathering the intelligence that will help bring bin Laden to justice. Over the course of the next decade, numerous false leads and dead ends make the search seem more futile than ever. Meanwhile, numerous suicide bombings all across the Middle East and Europe hint that Al Qaeda won’t go down without a fight. Then, just when it seemed as if the trail of clues had finally dried up, an old piece of evidence leads Maya to a suspect who may work directly for the man charged with planning the worst act of terrorism ever committed on American soil. (Columbia)

    77. Brooklyn

    'Brooklyn' (Fox Searchlight Pictures)
    ‘Brooklyn’ (Fox Searchlight Pictures)

    Directed by: John Crowley

    BROOKLYN tells the profoundly moving story of Eilis Lacey (Saoirse Ronan), a young Irish immigrant navigating her way through 1950s Brooklyn. Lured by the promise of America, Eilis departs Ireland and the comfort of her mother’s home for the shores of New York City. The initial shackles of homesickness quickly diminish as a fresh romance sweeps Eilis into the intoxicating charm of love. But soon, her new vivacity is disrupted by her past, and Eilis must choose between two countries and the lives that exist within.

    76. Hunt for the Wilderpeople

    'Hunt for the Wilderpeople' (Piki Films)
    ‘Hunt for the Wilderpeople’ (Piki Films)

    Directed by: Taika Waititi

    Ricky (Julian Dennison) is a defiant young city kid who finds himself on the run with his cantankerous foster uncle (Sam Neill) in the wild New Zealand bush. A national manhunt ensues, and the two are forced to put aside their differences and work together.

  • Christmas Oscar Predictions

    Christmas Oscar Predictions

    MERRY CHRISTMAS!

    Here is my Christmas present to you all:

    BEST PICTURE

    The Irishman

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    1917

    Jojo Rabbit

    Joker

    Ford v Ferrari

    Bombshell

    Could Jump In: Little Women, The Farewell, The Two Popes, Richard Jewell, Uncut Gems, Pain and Glory

    Like in Best Picture, The Irishman, Parasite, and Once Upon a Time in Hollywood all have a very realistic chance of winning Best Director. Martin Scorsese recently said that The Irishman could be his last film and the Academy could award one of the greatest directors of all time a second Best Director prize (after his long-awaited one for The Departed) to close off his career. Quentin Tarantino has maintained for years that it’s his plan to make 10 original films and Once Upon a Time in Hollywood would be his 9th. Quentin Tarantino is also one of the foremost directors of the modern era and he has never won a Best Director Oscar (He has won 2 Oscars for Best Original Screenplay for Pulp Fiction and Django Unchained).

    Finally, Bong Joon-Ho has in many opinions, the best film of the year and a film that could easily factor into the top 10 of many-a-critic’s best-of-decade lists. Parasite has a lot of love and could very realistically win Best Picture, but it could follow in the footsteps of Roma and lose out on that coveted award while still winning Best Director. Out of the last 10 Best Director winners, 7 of them have been from non-English-speaking countries, while only 3 of these 7 directors’ films went on to win Best Picture. As of right now, Bong Joon-Ho and Parasite are likely to continue this trend. The other spots are mostly locked for Mendes and Baumbach

    BEST DIRECTOR

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Sam Mendes – 1917

    Noah Baumbach – Marriage Story

    Could Jump In: Greta Gerwig – Little Women, Todd Phillips – Joker, Pedro Almodovar – Pain and Glory, James Mangold – Ford v Ferrari

    Adam Driver and Joaquin Phoenix are the only actors that are secure for a nomination with both having a chance for a win. The other 3 spots could be filled by any 8 actors that all have a realistic chance of jumping into the fray. But there really are 5 other actors that could jump into the list: Leonardo DiCaprio, Antonio Banderas, Christian Bale, Taron Egerton, and Eddie Murphy. I also don’t think Christian Bale and Taron Egerton can be on the same ballot nor can Antonio Banderas and Eddie Murphy. The latter is because of the unfortunate “diversity pick”. Hopefully, this will change as the Academy is becoming more diverse but historically there is usually only one non-White performer in an acting category.

    BEST ACTOR

    Adam Driver – Marriage Story

    Joaquin Phoenix – Joker

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Antonio Banderas – Pain and Glory

    Christian Bale – Ford v Ferrari

    Could Jump in: Taron Egerton – Rocketman, Eddie Murphy – Dolemite is My Name, Jonathan Pryce – The Two Popes, Robert De Niro – The Irishman, Adam Sandler – Uncut Gems

    With the lackluster performance of Little Women so far this awards season, Saoirse Ronan drops out of the 5, while Lupita Nyong’o, the critics’ leader in the Best Actress race, comes in. While there is an obvious stigma against the horror genre, case in point Toni Colette not getting an Oscar nomination even though she was last year’s Best Actress critics leader for her role in Hereditary, Nyong’o has received a SAG nomination which is already better than Colette. Still, if Nyong’o suffers genre bias, Ronan will probably enter the final five.

    BEST ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson- Marriage Story

    Charlize Theron – Bombshell

    Cynthia Erivo – Harriet

    Lupita Nyong’o – Us

    Could Jump In: Saoirse Ronan – Little Women, Awkwafina – The Farewell

    With the SAG ensemble nomination for Parasite, one of this film’s actors should get a nomination. Since he is his film’s only performer getting palpable recognition from various critics’ groups, Song Kang-Ho leaps into the race. Anthony Hopkins drops due to his film’s lack of momentum in the awards race and because the four other performers in the Best Supporting Actor race have nominations from the Golden Globes, Critics Choice, and the Screen Actors Guild awards bodies, while Hopkins only has mentions from the former two. Brad Pitt is essentially a sure shot to win this award; he has never won an acting Oscar, he is a certifiable A-List movie star, and the critics’ leader in this category. Unless something absolutely ludicrous occurs, Pitt should be receiving a golden statue.

    BEST SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Al Pacino – The Irishman

    Tom Hanks – A Beautiful Day in the Nieghborhood

    Song Kang-Ho – Parasite

    Could Jump In: Anthony Hopkins – The Two Popes, Alan Alda – Marriage Story, Willem Dafoe – The Lighthouse, Jamie Foxx – Just Mercy, Sam Rockwell – Richard Jewell

    Laura Dern should win this category with Jennifer Lopez her only realistic challenger at this point in the race. Even though The Farewell’s Oscar prospects seem to be diminishing, Zhao Shuzhen is sticking in the race for me. The Academy is becoming more diverse and that should help her attain a much-deserved nomination that might’ve not been hers 5, 10 years ago. With a SAG ensemble nomination for Jojo Rabbit, there should be an acting nomination for one of its wonderful cast members, but both Scarlett Johansson and Thomasin McKenzie delivered amazing performances in that film, which could cause splitting of votes. In the end, BAFTA historically provides the last piece of the puzzle, especially in this race.

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Jennifer Lopez – Hustlers

    Margot Robbie – Bombshell

    Zhao Shuzhen – The Farewell

    Florence Pugh – Little Women

    Could Jump In: Scarlett Johansson – Jojo Rabbit, Kathy Bates – Richard Jewell, Annette Bening – The Report, Nicole Kidman – Bombshell

    Any of these top 3 could win this award come Oscar night, but I believe that it really will come down to Marriage Story and Parasite. Marriage Story and Parasite are both battling out for the lead choice among the critics’ associations and both could translate into an Oscar win. Marriage Story has a better chance as an English-language film, but there is precedent for a foreign-language film winning Best Original Screenplay, Pedro Almodovar’s Talk to Her was the only such winner this century. However, when there is an international film that is an all-timer, it has almost always been nominated for Best Original Screenplay (see: Amour and A Separation). Onto the other contenders, if Bombshell becomes a major contender we should see Charles Randolph’s (Oscar winner for The Big Short) script get nominated as well. Nevertheless, this lineup seems pretty rigid.

    BEST ORIGINAL SCREENPLAY

    Marriage Story

    Parasite

    Once Upon a Time in Hollywood

    The Farewell

    Knives Out

    Could Jump In: Bombshell, Uncut Gems, Pain and Glory

    This category’s nominations are pretty much locked, unless A Beautiful Day in the Neighborhood makes a surprise Best Picture run, but other than that moderately unlikely occurrence these are the films that should get nominated.

    BEST ADAPTED SCREENPLAY

    The Irishman

    Jojo Rabbit

    The Two Popes

    Joker

    Little Women

    Could Jump In: A Beautiful Day in the Neighborhood

    My picks here have stayed the same for a couple of months now, just a few changes in the order have been done.

    BEST ANIMATED FEATURE

    Toy Story 4

    I Lost My Body

    Frozen 2

    How to Train Your Dragon: The Hidden World

    Missing Link

    Could Jump In: Klaus, Weathering With You

    While there is a case for the placement of Star Wars: The Rise of Skywalker here, the film’s middling reviews (that I don’t entirely agree with) probably keep it from getting any more than the Sound categories, Visual Effects, and Original Score for John Williams. The Academy also has an affinity for period films in this category, which is an umbrella that Once Upon a Time in Hollywood, 1917, The Irishman, and Jojo Rabbit fall under. If Little Women has a late-breaking resurgence, which I think it will have, it will probably replace Jojo Rabbit in this category.

    BEST PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    The Irishman

    Parasite

    Jojo Rabbit

    Could Jump In: Star Wars: The Rise of Skywalker, Little Women, Joker, The Two Popes

    Roger Deakins could deservedly win Best Cinematography for the work shown in the 1917 trailer alone and he probably will win his 2ndOscar for shooting the “one-take” war film. Ford v Ferrari and Portrait of a Lady on Fire both have a chance to jump in.

    BEST CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    Could Jump In: Portrait of a Lady on Fire, Ford v Ferrari, Parasite, A Hidden Life

    This is likely what the lineup will be with Once Upon a Time in Hollywood winning it easily.

    BEST COSTUME DESIGN

    Once Upon a Time in Hollywood

    Dolemite is My Name

    Little Women

    Downtown Abbey

    Rocketman

    Could Jump In: The Irishman, Jojo Rabbit, Judy

    For a film to win Best Picture it has to be nominated here. The only time that wasn’t the case is with Birdman which was made to look like it wasn’t cut. War films usually do well in this category, but, like Birdman, this year’s war picture 1917 is made to look like it was all shot in one take. All the other films, excluding Ford v Ferrari, are top-tier Best Picture contenders that need a nomination in this category to cross the finish line on Oscar night.

    BEST FILM EDITING

    The Irishman

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    Could Jump In: 1917, Joker, Jojo Rabbit, Uncut Gems, Star Wars: The Rise of Skywalker

    Joker might fall out of this due to the only special makeup and hairstyling being on the title character, but if the Academy goes by past trends it will get the nomination.

    BEST MAKEUP AND HAIRSTYLING

    Bombshell

    Judy

    Joker

    Rocketman

    Dolemite is My Name

    Could Jump In: Downtown Abbey, Once Upon a Time in Hollywood, Maleficent: Mistress of Evil

    An Oscar season’s war movie often gets the win in Sound Mixing (see: Hacksaw Ridge and Dunkirk), so I have 1917 winning. Musically-themed movies also do well in this category (see: Whiplash and Bohemian Rhapsody), so I have Rocketman getting a nomination.

    BEST SOUND MIXING

    1917

    Ford v Ferrari

    Star Wars: The Rise of Skywalker

    Once Upon a Time in Hollywood

    Rocketman

    Could Jump In: Joker, Avengers: Endgame, Ad Astra, The Irishman

    War films and action films also do well in this category, so 1917 and Ford v Ferrari should be neck and neck here.

    BEST SOUND EDITING

    1917

    Ford v Ferrari

    Star Wars: The Rise of Skywalker

    Joker

    Once Upon a Time in Hollywood

    Could Jump In: Avengers: Endgame, Ad Astra, Rocketman, The Irishman

    The Academy always seems to ignore the film with the enormous box office output in favor of the more “serious”, critically-acclaimed film. This year that film would seem to be The Irishman, however that film’s de-aging effects haven’t been universally praised and that might turn-off some voters. The Jungle Book won here 3 years ago and The Lion King could follow in its footsteps. I think that fans of big-budget blockbusters in the Academy could split between Endgame and The Rise of Skywalker, which could open the path for The Lion King to take this prize. While 1917 seems to be poised for a nomination, Alita: Battle Angel should get in for the narrative that it has “groundbreaking” visual effects, the same could happen for Gemini Man.

    BEST VISUAL EFFECTS

    The Lion King

    Avengers: Endgame

    Star Wars: The Rise of Skywalker

    The Irishman

    Alita: Battle Angel

    Could Jump In: 1917, Gemini Man

    Thomas Newman has to win! He has had 14 nominations without any wins and his score for 1917 has been getting a lot of positive attention, so he has a real chance. All the other scores seem to be mostly secure. Nevertheless, this category is extremely prone to surprises (The “First Man getting SNUBBED last year” kind of surprises).

    BEST ORIGINAL SCORE

    1917

    Joker

    Star Wars: The Rise of Skywalker

    Marriage Story

    Little Women

    Could Jump In: Ford v Ferrari, Us, Motherless Brooklyn

    The Lion King and Breakthrough (I’m not going to do a “Breakthrough breaking into” pun, you’re safe) could easily penetrate this lineup with Toy Story 4 and Wild Rose both susceptible to being dropped.

    BEST ORIGINAL SONG

    Frozen 2

    Rocketman

    Harriet

    Wild Rose

    Toy Story 4

    Could Jump In: The Lion King, Breakthrough, Aladdin

    Maiden, The Biggest Little Farm, and The Cave could all break into the fray with all of these films, even Apollo 11, in danger of dropping out. This category is extremely unpredictable with perceived unbeatable frontrunners, such as last year’s Won’t You Be My Neighbor, not even getting a nomination.

    BEST DOCUMENTARY FEATURE

    Apollo 11

    For Sama

    American Factory

    One Child Nation

    Honeyland

    Could Jump In: Maiden, The Biggest Little Farm, The Cave, Midnight Family

    I don’t think anybody realistically thinks that Parasite is going to lose out on this prize, unless they believe this scenario will occur. Oscar voters vote for dark horse contenders because they believe all the other voters are going to choose Parasite.

    BEST INTERNATIONAL FEATURE 

    Parasite

    Pain and Glory

    Les Miserables

    Atlantics

    Beanpole

    Could Jump In: Corpus Christi, The Painted Bird, Honeyland, Truth and Justice, Those Who Remained

  • Oscar Shortlists for 9 Categories Released

    Oscar Shortlists for 9 Categories Released

    Oscars.org
    Oscars.org

    On December 16th, the Academy for Motion Picture Arts and Sciences (AMPAS) revealed their picks for 9 categories.

    DOCUMENTARY FEATURE

    The films, listed in alphabetical order by title, are:

    “Advocate”
    “American Factory”
    “The Apollo”
    “Apollo 11”
    “Aquarela”
    “The Biggest Little Farm”
    “The Cave”
    “The Edge of Democracy”
    “For Sama”
    “The Great Hack”
    “Honeyland”
    “Knock Down the House”
    “Maiden”
    “Midnight Family”
    “One Child Nation”

    DOCUMENTARY SHORT SUBJECT

    The films, listed in alphabetical order by title, are:

    “After Maria”
    “Fire in Paradise”
    “Ghosts of Sugar Land”
    “In the Absence”
    “Learning to Skateboard in a Warzone (If You’re a Girl)”
    “Life Overtakes Me”
    “The Nightcrawlers”
    “St. Louis Superman”
    “Stay Close”
    “Walk Run Cha-Cha”

    INTERNATIONAL FEATURE FILM
    Ten films will advance to the next round of voting in the International Feature Film category (formerly known as Foreign Language Film) for the 92nd Academy Awards.  Ninety-one films were eligible in the category.

    Academy members from all branches were invited to participate in the preliminary round.  They must have viewed the submitted films theatrically and met a minimum viewing requirement to be eligible to vote in the category.  Their seven choices, augmented by three additional selections voted by the Academy’s International Feature Film Award Executive Committee, constitute the shortlist.

    In the nominations round, Academy members from all branches are invited to opt-in to participate and must view all 10 shortlisted films in order to cast a ballot.

    The films, listed in alphabetical order by country, are:

    Czech Republic, “The Painted Bird”
    Estonia, “Truth and Justice”
    France, “Les Misérables”
    Hungary, “Those Who Remained”
    North Macedonia, “Honeyland”
    Poland, “Corpus Christi”
    Russia, “Beanpole”
    Senegal, “Atlantics”
    South Korea, “Parasite”
    Spain, “Pain and Glory”

    MAKEUP AND HAIRSTYLING
    Ten films will advance in the Makeup and Hairstyling category for the 92nd Academy Awards.  All members of the Academy’s Makeup Artists and Hairstylists Branch will be invited to view seven-minute excerpts from each of the 10 shortlisted films on Saturday, January 4, 2020.  Members will vote to nominate five films for final Oscar consideration.

    The films, listed in alphabetical order by title, are:

    “Bombshell”
    “Dolemite Is My Name”
    “Downton Abbey”
    “Joker”
    “Judy”
    “Little Women”
    “Maleficent: Mistress of Evil”
    “1917”
    “Once upon a Time…in Hollywood”
    “Rocketman”

    MUSIC (ORIGINAL SCORE)
    Fifteen scores will advance in the Original Score category for the 92nd Academy Awards.  One hundred seventy scores were eligible in the category.  Members of the Music Branch vote to determine the shortlist and the nominees.

    The scores, listed in alphabetical order by film title, are:

    “Avengers: Endgame”
    “Bombshell”
    “The Farewell”
    “Ford v Ferrari”
    “Frozen II”
    “Jojo Rabbit”
    “Joker”
    “The King”
    “Little Women”
    “Marriage Story”
    “Motherless Brooklyn”
    “1917”
    “Pain and Glory”
    “Star Wars: The Rise of Skywalker”
    “Us”

    MUSIC (ORIGINAL SONG)
    Fifteen songs will advance in the Original Song category for the 92nd Academy Awards.  Seventy-five songs were eligible in the category.  Members of the Music Branch vote to determine the shortlist and the nominees.

    The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title:

    “Speechless” from “Aladdin”
    “Letter To My Godfather” from “The Black Godfather”
    “I’m Standing With You” from “Breakthrough”
    “Da Bronx” from “The Bronx USA”
    “Into The Unknown” from “Frozen II”
    “Stand Up” from “Harriet”
    “Catchy Song” from “The Lego Movie 2: The Second Part”
    “Never Too Late” from “The Lion King”
    “Spirit” from “The Lion King”
    “Daily Battles” from “Motherless Brooklyn”
    “A Glass of Soju” from “Parasite”
    “(I’m Gonna) Love Me Again” from “Rocketman”
    “High Above The Water” from “Toni Morrison: The Pieces I Am”
    “I Can’t Let You Throw Yourself Away” from “Toy Story 4”
    “Glasgow” from “Wild Rose”

    ANIMATED SHORT FILM
    Ten films will advance in the Animated Short Film category for the 92nd Academy Awards.  Ninety-two films qualified in the category.  Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

    The films, listed in alphabetical order by title, are:

    “Dcera (Daughter)”
    “Hair Love”
    “He Can’t Live without Cosmos”
    “Hors Piste”
    “Kitbull”
    “Memorable”
    “Mind My Mind”
    “The Physics of Sorrow”
    “Sister”
    “Uncle Thomas: Accounting for the Days”

    LIVE ACTION SHORT FILM
    Ten films will advance in the Live Action Short Film category for the 92nd Academy Awards.  One hundred ninety-one films qualified in the category.  Members of the Short Films and Feature Animation Branch vote to determine the shortlist and the nominees.

    The films, listed in alphabetical order by title, are:

    “Brotherhood”
    “The Christmas Gift”
    “Little Hands”
    “Miller & Son”
    “Nefta Football Club”
    “The Neighbors’ Window”
    “Refugee”
    “Saria”
    “A Sister”
    “Sometimes, I Think about Dying”

    VISUAL EFFECTS
    Ten films remain in the running in the Visual Effects category for the 92nd Academy Awards.  The Visual Effects Branch Executive Committee determined the shortlist.  All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the shortlisted films online or attend satellite bake-off screenings in January 2020.  Following the screenings, members will vote to nominate five films for final Oscar consideration.

    The films, listed in alphabetical order by title, are:

    “Alita: Battle Angel”
    “Avengers: Endgame”
    “Captain Marvel”
    “Cats”
    “Gemini Man”
    “The Irishman”
    “The Lion King”
    “1917”
    “Star Wars: The Rise of Skywalker”
    “Terminator: Dark Fate

  • Globes, Critics Choice, and SAG (Mostly) Shape Best Picture Race

    Globes, Critics Choice, and SAG (Mostly) Shape Best Picture Race

    These precursors in conjunction with the American Film Institute Top 10 and the National Board of Review Top Films should bring the Best Picture race into clearer view. Let’s start with the Critics Choice Awards. Their track record with the Best Picture race is very good. Here is a rundown of its track record with the last 5 Best Picture nominees: 2019: 7 of 8 Best Picture Nominees, 2018: 8 of 9, 2017: 8 of 9, 2016: 8 of 8, 2015: 7 of 8.

    This year’s Critics Choice nominations are: 1917, Ford v Ferrari, Jojo Rabbit, Joker, Little Women, Marriage Story, Once Upon a Time in Hollywood, Parasite, The Irishman, Uncut Gems. So based on their track record 7 or 8 of these films will be nominated for Best Picture. Now, if you look at the pattern there is usually that one film that breaks into Best Picture that wasn’t nominated for a Critics Choice award. Last year it was Bohemian Rhapsody that got in due to its great Golden Globe performance, spectacular $900 million box office for a “serious” film, and a SAG Cast Nomination. The year before it was Phantom Thread, which got in due to it being a critical favorite, its quality per-theater-average concerning box office, the narrative that it was the swan song of legendary 3-time Oscar winner Daniel Day-Lewis, and its performance in certain critics’ awards including its inclusion in the National Board of Review’s Top Films. In 2017, Hidden Figures was this lucky film and it got in on its great box office, SAG Cast Nomination, and inclusion in NBR’s Top Films.

    With all of this in mind it seems that all a film needs to get into Oscar Best Picture, if it hasn’t already been nominated for a Critics Choice Best Picture award, is box office success and success at a major precursor. Now the major contenders that weren’t nominated for a Critics Choice Award this year are: Bombshell, The Farewell, Richard Jewell, and The Two Popes.

    Bombshell hasn’t released yet, but it received a SAG Cast nomination and 3 other nominations from SAG. It seems to be somewhat like last year’s Best Picture nominee Vice in the sense that it is a real-life political story with OK-to-good reviews and performances that are getting recognition (Vice received Oscar nominations for Christian Bale, Amy Adams, and Sam Rockwell).

    The Farewell had box office success this summer on the indie circuit even though the film was mostly in Mandarin and the cast was full of relative unknowns, excluding Awkwafina. The film has seen success at various precursors but not at the volume I believe that it needs to be a Best Picture nominee. It still has to cross the barrier of it being a mostly-Mandarin film and even more there is already an East Asian-centric film (Parasite) that has a better chance of getting a Best Picture nomination (and maybe a win?). Knowing the Academy’s past track record with international releases it isn’t likely that two foreign-language films fill be on the Best Picture lineup, and it is less likely that two great works of Asian cinema will be featured on the same lineup. But I hope it happens, because The Farewell dfinitely deserves a nomination.

    Now onto Richard Jewell. This film broke into the Oscar race when it won 2 National Board of Review awards and was included into NBR’s Top 10 Films list. However, it hasn’t done very much since then other than a surprise Supporting Actress nomination at the Golden Globes for Kathy Bates (which I predicted!, sorry 🙂 ). Coupled with its disappointing opening weekend box office performance, I don’t see the film getting a nomination at the Oscars other than maybe one for Kathy Bates.

    Lastly, The Two Popes. I had this film about the Catholic Church in the thick of the Oscar race until late November when it failed to nab a position in the NBR or AFI Top 10 lists. Then it continued going down with its failure to get a Critics Choice nomination for Best Picture, but it has rebounded somewhat with a Best Film-Drama nomination at the Golden Globes. If the film wins any of the awards it is nominated for at the Golden Globes it will probably gain a Best Picture nomination, but both are not likely as of right now.

    Now, all of this comes together to form my Best Picture predictions for today. I have to say that 3 films, The Irishman, Once Upon a Time in Hollywood, and Parasite, all have an extremely realistic chance of winning Best Picture.

    Nevertheless, here are the predictions!

    BEST PICTURE

    The Irishman

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    1917

    Jojo Rabbit

    Joker

    Ford v Ferrari

    Bombshell

    Could Jump in: Little Women, The Farewell, The Two Popes, Richard Jewell

  • Critics Choice Film Nominations Released!

    Critics Choice Film Nominations Released!

    'The Irishman' (Netflix)
    ‘The Irishman’ (Netflix)

    The Critics Choice Awards, one of the most predictive precursors of the Oscar race, released their nominations and their list is chock-full of new information that I will tackle in a succeeding post. For now, here are the nominations!

    FILM NOMINATIONS FOR THE 25TH ANNUAL CRITICS’ CHOICE AWARDS

    BEST PICTURE

    1917

    Ford v Ferrari

    The Irishman

    Jojo Rabbit

    Joker

    Little Women

    Marriage Story

    Once Upon a Time… in Hollywood

    Parasite

    Uncut Gems

    BEST ACTOR

    Antonio Banderas – Pain and Glory

    Robert De Niro – The Irishman

    Leonardo DiCaprio – Once Upon a Time… in Hollywood

    Adam Driver – Marriage Story

    Eddie Murphy – Dolemite Is My Name

    Joaquin Phoenix – Joker

    Adam Sandler – Uncut Gems

    BEST ACTRESS

    Awkwafina – The Farewell

    Cynthia Erivo – Harriet

    Scarlett Johansson – Marriage Story

    Lupita Nyong’o – Us

    Saoirse Ronan – Little Women

    Charlize Theron – Bombshell

    Renée Zellweger – Judy

    BEST SUPPORTING ACTOR

    Willem Dafoe – The Lighthouse

    Tom Hanks – A Beautiful Day in the Neighborhood

    Anthony Hopkins – The Two Popes

    Al Pacino – The Irishman

    Joe Pesci – The Irishman

    Brad Pitt – Once Upon a Time… in Hollywood

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Scarlett Johansson – Jojo Rabbit

    Jennifer Lopez – Hustlers

    Florence Pugh – Little Women

    Margot Robbie – Bombshell

    Zhao Shuzhen  – The Farewell

    BEST YOUNG ACTOR/ACTRESS

    Julia Butters – Once Upon a Time… in Hollywood

    Roman Griffin Davis – Jojo Rabbit

    Noah Jupe – Honey Boy

    Thomasin McKenzie – Jojo Rabbit

    Shahadi Wright Joseph – Us

    Archie Yates – Jojo Rabbit

    BEST ACTING ENSEMBLE

    Bombshell

    The Irishman

    Knives Out

    Little Women

    Marriage Story

    Once Upon a Time… in Hollywood

    Parasite

    BEST DIRECTOR

    Noah Baumbach – Marriage Story

    Greta Gerwig – Little Women

    Bong Joon Ho – Parasite

    Sam Mendes – 1917

    Josh Safdie and Benny Safdie – Uncut Gems

    Martin Scorsese – The Irishman

    Quentin Tarantino – Once Upon a Time… in Hollywood

    BEST ORIGINAL SCREENPLAY

    Noah Baumbach – Marriage Story

    Rian Johnson – Knives Out

    Bong Joon Ho and Han Jin Won – Parasite

    Quentin Tarantino – Once Upon a Time… in Hollywood

    Lulu Wang – The Farewell

    BEST ADAPTED SCREENPLAY

    Greta Gerwig – Little Women

    Noah Harpster and Micah Fitzerman-Blue – A Beautiful Day in the Neighborhood

    Anthony McCarten – The Two Popes

    Todd Phillips & Scott Silver – Joker

    Taika Waititi – Jojo Rabbit

    Steven Zaillian  – The Irishman

    BEST CINEMATOGRAPHY

    Jarin Blaschke – The Lighthouse

    Roger Deakins – 1917

    Phedon Papamichael   – Ford v Ferrari

    Rodrigo Prieto – The Irishman

    Robert Richardson – Once Upon a Time… in Hollywood

    Lawrence Sher – Joker

    BEST PRODUCTION DESIGN

    Mark Friedberg, Kris Moran – Joker

    Dennis Gassner, Lee Sandales  – 1917

    Jess Gonchor, Claire Kaufman – Little Women

    Lee Ha Jun – Parasite

    Barbara Ling, Nancy Haigh – Once Upon a Time… in Hollywood

    Bob Shaw, Regina Graves – The Irishman

    Donal Woods, Gina Cromwell – Downton Abbey

    BEST EDITING

    Ronald Bronstein, Benny Safdie – Uncut Gems

    Andrew Buckland, Michael McCusker – Ford v Ferrari

    Yang Jinmo  – Parasite

    Fred Raskin – Once Upon a Time… in Hollywood

    Thelma Schoonmaker – The Irishman

    Lee Smith – 1917

    BEST COSTUME DESIGN

    Ruth E. Carter – Dolemite Is My Name

    Julian Day – Rocketman

    Jacqueline Durran – Little Women

    Arianne Phillips – Once Upon a Time… in Hollywood

    Sandy Powell, Christopher Peterson – The Irishman

    Anna Robbins – Downton Abbey

    BEST HAIR AND MAKEUP

    Bombshell

    Dolemite Is My Name

    The Irishman

    Joker

    Judy

    Once Upon a Time… in Hollywood

    Rocketman

    BEST VISUAL EFFECTS

    1917

    Ad Astra

    The Aeronauts

    Avengers: Endgame

    Ford v Ferrari

    The Irishman

    The Lion King

    BEST ANIMATED FEATURE

    Abominable

    Frozen II

    How to Train Your Dragon: The Hidden World

    I Lost My Body

    Missing Link

    Toy Story 4

    BEST ACTION MOVIE

    1917

    Avengers: Endgame

    Ford v Ferrari

    John Wick: Chapter 3 – Parabellum

    Spider-Man: Far From Home

    BEST COMEDY

    Booksmart

    Dolemite Is My Name

    The Farewell

    Jojo Rabbit

    Knives Out

    BEST SCI-FI OR HORROR MOVIE

    Ad Astra

    Avengers: Endgame

    Midsommar

    Us

    BEST FOREIGN LANGUAGE FILM

    Atlantics

    Les Misérables

    Pain and Glory

    Parasite

    Portrait of a Lady on Fire

    BEST SONG

    Glasgow (No Place Like Home) – Wild Rose

    (I’m Gonna) Love Me Again – Rocketman

    I’m Standing With You – Breakthrough

    Into the Unknown – Frozen II

    Speechless – Aladdin

    Spirit – The Lion King

    Stand Up – Harriet

    BEST SCORE

    Michael Abels – Us

    Alexandre Desplat   – Little Women

    Hildur Guðnadóttir – Joker

    Randy Newman – Marriage Story

    Thomas Newman  – 1917

    Robbie Robertson – The Irishman

  • Early November 2020 Oscar Predictions

    Early November 2020 Oscar Predictions

    Since my last post, Bombshell and Little Women have screened to glowing reviews and enter the race. Little Women especially has received outstanding notices and I believe it is a lock for a Best Picture nomination. Now that all the contenders except 1917 and Richard Jewell have been screened we have a pretty good idea of the films that are locked and the films that are still on the bubble.

    The Irishman, Once Upon a Time in Hollywood, Parasite, Marriage Story are all 99.9% locked for a nomination. Jojo Rabbit is close behind and 1917, even though it hasn’t been seen yet, has all signs pointing to it being great and a film that the Academy will be drawn to. Little Women is with them in that category of “Most Likely Will Get A Nomination”. The Two Popes is not in this category because it is a Netflix film and the Academy may not nominate it due to Netflix’s fraught relationship with film exhibitors. Finally, the slots where Bombshell and The Farewell are sitting in right now are the most shaky. Ford v Ferrari, Joker, or A Beautiful Day in the Neighborhood could slip into these spots as the season progresses.

    BEST PICTURE

    “The Irishman” (Netflix)

    “Once Upon a Time in Hollywood” (Sony Pictures)

    “Parasite” (Neon)

    “Marriage Story” (Netflix)

    “1917” (Universal)

    “Jojo Rabbit” (Fox Searchlight)

    “The Two Popes” (Netflix)

    “Little Women” (Sony Pictures)

    “Bombshell” (Lionsgate)

    “The Farewell” (A24)

    Others: “Ford v Ferrari” (20th Century Fox), “A Beautiful Day in the Neighborhood” (Sony Pictures), “Joker” (Warner Bros.), “Waves” (A24), “A Hidden Life” (Fox Searchlight), “Just Mercy” (Warner Bros.), “Judy” (20th Century Fox), “Dark Waters” (Focus Features), “Star Wars: Rise of Skywalker” (Disney), “The Report” (Amazon)

    BEST DIRECTOR

    Bong Joon-Ho – Parasite

    Martin Scorsese – The Irishman

    Quentin Tarantino – Once Upon a Time in Hollywood

    Noah Baumbach – Marriage Story

    Sam Mendes – 1917

    Others: James Mangold – Ford v Ferrari, Greta Gerwig – Little Women, Fernando Meirelles – The Two Popes, Lulu Wang – The Farewell, Taika Waititi – Jojo Rabbit

    BEST ACTOR

    Adam Driver – Marriage Story

    Jonathan Pryce – The Two Popes

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Joaquin Phoenix – Joker

    Antonio Banderas – Pain and Glory

    Others: Eddie Murphy – Dolemite is My Name, Robert DeNiro – The Irishman, Christian Bale – Ford v Ferrari, Taron Egerton – Rocketman, Adam Sandler – Uncut Gems

    BEST ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Saoirse Ronan – Little Women

    Cynthia Erivo – Harriet

    Others: Awkwafina – The Farewell, Lupita Nyong’o – Us, Alfre Woodard – Clemency, Jodie Turner-Smith – Queen and Slim, Beanie Feldstein – Booksmart

    BEST SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Al Pacino – The Irishman

    Anthony Hopkins – The Two Popes

    Tom Hanks – A Beautiful Day in the Neighborhood

    Joe Pesci – The Irishman

    Others: Jamie Foxx – Just Mercy, Wesley Snipes – Dolemite is My Name, Willem Dafoe – The Lighthouse, Taika Waititi – Jojo Rabbit, Song Kang-Ho – Parasite

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Jennifer Lopez – Hustlers

    Margot Robbie – Bombshell (or Once Upon a Time in Hollywood

    Florence Pugh – Little Women

    Shuzhen Zhao – The Farewell

    Others: Thomasin McKenzie – Jojo Rabbit, Annette Bening – The Report, Scarlett Johansson – JoJo Rabbit, Maggie Smith – Downtown Abbey, Nicole Kidman – Bombshell

    BEST ORIGINAL SCREENPLAY

    Marriage Story

    Parasite

    Once Upon a Time in Hollywood

    Bombshell

    The Farewell

    Others: Knives Out, Dolemite is My Name, Booksmart, Waves, 1917

    BEST ADAPTED SCREENPLAY

    The Two Popes

    Jojo Rabbit

    The Irishman

    Little Women

    Just Mercy

    Others: Joker, Ford v Ferrari, Judy, Downtown Abbey, Dark Waters

    BEST ANIMATED FEATURE

    Toy Story 4

    Frozen 2

    I Lost My Body

    Missing Link

    How to Train Your Dragon: The Hidden World

    Others: Weathering With You, Funan, Klaus, Okko’s Inn, LEGO Movie 2

    BEST PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    The Two Popes

    Star Wars: Rise of Skywalker

    Downtown Abbey

    Cats

    Others: Ad Astra, Little Women, The Irishman, 1917, Parasite

    BEST CINEMATOGRAPHY

    1917

    The Irishman

    Once Upon a Time in Hollywood

    A Hidden Life

    Ford v Ferrari

    Others: Ad Astra, Marriage Story, Jojo Rabbit, Parasite, The Lighthouse

    BEST COSTUME DESIGN

    Once Upon a Time in Hollywood

    Dolemite is My Name

    Little Women

    Downtown Abbey

    Rocketman

    Others: Judy, The Irishman, Aladdin, Dumbo, The Aeronauts

    BEST FILM EDITING

    The Irishman

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    Others: Star Wars: Rise of Skywalker, 1917, Jojo Rabbit, The Two Popes, Avengers: Endgame

    BEST MAKEUP AND HAIRSTYLING

    Bombshell

    Once Upon a Time in Hollywood

    Judy

    Joker

    Rocketman

    Others: The Two Popes, Downtown Abbey, The Irishman, Star Wars: Rise of Skywalker, Dolemite is My Name

    BEST SOUND MIXING

    Ford v Ferrari

    Star Wars: Rise of Skywalker

    Ad Astra

    1917

    Once Upon a Time in Hollywood

    Others: Rocketman, Avengers: Endgame, Judy, The Irishman, Cats

    BEST SOUND EDITING

    Star Wars: Rise of Skywalker

    1917

    Ford v Ferrari

    Ad Astra

    Avengers: Endgame

    Others: Cats, The Irishman, Once Upon a Time in Hollywood, Joker, Gemini Man

    BEST VISUAL EFFECTS

    Star Wars: Rise of Skywalker

    The Irishman

    The Lion King

    Avengers: Endgame

    Ad Astra

    Others: The Aeronauts, Aladdin, Gemini Man, Captain Marvel, Spider-Man: Far From Home

    BEST ORIGINAL SCORE

    Star Wars: Rise of Skywalker

    1917

    Little Women

    Marriage Story

    Ford v Ferrari

    Others: Joker, Ad Astra, Waves, The Aeronauts, Harriet

    Frozen 2

    Rocketman

    Toy Story 4

    Aladdin

    Harriet

    Others: Cats, The Lion King, Motherless Brooklyn, Bombshell, Her Smell

    BEST DOCUMENTARY FEATURE

    American Factory

    Apollo 11

    One Child Nation

    The Cave

    The Biggest Little Farm

    Others: Maiden, Knock Down the House, Honeyland, Ask Dr. Ruth, Rolling Thunder Revue

    BEST INTERNATIONAL FEATURE FILM

    Parasite

    Pain and Glory

    Les Miserables

    Atlantics

    And Then We Danced

    Others: Monos, Beanpole, Invisible Life, The Whistlers, The Chambermaid