Tag: Oscar race

  • Expanded Oscar Predictions for Early March

    Expanded Oscar Predictions for Early March

    You won’t see any major changes between this post and the last one except that I have added 11 more categories.

    Here it is. Enjoy!

    BEST PICTURE

    The Trial of the Chicago 7

    West Side Story

    Mank

    Hillbilly Elegy

    The French Dispatch

    News of the World

    Dune

    Nomadland

    Da 5 Bloods

    Nightmare Alley (Amsterdam, if it is released this year)

    Could Jump In: Amsterdam, Tenet, Ammonite, The Last Duel, On the Rocks, I’m Thinking of Ending Things, In the Heights, Macbeth, Respect, Blonde, Ma Rainey’s Black Bottom, King Richard, Prisoner 760, Harry Haft, Greyhound, Next Goal Wins, Soul, Stillwater

    Longer Shots: The Eyes of Tammy Faye, The Father, The Many Saints of Newark, Rebecca, Annette, Mob Girl, Fonzo, Good Morning, Midnight, United States vs Billie Holiday, Flag Day, Untitled Darren Aronofsky Film, Minari, After Exile, Mulan

    BEST DIRECTOR

    David Fincher – Mank

    Steven Spielberg – West Side Story

    Aaron Sorkin – Trial of the Chicago 7

    Denis Villeneuve – Dune

    Spike Lee – Da 5 Bloods

    Others: Wes Anderson – The French Dispatch, Christopher Nolan – Tenet, Chloe Zhao – Nomadland, Sofia Coppola – On the Rocks, Paul Greengrass – News of the World, Ridley Scott – The Last Duel, Ron Howard – Hillbilly Elegy, David O. Russell – Amsterdam, Guillermo del Toro – Nightmare Alley, Charlie Kaufman – I’m Thinking of Ending Things, Niki Caro – Mulan, Lee Isaac Chung – Minari, Joel Coen – Macbeth, Francis Lee – Ammonite

    BEST ACTOR

    Gary Oldman – Mank

    Will Smith – King Richard

    Anthony Hopkins – The Father

    Chadwick Boseman – Da 5 Bloods

    Adam Driver – The Last Duel

    Could Jump In: Tom Hanks – News of the World, Denzel Washington – Macbeth, Eddie Redmayne – Trial of the Chicago 7, Joaquin Phoenix – C’mon C’mon, Bill Murray (Likely is supporting), Christian Bale – Amsterdam, Bradley Cooper – Nightmare Alley, Matt Damon – Stillwater, Daniel Kaluuya – Jesus Was My Homeboy, Michael Fassbender – Next Goal Wins, Anthony Ramos – In The Heights

    BEST ACTRESS

    Viola Davis – Ma Rainey’s Black Bottom

    Kate Winslet – Ammonite

    Jennifer Hudson – Respect

    Amy Adams – Hillbilly Elegy

    Frances McDormand – Nomadland

    Could Jump In: Rachel Zegler – West Side Story, Ana de Armas – Blonde, Margot Robbie – Amsterdam, Cate Blanchett – Nightmare Alley, Jessica Chastain – The Eyes of Tammy Faye, Michelle Pfeiffer – French Exit, Jennifer Lawrence – Red, White, and Water, Marion Cotillard – Annette, Frances McDormand – Macbeth, Jessie Buckley – I’m Thinking of Ending Things

    BEST SUPPORTING ACTOR

    Bill Murray – On the Rocks

    Willem Dafoe – Nightmare Alley

    Mark Rylance – Trial of the Chicago 7

    David Strathairn – Nomadland

    Tom Burke or Charles Dance – Mank

    Could Jump In: Sacha Baron Cohen – Trial of the Chicago 7, Andrew Garfield – The Eyes of Tammy Faye, Tom Burke – Mank, Oscar Isaac – Dune, Jesse Plemons – I’m Thinking of Ending Things, Giancarlo Esposito – Da 5 Bloods, Michael B. Jordan – Amsterdam, Frank Langella – Trial of the Chicago 7, Peter Sarsgaard – Harry Haft, Matt Damon – The Last Duel, Timothee Chalamet – The French Dispatch

    BEST SUPPORTING ACTRESS

    Glenn Close – Hillbilly Elegy

    Saoirse Ronan – Ammonite

    Ariana DeBose – West Side Story

    Toni Colette – Nightmare Alley

    Olivia Colman – The Father

    Could Jump In: Amanda Seyfried – Mank, Annette Bening – Death on the Nile, Octavia Spencer – The Witches, Meryl Streep – The Prom, Jodie Comer – The Last Duel, Gaby Hoffman – C’mon C’mon, Rooney Mara – Nightmare Alley, Abigail Breslin – Stillwater, Rebecca Ferguson – Dune, Vicky Krieps – Harry Haft

    BEST ORIGINAL SCREENPLAY

    Trial of the Chicago 7

    Mank

    The French Dispatch

    On The Rocks

    Ammonite

    Could Jump In: Tenet, Soul, Last Night in Soho, C’mon C’mon, Da 5 Bloods, Amsterdam, Next Goal Wins, Stillwater

    BEST ADAPTED SCREENPLAY

    West Side Story

    News of the World

    Hillbilly Elegy

    Nomadland

    Macbeth (if Macbeth does not release this year, I’m Thinking of Ending Things will take this spot)

    Could Jump In: I’m Thinking of Ending Things, Dune, Nightmare Alley, The Last Duel, Those Who Wish Me Dead, In The Heights, Greyhound

    BEST CINEMATOGRAPHY

    West Side Story

    Dune

    Mank

    Tenet

    The French Dispatch

    Could Jump In: Nightmare Alley, I’m Thinking of Ending Things, No Time to Die, Da 5 Bloods, Macbeth, C’mon C’mon, The Prom

    BEST FILM EDITING

    Tenet

    Mank

    West Side Story

    Trial of the Chicago 7

    Dune

    Could Jump In: Da 5 Bloods, Nightmare Alley, News of the World, The Last Duel, Nomadland, Amsterdam, Hillbilly Elegy

    BEST PRODUCTION DESIGN

    West Side Story

    Dune

    Mank

    The French Dispatch

    The Last Duel

    Could Jump In: Nightmare Alley, Tenet, Trial of the Chicago 7, News of the World, Ammonite, Mulan, In the Heights

    BEST COSTUME DESIGN

    Mank

    Dune

    Ammonite

    The French Dispatch

    Nightmare Alley

    Could Jump In: News of the World, West Side Story, The Last Duel, Mulan, The Trial of the Chicago 7, Hillbilly Elegy, Blonde, Death on the Nile

    BEST ORIGINAL SCORE

    Dune

    Mank

    The French Dispatch

    Ammonite

    Soul

    Could Jump In: Tenet, Nightmare Alley, Da 5 Bloods, Annette, Hillbilly Elegy, Nomadland, The Last Duel

    BEST ORIGINAL SONG

    In the Heights

    No Time To Die

    West Side Story

    Everybody’s Talking About Jamie

    Annette

    Could Jump In: Soul, The Prom, Respect, Ma Rainey’s Black Bottom

    BEST MAKEUP AND HAIRSTYLING

    The Witches

    Mank

    Dune

    Mulan

    Blonde

    Could Jump In: The French Dispatch, Nightmare Alley, West Side Story, Trial of the Chicago 7, Ammonite, Hillbilly Elegy, News of the World

    BEST SOUND MIXING

    West Side Story

    Dune

    In the Heights

    Tenet

    Greyhound

    Could Jump In: Da 5 Bloods, News of the World, No Time to Die, Last Night in Soho, The Last Duel, A Quiet Place 2, Respect, After Yang

    BEST SOUND EDITING

    Tenet

    Dune

    Greyhound

    No Time to Die

    Da 5 Bloods

    Could Jump In: West Side Story, In The Heights, News of the World, The Eternals, BIOS, Last Night in Soho, Top Gun: Maverick, After Yang

    BEST VISUAL EFFECTS

    Dune

    Eternals

    Tenet

    Godzilla vs Kong

    BIOS

    Could Jump In: Wonder Woman 1984, Ghostbusters: Afterlife, A Quiet Place Part 2, The Witches, Free Guy, Top Gun: Maverick, Greyhound

    BEST ANIMATED FEATURE

    Soul

    How Do You Live?

    Raya and the Last Dragon

    Over the Moon

    Connected

    Could Jump In: Onward, Croods 2, Tom and Jerry, The One and Only Ivan, Minions: The Rise of Gru, Scoob!, The Willoughbys

  • Much-Too-Early 2021 Oscar Predictions!

    Much-Too-Early 2021 Oscar Predictions!

    With the end of one Oscar season, comes the beginning of the next and even though Oscar season will start in 6 months, why not try predicting a few of the contenders so we know what to look forward to.

    Here are my 2021 Oscar predictions.

    (Films are ordered in terms of their chance to win named award)

    BEST PICTURE

    The Trial of the Chicago 7

    West Side Story

    Mank

    Hillbilly Elegy

    The French Dispatch

    News of the World

    Dune

    Nomadland

    Da 5 Bloods

    Nightmare Alley (Amsterdam, if it is released this year)

    Could Jump In:

    Amsterdam, Tenet, Ammonite, The Last Duel, On the Rocks, I’m Thinking of Ending Things, In the Heights, Macbeth, Respect, Blonde, Ma Rainey’s Black Bottom, King Richard, Prisoner 760, Harry Haft, Greyhound, Next Goal Wins, Soul, Stillwater

    Longer Shots:

    The Eyes of Tammy Faye, The Father, The Many Saints of Newark, Rebecca, Annette, Mob Girl, Fonzo, Good Morning, Midnight, United States vs Billie Holiday, Flag Day, Untitled Darren Aronofsky Film, Minari, After Exile, Mulan

    BEST DIRECTOR

    David Fincher – Mank

    Steven Spielberg – West Side Story

    Aaron Sorkin – Trial of the Chicago 7

    Denis Villeneuve – Dune

    Spike Lee – Da 5 Bloods

    Could Jump In:

    Wes Anderson – The French Dispatch, Christopher Nolan – Tenet, Chloe Zhao – Nomadland, Sofia Coppola – On the Rocks, Paul Greengrass – News of the World, Ridley Scott – The Last Duel, Ron Howard – Hillbilly Elegy, David O. Russell – Amsterdam, Guillermo del Toro – Nightmare Alley, Charlie Kaufman – I’m Thinking of Ending Things, Niki Caro – Mulan, Lee Isaac Chung – Minari, Joel Coen – Macbeth, Francis Lee – Ammonite

    BEST ACTOR

    Gary Oldman – Mank

    Will Smith – King Richard

    Anthony Hopkins – The Father

    Chadwick Boseman – Da 5 Bloods

    Adam Driver – The Last Duel

    Could Jump In:

    Tom Hanks – News of the World, Denzel Washington – Macbeth, Eddie Redmayne – Trial of the Chicago 7, Joaquin Phoenix – C’mon C’mon, Bill Murray (Likely is supporting), Christian Bale – Amsterdam, Bradley Cooper – Nightmare Alley, Daniel Kaluuya – Jesus Was My Homeboy, Michael Fassbender – Next Goal Wins, Anthony Ramos – In The Heights

    BEST ACTRESS

    Viola Davis – Ma Rainey’s Black Bottom

    Kate Winslet – Ammonite

    Jennifer Hudson – Respect

    Amy Adams – Hillbilly Elegy

    Frances McDormand – Nomadland

    Could Jump In:

    Rachel Zegler – West Side Story, Ana de Armas – Blonde, Margot Robbie – Amsterdam, Cate Blanchett – Nightmare Alley, Jessica Chastain – The Eyes of Tammy Faye, Michelle Pfeiffer – French Exit, Jennifer Lawrence – Red, White, and Water, Marion Cotillard – Annette, Frances McDormand – Macbeth, Jessie Buckley – I’m Thinking of Ending Things

    BEST SUPPORTING ACTOR

    Bill Murray – On the Rocks

    Willem Dafoe – Nightmare Alley

    Mark Rylance – Trial of the Chicago 7

    David Strathairn – Nomadland

    Timothee Chalamet – The French Dispatch

    Could Jump In:

    Sacha Baron Cohen – Trial of the Chicago 7, Andrew Garfield – The Eyes of Tammy Faye, Tom Burke – Mank, Oscar Isaac – Dune, Jesse Plemons – I’m Thinking of Ending Things, Giancarlo Esposito – Da 5 Bloods, Michael B. Jordan – Amsterdam, Frank Langella – Trial of the Chicago 7, Peter Sarsgaard – Harry Haft, Matt Damon – The Last Duel

    BEST SUPPORTING ACTRESS

    Glenn Close – Hillbilly Elegy

    Saoirse Ronan – Ammonite

    Ariana DeBose – West Side Story

    Toni Colette – Nightmare Alley

    Olivia Colman – The Father

    Could Jump In:

    Amanda Seyfried – Mank, Annette Bening – Death on the Nile, Octavia Spencer – The Witches, Meryl Streep – The Prom, Jodie Comer – The Last Duel, Gaby Hoffman – C’mon C’mon, Rooney Mara – Nightmare Alley, Abigail Breslin – Stillwater, Rebecca Ferguson – Dune, Vicky Krieps – Harry Haft

    BEST ORIGINAL SCREENPLAY

    Trial of the Chicago 7

    Mank

    The French Dispatch

    On The Rocks

    Ammonite

    Could Jump In:

    Tenet, Soul, Last Night in Soho, C’mon C’mon, Da 5 Bloods, Amsterdam, Next Goal Wins

    BEST ADAPTED SCREENPLAY

    West Side Story

    News of the World

    Hillbilly Elegy

    Nomadland

    Macbeth (if Macbeth does not release this year, I’m Thinking of Ending Things will take this spot)

    Could Jump In:

    I’m Thinking of Ending Things, Dune, Nightmare Alley, The Last Duel, Those Who Wish Me Dead, In The Heights, Greyhound

  • FINAL OSCAR PREDICTIONS 2020

    FINAL OSCAR PREDICTIONS 2020

    It’s finally here.

    Tomorrow, the Academy will reveal their winners in 24 different categories ending Oscar season 2020.

    Let’s get straight into the predictions!

    (The films are ordered in terms of award-winning probability)

    BEST PICTURE

    1917

    Parasite

    Jojo Rabbit

    Once Upon a Time in Hollywood

    Joker

    The Irishman

    Little Women

    Marriage Story

    Ford v Ferrari

    BEST DIRECTOR

    Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Todd Phillips – Joker

    BEST ACTOR

    Joaquin Phoenix – Joker

    Adam Driver – Marriage Story\

    Antonio Banderas – Pain and Glory

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Jonathan Pryce – The Two Popes

    BEST ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Cynthia Erivo – Harriet

    Saoirse Ronan – Little Women

    BEST SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Tom Hanks – A Beautiful Day in the Neighborhood

    Anthony Hopkins – The Two Popes

    Al Pacino – The Irishman

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Scarlett Johansson – Jojo Rabbit

    Florence Pugh – Little Women

    Margot Robbie – Jojo Rabbit

    Kathy Bates – Richard Jewell

    BEST ORIGINAL SCREENPLAY

    Parasite

    Once Upon a Time in Hollywood

    Marriage Story

    1917

    Knives Out

    BEST ADAPTED SCREENPLAY

    Jojo Rabbit

    Little Women

    The Irishman

    Joker

    The Two Popes

    BEST CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    BEST COSTUME DESIGN

    Little Women

    Jojo Rabbit

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    BEST FILM EDITING

    Ford v Ferrari

    Parasite

    Joker

    Jojo Rabbit

    The Irishman

    BEST MAKEUP AND HAIRSTYLING

    Bombshell

    Joker

    Judy

    1917

    Maleficent: Mistress of Evil

    BEST PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    Parasite

    Jojo Rabbit

    The Irishman

    BEST ORIGINAL SCORE

    Joker

    1917

    Little Women

    Marriage Story

    Star Wars: The Rise of Skywalker

    BEST ORIGINAL SONG

    Rocketman

    Harriet

    Frozen 2

    Breakthrough

    Toy Story 4

    BEST SOUND EDITING

    1917

    Ford v Ferrari

    Joker

    Once Upon a Time in Hollywood

    Star Wars: The Rise of Skywalker

    BEST SOUND MIXING

    1917

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Joker

    Ad Astra

    BEST VISUAL EFFECTS

    1917

    The Lion King

    Avenegers: Endgame

    The Irishman

    Star Wars: The Rise of Skywalker

    BEST ANIMATED FEATURE

    Klaus

    Toy Story 4

    Missing Link

    I Lost My Body

    How To Train Your Dragon: The Hidden World

    BEST DOCUMENTARY FEATURE

    American Factory

    For Sama

    Honeyland

    The Cave

    The Edge of Democracy

    BEST INTERNATIONAL FEATURE FILM

    Parasite

    Pain and Glory

    Les Miserables

    Corpus Christi

    Honeyland

    BEST ANIMATED SHORT

    Hair Love

    Kitbull

    Memorable

    Sister

    Dcera (Daughter)

    BEST DOCUMENTARY SHORT

    Learning to Skateboard in a Warzone (If You’re a Girl)

    St. Louis Superman

    Walk Run Cha-Cha

    In the Absence

    Life Overtakes Me

    BEST LIVE-ACTION SHORT

    The Neighbor’s Window

    Brotherhood

    Nefta Football Club

    Saria

    A Sister

     

     

  • 1917 Wins BAFTA’s Top Prize

    1917 Wins BAFTA’s Top Prize

    1917 won Best Film at the BAFTAs, which further proves that it has wide support.

    Here are the BAFTA winners from today.

    BEST FILM
    1917 – Pippa Harris, Callum McDougall, Sam Mendes, Jayne-Ann Tenggren
    THE IRISHMAN – Robert De Niro, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff
    JOKER – Bradley Cooper, Todd Phillips, Emma Tillinger Koskoff
    ONCE UPON A TIME… IN HOLLYWOOD – David Heyman, Shannon McIntosh, Quentin Tarantino
    PARASITE – Bong Joon-ho, Kwak Sin-ae

    DIRECTOR
    1917 – Sam Mendes
    THE IRISHMAN – Martin Scorsese
    JOKER – Todd Phillips
    ONCE UPON A TIME… IN HOLLYWOOD – Quentin Tarantino
    PARASITE – Bong Joon-ho

    OUTSTANDING BRITISH FILM
    1917 – Sam Mendes, Pippa Harris, Callum McDougall, Jayne-Ann Tenggren, Krysty Wilson-Cairns
    BAIT – Mark Jenkin, Kate Byers, Linn Waite
    FOR SAMA – Waad al-Kateab, Edward Watts
    ROCKETMAN – Dexter Fletcher, Adam Bohling, David Furnish, David Reid, Matthew Vaughn, Lee Hall
    SORRY WE MISSED YOU – Ken Loach, Rebecca O’Brien, Paul Laverty
    THE TWO POPES – Fernando Meirelles, Jonathan Eirich, Dan Lin, Tracey Seaward, Anthony McCarten

    OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
    BAIT – Mark Jenkin (Writer/Director), Kate Byers, Linn Waite (Producers)
    FOR SAMA – Waad al-Kateab (Director/Producer), Edward Watts (Director)
    MAIDEN – Alex Holmes (Director)
    ONLY YOU – Harry Wootliff (Writer/Director)
    RETABLO – Álvaro Delgado-Aparicio (Writer/Director)

    LEADING ACTRESS
    JESSIE BUCKLEY – Wild Rose
    SCARLETT JOHANSSON – Marriage Story
    SAOIRSE RONAN – Little Women
    CHARLIZE THERON – Bombshell
    RENÉE ZELLWEGER – Judy

    LEADING ACTOR
    LEONARDO DICAPRIO – Once Upon a Time… In Hollywood
    ADAM DRIVER – Marriage Story
    TARON EGERTON – Rocketman
    JOAQUIN PHOENIX – Joker
    JONATHAN PRYCE – The Two Popes

    SUPPORTING ACTRESS
    LAURA DERN – Marriage Story
    SCARLETT JOHANSSON – Jojo Rabbit
    FLORENCE PUGH – Little Women
    MARGOT ROBBIE – Bombshell
    MARGOT ROBBIE – Once Upon a Time… in Hollywood

    SUPPORTING ACTOR
    TOM HANKS – A Beautiful Day in the Neighborhood
    ANTHONY HOPKINS – The Two Popes
    AL PACINO – The Irishman
    JOE PESCI – The Irishman
    BRAD PITT – Once Upon a Time… in Hollywood

    CASTING
    JOKER – Shayna Markowitz
    MARRIAGE STORY – Douglas Aibel, Francine Maisler
    ONCE UPON A TIME… IN HOLLYWOOD – Victoria Thomas
    THE PERSONAL HISTORY OF DAVID COPPERFIELD – Sarah Crowe
    THE TWO POPES – Nina Gold

    ADAPTED SCREENPLAY
    THE IRISHMAN – Steven Zaillian
    JOJO RABBIT – Taika Waititi
    JOKER – Todd Phillips, Scott Silver
    LITTLE WOMEN – Greta Gerwig
    THE TWO POPES – Anthony McCarten

    ORIGINAL SCREENPLAY
    BOOKSMART – Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman
    KNIVES OUT – Rian Johnson
    MARRIAGE STORY – Noah Baumbach
    ONCE UPON A TIME… IN HOLLYWOOD – Quentin Tarantino
    PARASITE – Han Jin Won, Bong Joon-ho,

    ORIGINAL SCORE
    1917 – Thomas Newman
    JOJO RABBIT – Michael Giacchino
    JOKER – Hildur Guđnadóttir
    LITTLE WOMEN – Alexandre Desplat
    STAR WARS: THE RISE OF SKYWALKER – John Williams

    CINEMATOGRAPHY
    1917 – Roger Deakins
    THE IRISHMAN – Rodrigo Prieto
    JOKER – Lawrence Sher
    LE MANS ’66 – Phedon Papamichael
    THE LIGHTHOUSE – Jarin Blaschke

    EDITING
    THE IRISHMAN – Thelma Schoonmaker
    JOJO RABBIT – Tom Eagles
    JOKER – Jeff Groth
    LE MANS ’66 – Andrew Buckland, Michael McCusker
    ONCE UPON A TIME… IN HOLLYWOOD – Fred Raskin

    PRODUCTION DESIGN
    1917 – Dennis Gassner, Lee Sandales
    THE IRISHMAN – Bob Shaw, Regina Graves
    JOJO RABBIT – Ra Vincent, Nora Sopková
    JOKER – Mark Friedberg, Kris Moran
    ONCE UPON A TIME… IN HOLLYWOOD – Barbara Ling, Nancy Haigh

    COSTUME DESIGN
    THE IRISHMAN – Christopher Peterson, Sandy Powell
    JOJO RABBIT – Mayes C. Rubeo
    JUDY – Jany Temime
    LITTLE WOMEN – Jacqueline Durran
    ONCE UPON A TIME… IN HOLLYWOOD – Arianne Phillips

    MAKEUP & HAIR
    1917 – Naomi Donne
    BOMBSHELL – Vivian Baker, Kazu Hiro, Anne Morgan
    JOKER – Kay Georgiou, Nicki Ledermann
    JUDY – Jeremy Woodhead
    ROCKETMAN – Lizzie Yianni Georgiou

    SOUND
    1917 – Scott Millan, Oliver Tarney, Rachael Tate, Mark Taylor, Stuart Wilson
    JOKER – Tod Maitland, Alan Robert Murray, Tom Ozanich, Dean Zupancic
    LE MANS ’66 – David Giammarco, Paul Massey, Steven A. Morrow, Donald Sylvester
    ROCKETMAN – Matthew Collinge, John Hayes, Mike Prestwood Smith, Danny Sheehan
    STAR WARS: THE RISE OF SKYWALKER – David Acord, Andy Nelson, Christopher Scarabosio, Stuart Wilson, Matthew Wood

    SPECIAL VISUAL EFFECTS
    1917 – Greg Butler, Guillaume Rocheron, Dominic Tuohy
    AVENGERS: ENDGAME – Dan Deleeuw, Dan Sudick
    THE IRISHMAN – Leandro Estebecorena, Stephane Grabli, Pablo Helman
    THE LION KING – Andrew R. Jones, Robert Legato, Elliot Newman, Adam Valdez
    STAR WARS: THE RISE OF SKYWALKER – Roger Guyett, Paul Kavanagh, Neal Scanlan, Dominic Tuohy

    FILM NOT IN THE ENGLISH LANGUAGE
    THE FAREWELL – Lulu Wang, Daniele Melia
    FOR SAMA – Waad al-Kateab, Edward Watts
    PAIN AND GLORY – Pedro Almodóvar, Agustín Almodóvar
    PARASITE – Bong Joon-ho
    PORTRAIT OF A LADY ON FIRE – Céline Sciamma, Bénédicte Couvreur

    ANIMATED FILM
    FROZEN 2 – Chris Buck, Jennifer Lee, Peter Del Vecho
    KLAUS – Sergio Pablos, Jinko Gotoh
    A SHAUN THE SHEEP MOVIE: FARMAGEDDON – Will Becher, Richard Phelan, Paul Kewley
    TOY STORY 4 – Josh Cooley, Mark Nielsen

    DOCUMENTARY
    AMERICAN FACTORY – Steven Bognar, Julia Reichert
    APOLLO 11 – Todd Douglas Miller
    DIEGO MARADONA – Asif Kapadia
    FOR SAMA – Waad al-Kateab, Edward Watts
    THE GREAT HACK – Karim Amer, Jehane Noujaim

    BRITISH SHORT ANIMATION
    GRANDAD WAS A ROMANTIC. – Maryam Mohajer
    IN HER BOOTS – Kathrin Steinbacher
    THE MAGIC BOAT – Naaman Azhari, Lilia Laurel

    BRITISH SHORT FILM
    AZAAR – Myriam Raja, Nathanael Baring
    GOLDFISH – Hector Dockrill, Harri Kamalanathan, Benedict Turnbull, Laura Dockrill
    KAMALI – Sasha Rainbow, Rosalind Croad
    LEARNING TO SKATEBOARD IN A WARZONE (IF YOU’RE A GIRL) – Carol Dysinger, Elena Andreicheva
    THE TRAP – Lena Headey, Anthony Fitzgerald

    EE RISING STAR AWARD (voted for by the public)
    AWKWAFINA
    JACK LOWDEN
    KAITLYN DEVER
    KELVIN HARRISON JR.
    MICHEAL WARD

  • What will be BAFTA and WGA’s effect on Oscar?

    What will be BAFTA and WGA’s effect on Oscar?

    For many this weekend will solely be about the Super Bowl, but for Oscar prognosticators everywhere, this weekend is the second-most important (after the weekend with PGA and SAG) of the Oscar race.

    WGA

    The Writers’ Guild of America Awards are imperative to the Best Picture race this year. If Parasite wins Original Screenplay here then it has a very good chance of winning Best Picture. If it doesn’t, 1917 will win the big one at the Oscars.

    The only real competition Parasite has here is Marriage Story, and if Noah Baumbach does pull it off here the Best Picture race becomes so much clearer, but that is unlikely.

    On the Adapted Screenplay side of things, the battle is really between Little Women and Jojo Rabbit. While Little Women won USC Scripter and a Critics’ Choice award, this is Jojo Rabbit’s most likely place to win.

    Still, the WGA loves stories about writers (Can You Ever Forgive Me? won last year) and Little Women’s Jo March is an aspiring author.

    Predictions: Parasite and Little Women

    BAFTA

    The last 5 winners of BAFTA’s Best Film award have not won Best Picture at the Oscars. This trend is due to the BAFTA not using the Academy’s preferential ballot system. 1917 and Parasite are the biggest contenders here and 1917’s overall “britishness” should give the film the British Academy’s top prize. 1917 also seems like the kind of film that BAFTA would choose.

    In the other categories BAFTA becomes very important to their performance at the Oscars

    (Note: I am only including BAFTA categories that have corresponding categories at the Oscars)

    BEST FILM

    Will win: 1917

    Could win: Parasite

    FILM NOT IN THE ENGLISH LANGUAGE

    Will Win: Parasite

    Could Win: Pain and Glory

    DOCUMENTARY

    Will Win: For Sama

    Could Win: Apollo 11

    ANIMATED FILM

    Will Win: Toy Story 4

    Could Win: Klaus

    DIRECTOR

    Will Win: Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    ORIGINAL SCREENPLAY

    Will Win: Parasite

    Could Win: Once Upon a Time in Hollywood

    ADAPTED SCREENPLAY

    Will Win: Little Women

    Could Win: Jojo Rabbit

    LEADING ACTRESS

    Will Win: Renee Zellweger – Judy

    Could Win: Scarlett Johansson – Marriage Story

    LEADING ACTOR

    Will Win: Joaquin Phoenix – Joker

    Could Win: Taron Egerton – Rocketman

    SUPPORTING ACTRESS

    Will Win: Laura Dern – Marriage Story

    Could Win: Florence Pugh – Little Women

    SUPPORTING ACTOR

    Will Win: Brad Pitt – Once Upon a Time in Hollywood

    Could Win: Joe Pesci – The Irishman

    ORIGINAL SCORE

    Will Win: Joker

    Could Win: 1917

    CINEMATOGRAPHY

    Will Win: 1917

    EDITING

    Will Win: Le Mans’ 66 (Ford v Ferrari in North America)

    Could Win: Joker

    PRODUCTION DESIGN

    Will Win: 1917

    Could Win: Once Upon a Time in Hollywood

    COSTUME DESIGN

    Will Win: Little Women

    Could Win: Jojo Rabbit

    MAKE UP & HAIR

    Will Win: Rocketman

    Could Win: Bombshell

    SOUND

    Will Win: 1917

    Could Win: Le Mans’ 66

    SPECIAL VISUAL EFFECTS

    Will Win: Avengers: Endgame

    Could Win: 1917

  • Pre-DGA Oscar Predictions

    Pre-DGA Oscar Predictions

    The Directors Guild of America, American Society of Cinematographers, Cinema Audio Society, USC Scripter, and Annie awards will all be announced this weekend.

    Now, these are very influential precursors in their respective categories, and could turn the tide (especially DGA) of the race.

    Out of these precursors, the Directors Guild of America shares the most membership with the academy and if something like Parasite wins here, that film will pick up a little bit more steam on its road to Best Picture. Still, I predict Sam Mendes for 1917 winning here as his film seems like more of a “directing” film.

    Here are my predictions:

    BEST PICTURE

    1917

    Parasite

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    Jojo Rabbit

    Marriage Story

    Little Women

    Ford v Ferrari

    Three films, 1917, Parasite, and Once Upon a Time in Hollywood, all have good chances of winning Best Picture at the Oscars. 1917 has PGA and Golden Globe, Parasite has SAG (not eligible for the Drama and Comedy Golden Globe categories as it is a foreign film), and Once Upon a Time in Hollywood has CCA and Golden Globe. PGA is the most predictive of these precursors, which is why 1917 is the frontrunner. BAFTA should tell us who is not going to win Best Picture (Seriously, they’ve been 0 for 5 the last 5 years, even though they were 6 for 6 the years before that), while DGA and WGA should give us an indication of where the Academy could be leaning.

    DIRECTOR

    Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Todd Phillips – Joker

    This award really comes down to DGA, if Bong Joon-Ho wins there he still has a chance to win Best Director at the Oscars (like Alejandro G. Inarittu for Birdman), but if he does not Sam Mendes will win. Mendes has the Golden Globe, the Critics’ Choice award (he tied with Bong Joon-Ho at CCA), so he is the frontrunner.

    ACTOR

    Joaquin Phoenix – Joker

    Adam Driver – Marriage Story

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Antonio Banderas – Pain and Glory

    Jonathan Pryce – The Two Popes

    These acting categories are essentially set in stone as all four have won awards at the Golden Globes, CCA, and SAG. However, if BAFTA does something crazy their might be chance for movement.

    ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Saoirse Ronan – Little Women

    Cynthia Erivo – Harriet

    Renee Zellweger is locked here, and I can not see her losing BAFTA

    SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Tom Hanks – A Beautiful Day in the Neighborhood

    Al Pacino – The Irishman

    Anthony Hopkins – The Two Popes

    Brad Pitt is going to sweep everything and win his first acting Oscar (he won for producing 12 Years a Slave).

    SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Margot Robbie – Bombshell

    Florence Pugh – Little Women

    Scarlett Johansson – Jojo Rabbit

    Kathy Bates – Richard Jewell

    This will probably be Marriage Story’s only Oscar, and Laura Dern will win her first Oscar.

    ORIGINAL SCREENPLAY

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    1917

    Knives Out

    I think that Parasite is going to win WGA and Once Upon a Time in Hollywood BAFTA. And if this happens, Parasite winning Best Original Screenplay will probably mean it will win Best Picture as well.

    ADAPTED SCREENPLAY

    Little Women

    The Irishman

    Jojo Rabbit

    Joker

    The Two Popes

    This film usually has gone to films that will not win any other awards in other categories. The problem is that Little Women (maybe Costume Design), Jojo Rabbit, and The Irishman all look like that at this point. But since Little Women did win at CCA and has had a groundswell of support at the perfect time, it should win.

    ANIMATED FEATURE

    Toy Story 4

    Missing Link

    Klaus

    I Lost My Body

    How To Train Your Dragon: The Hidden World

    Toy Story 4 should win this even though Missing Link did surprise at the Golden Globes. Toy Story 4 did win PGA and CCA, which are better indicators. I think Klaus has more support than I Lost My Body and I believe it has a chance to be the dark horse in this race.

    PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    Parasite

    The Irishman

    Jojo Rabbit

    Once Upon a Time in Hollywood won the CCA for this category and Barbara Ling and Nancy Haigh’s recreation of 1969 Los Angeles should be too much to turn down for Oscar voters.

    CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    I can not see how anybody else other than 1917’s Roger Deakins can win this. Maybe Onc… no Deakins is getting his Oscar.

    COSTUME DESIGN

    Little Women

    Once Upon a Time in Hollywood

    Jojo Rabbit

    The Irishman

    Joker

    Once Upon a Time in Hollywood and Little Women could both win this. Production and costume design usually go hand and hand at the Oscars (3 of the last 5 Oscars had the same winner in these categories), but this seems like 2017 when La La Land won Production Design and Fantastic Beasts and Where To Find Them won Costume Design. “Hollywood” has flashier costumes than La La Land did, but Little Women has the turn of the century period costumes that this branch loves.

    FILM EDITING

    Ford v Ferrari

    Parasite

    Joker

    Jojo Rabbit

    The Irishman

    This branch loves quick cuts and films that you know will be high-adrenaline coming in to the theater. I believe that Ford v Ferrari will win BAFTA and then take this at the Oscars. But if Parasite or Joker wins BAFTA, the film that wins will probably win.

    MAKEUP AND HAIRSTYLING

    Bombshell

    Joker

    Judy

    1917

    Maleficent: Mistress of Evil

    Bombshell should win this as it uses makeup well on multiple characters and not just one like Judy and Joker.

    SOUND MIXING

    1917

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Joker

    Ad Astra

    1917 or Ford v Ferrari have very high chances of winning the sound categories, which is why I think they will split them. I’m looking at 2017 when Hacksaw Ridge won Sound Mixing, but Arrival won Sound Editing. This year’s war film, 1917, should follow the same pattern and win Sound Mixing while Ford v Ferrari will win Sound Editing.

    SOUND EDITING

    Ford v Ferrari

    1917

    Joker

    Star Wars: The Rise of the Skywalker

    Once Upon a Time in Hollywood

    VISUAL EFFECTS

    The Lion King

    Avengers: Endgame

    The Irishman

    Star Wars: The Rise of Skywalker

    1917

    The Lion King could follow The Jungle Book and win with its portrayal of photorealistic animals in a photorealistic environment. Avengers: Endgame or The Irishman could also win this.

    ORIGINAL SCORE

    Joker

    1917

    Little Women

    Star Wars: The Rise of Skywalker

    Marriage Story

    Hildur Guonadottir should win her first Oscar on her first nomination for her haunting work on Joker as she has won the Golden Globe and Critics Choice awards. Still, this is Thomas Newman’s fifteenth Oscar nomination, and he has not ever won. Is soaring score for 1917 could give him the win.

    ORIGINAL SONG

    Rocketman

    Harriet

    Frozen 2

    Breakthrough

    Toy Story 4

    Rocketman has won the Golden Globe and CCA awards in this category and is showing no signs of stopping.

    DOCUMENTARY FEATURE

    American Factory

    Honeyland

    For Sama

    The Cave

    The Edge of Democracy

    While American Factory is the frontrunner, Honeyland and For Sama pose very realistic threats. I think For Sama actually has a better chance than what most are thinking, but its lack of DGA and CCA nominations is slightly troubling.

    ANIMATED SHORT

    Hair Love

    Kitbull

    Sister

    Daughter (Dcera)

    Memorable

    I saw and Kitbull and Hair Love and even though Kitbull is a Pixar product, Kitbull was too simple for me. It was a great short film, but Hair Love had multiple layers and that created a more emotional reaction.

    DOCUMENTARY SHORT

    Learning to Skateboard in a Warzone (If You’re a Girl)

    In the Absence

    St. Louis Superman

    Walk Run Cha-Cha

    Life Overtakes Me

    LIVE-ACTION SHORT

    Brotherhood

    Nefta Football Club

    A Sister

    The Neighbor’s Window

    Saria

    You can watch the shorts here:

     

  • Parasite shocks (not entirely true) at SAG

    Parasite shocks (not entirely true) at SAG

    Parasite won the best ensemble castaward at the Screen Actors Guild awards over frontrunner Once Upon a Time in Hollywood.

    (more…)

  • With PGA Win, 1917 Is The New #1 Best Picture Contender

    With PGA Win, 1917 Is The New #1 Best Picture Contender

    1917 has jumped ahead in the Oscar Best Picture race with a win here.

    (more…)

  • The Most Important Weekend In The Best Picture Race Is Here

    The Most Important Weekend In The Best Picture Race Is Here

    Today, The Producers Guild Awards announces its winners for Best Theatrical Motion Picture.

    PGA

    Because the Producers Guild of America shares many of its members with the Academy we see a lot of crossover in their Best Picture winners. They also adopted the preferential ballot system the same year the Academy did and have been using it ever since.

    Here are their last 10 winners:

    • – indicates Best Picture win

    2019 – Green Book*

    2018 – The Shape of Water*

    2017 – La La Land

    2016 – The Big Short

    2015 – Birdman*

    2014 – 12 Years a Slave* and Gravity (TIE)

    2013 – Argo*

    2012 – The Artist*

    2011 – The King’s Speech*

    2010 – The Hurt Locker*

    Onto this year’s nominees:

    If presumed frontrunner Once Upon a Time in Hollywood wins this award it will win Best Picture at the Oscar. However, I smell a surprise brewing and I doubt that it will win the PGA. This is for two reasons, the film’s lack of an editing nomination at the Oscars and the Bruce Lee controversy during the fall. I think it might end up like Three Billboards Outside of Ebbing, Missouri and get very close, but not win Best Picture. That film also lost the PGA to The Shape of Water.

    So what will win, I think 1917 has the kind of broad support that could bring it to the top and its Golden Globe win and amazing box office came at the perfect time.

    Jojo Rabbit (which I loved) and Joker have a few too many people that hate them to get the broad support that this award and Best Picture need. In the years before the preferential ballot these films would probably have better chances at getting the top prize at either of these awards bodies.

    Parasite is a strange case. It has the broad support a film needs to win, but as an international film it has that “one-inch tall” barrier to break. Still, there is a lot that separates it from last year’s foreign-language Best Picture frontrunner. Roma. First and most importantly, Parasite is a lot more entertaining than Roma. While they both are expertly-crafted films with emotional impact, Parasite is more involving for the average movie lover. So essentially, if we see Parasite winning this, don’t be surprised.

    The Irishman has mostly fizzled and Marriage Story, Ford v Ferrari, Little Women, and Knives Out all have very outside chances to win (but there is always a possibility for anything).

    SAG

    Also this weekend is the Screen Actors Guild Awards, which used to be more predictive of Best Picture but still is a good indicator of the preferences of the Academy’s largest branch, the actor’s branch.

    The Screen Actors Guild also shares many of its members with the academy, but has made some pretty outside choices since SAG became SAG-AFTRA in March 2012

    Here are their winners since 2013:

    • – indicates Best Picture winner

    2019 – Black Panther

    2018 – Three Billboards Outside of Ebbing, Missouri

    2017 – Hidden Figures

    2016 – Spotlight*

    2015 – Birdman*

    2014 – American Hustle

    2013 – Argo*

    You can see every SAG winner here

    I think Once Upon a Time in Hollywood and Parasite both have shots at winning the SAG ensemble. My prediction is Once Upon a Time in Hollywood, but unlike if it wins at PGA, a “Hollywood” win here won’t virtually guarantee a Best Picture win.

    What SAG is more important in predicting is the acting categories at the Oscars. My predictions for those categories at SAG are the same as my predictions for those categories at the Oscars: Joaquin Phoenix for Best Actor, Renee Zellweger for Best Actress, Brad Pitt for Best Supporting Actor, and Laura Dern for Best Supporting Actress. If these four win their categories at SAG, they will are virtually locked for the Oscars.

  • OSCAR NOMINATIONS ARE RELEASED!

    OSCAR NOMINATIONS ARE RELEASED!

    Joker leads with 11, Once Upon a Time in Hollywood, 1917, The Irishman all had 10. (This year is actually the record for most films with over 10 nominations). Jojo Rabbit, Little Women, Marriage Story, and Parasite each got 6 nods as well.

    I’ll get into the specifics of these nominations and what they mean in a later post.

    But for now, here they are!

    BEST PICTURE

    “Ford v Ferrari” – Producers: Peter Chernin, Jenno Topping and James Mangold (Walt Disney)
    “The Irishman” – Producers: Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff (Netflix)
    “Jojo Rabbit” – Producers: Carthew Neal and Taika Waititi (Fox Searchlight)
    “Joker” – Producers: Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff (Warner Bros.)
    “Little Women” – Producers: Amy Pascal (Sony Pictures)
    “Marriage Story” – Producers: Noah Baumbach and David Heyman (Netflix)
    “1917” – Producers: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall (Universal/Amblin)
    “Once Upon a Time…in Hollywood” – Producers: David Heyman, Shannon McIntosh and Quentin Tarantino (Sony Pictures)
    “Parasite” – Producers: Kwak Sin Ae and Bong Joon Ho (Neon)

    BEST DIRECTOR

    Martin Scorsese – “The Irishman”
    Todd Phillips – “Joker”
    Sam Mendes – “1917”
    Quentin Tarantino – “Once Upon a Time in Hollywood”
    Bong Joon Ho – “Parasite”

    BEST ACTOR

    Antonio Banderas  – “Pain and Glory”
    Leonardo DiCaprio – “Once Upon a Time…in Hollywood”
    Adam Driver – “Marriage Story”
    Joaquin Phoenix – “Joker”
    Jonathan Pryce – “The Two Popes”

    BEST ACTRESS

    Cynthia Erivo – “Harriet”
    Scarlett Johansson – “Marriage Story”
    Saoirse Ronan – “Little Women”
    Charlize Theron – “Bombshell”
    Renée Zellweger – “Judy”

    BEST SUPPORTING ACTOR

    Tom Hanks – “A Beautiful Day in the Neighborhood”
    Anthony Hopkins – “The Two Popes”
    Al Pacino – “The Irishman”
    Joe Pesci – “The Irishman”
    Brad Pitt – “Once Upon a Time…in Hollywood”

    BEST SUPPORTING ACTRESS

    Kathy Bates – “Richard Jewell”
    Laura Dern – “Marriage Story”
    Scarlett Johansson – “Jojo Rabbit”
    Florence Pugh – “Little Women”
    Margot Robbie – “Bombshell”

    BEST ADAPTED SCREENPLAY

    “The Irishman” – Steven Zaillian
    “Jojo Rabbit” – Taika Waititi
    “Joker” – Todd Phillips & Scott Silver
    “Little Women” – Greta Gerwig
    “The Two Popes” – Anthony McCarten

    BEST ORIGINAL SCREENPLAY

    “Knives Out” – Rian Johnson
    “Marriage Story” – Noah Baumbach
    “1917” – Sam Mendes & Krysty Wilson-Cairns
    “Once Upon a Time…in Hollywood” – Quentin Tarantino
    “Parasite” – Bong Joon Ho, Han Jin Won

    BEST FILM EDITING

    “Ford v Ferrari” – Michael McCusker and Andrew Buckland
    “The Irishman” – Thelma Schoonmaker
    “Jojo Rabbit” – Tom Eagles
    “Joker” – Jeff Groth
    “Parasite” – Yang Jinmo

    BEST CINEMATOGRAPHY

    “The Irishman” – Rodrigo Prieto
    “Joker” – Lawrence Sher
    “The Lighthouse” – Jarin Blaschke
    “1917” – Roger Deakins
    “Once Upon a Time…in Hollywood” – Robert Richardson

    BEST PRODUCTION DESIGN

    “The Irishman” – Bob Shaw, Regina Graves
    “Jojo Rabbit” – Ra Vincent, Nora Sopková
    “1917” – Dennis Gassner, Lee Sandales
    “Once Upon a Time…in Hollywood” – Barbara Ling, Nancy Haigh
    “Parasite” – Lee Ha Jun, Cho Won Woo

    BEST COSTUME DESIGN

    “The Irishman” – Sandy Powell and Christopher Peterson
    “Jojo Rabbit” – Mayes C. Rubeo
    “Joker” – Mark Bridges
    “Little Women” – Jacqueline Durran
    “Once Upon a Time…in Hollywood” – Arianne Phillips

    BEST ORIGINAL SCORE

    “Joker” – Hildur Guðnadóttir
    “Little Women” – Alexandre Desplat
    “Marriage Story” – Randy Newman
    “1917” – Thomas Newman
    “Star Wars: The Rise of Skywalker” – John Williams

    BEST ORIGINAL SONG

    “I Can’t Let You Throw Yourself Away” from “Toy Story 4” – Randy Newman (Walt Disney)
    “(I’m Gonna) Love Me Again” from “Rocketman” – Elton John and Bernie Taupin (Paramount)
    “I’m Standing With You” from “Breakthrough” – Diane Warren (Disney)
    “Into The Unknown” from “Frozen II” Kristen Anderson-Lopez and Robert Lopez (Walt Disney)
    “Stand Up” from “Harriet” – Joshuah Brian Campbell and Cynthia Erivo (Focus Features)

    BEST SOUND EDITING

    “Ford v Ferrari” – Donald Sylvester
    “Joker” – Alan Robert Murray
    “1917” – Oliver Tarney and Rachael Tate
    “Once Upon a Time…in Hollywood” – Wylie Stateman
    “Star Wars: The Rise of Skywalker” – Matthew Wood and David Acord

    BEST SOUND MIXING

    “Ad Astra” – Gary Rydstrom, Tom Johnson and Mark Ulano
    “Ford v Ferrari” – Paul Massey, David Giammarco and Steven A. Morrow
    “Joker” – Tom Ozanich, Dean Zupancic and Tod Maitland
    “1917” – Mark Taylor and Stuart Wilson
    “Once Upon a Time…in Hollywood” – Michael Minkler, Christian P. Minkler and Mark Ulano

    BEST MAKEUP AND HAIRSTYLING

    “Bombshell” – Kazu Hiro, Anne Morgan and Vivian Baker
    “Joker” – Nicki Ledermann and Kay Georgiou
    “Judy” – Jeremy Woodhead
    “Maleficent: Mistress of Evil” – Paul Gooch, Arjen Tuiten and David White
    “1917” – Naomi Donne, Tristan Versluis and Rebecca Cole

    BEST VISUAL EFFECTS

    “Avengers: Endgame” – Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick (Walt Disney)
    “The Irishman” – Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli (Netflix)
    “The Lion King” – Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman (Walt Disney)
    “1917” – Guillaume Rocheron, Greg Butler and Dominic Tuohy (Universal/Amblin)
    “Star Wars: The Rise of Skywalker” – Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy (Walt Disney)

    BEST ANIMATED FEATURE

    “How to Train Your Dragon: The Hidden World” – Dean DeBlois, Bradford Lewis and Bonnie Arnold (Universal)
    “I Lost My Body” – Jérémy Clapin and Marc du Pontavice (Netflix)
    “Klaus” – Sergio Pablos, Jinko Gotoh and Marisa Román (Netflix)
    “Missing Link” – Chris Butler, Arianne Sutner and Travis Knight (United Artists)

    “Toy Story 4” – Josh Cooley, Mark Nielsen and Jonas Rivera (Walt Disney)

    DOCUMENTARY FEATURE

    “American Factory” – Steven Bognar, Julia Reichert and Jeff Reichert (Netflix)
    “The Cave” – Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær (National Geographic)
    “The Edge of Democracy” – Petra Costa, Joanna Natasegara, Shane Boris and Tia

    go Pavan (Netflix)
    “For Sama” – Waad al-Kateab and Edward Watts (PBS/Channel 4/Frontline)
    “Honeyland” – Ljubo Stefan (Neon)

    BEST INTERNATIONAL FEATURE FILM

    “Corpus Christi” – Poland
    “Honeyland” – North Macedonia
    “Les Misérables” – France
    “Pain and Glory” – Spain
    “Parasite” – South Korea

    BEST ANIMATED SHORT

    “Dcera (Daughter)” – Daria Kashcheeva
    “Hair Love” – Matthew A. Cherry and Karen Rupert Toliver
    “Kitbull” – Rosana Sullivan and Kathryn Hendrickson
    “Memorable” – Bruno Collet and Jean-François Le Corre
    “Sister” – Siqi Song

    DOCUMENTARY SHORT SUBJECT

    “In the Absence” – Yi Seung-Jun and Gary Byung-Seok Kam
    “Learning to Skateboard in a Warzone (If You’re a Girl)” – Carol Dysinger and Elena Andreicheva
    “Life Overtakes Me” – John Haptas and Kristine Samuelson
    “St. Louis Superman” – Smriti Mundhra and Sami Khan
    “Walk Run Cha-Cha” – Laura Nix and Colette Sandstedt

    BEST LIVE ACTION SHORT

    “Brotherhood” – Meryam Joobeur and Maria Gracia Turgeon
    “Nefta Football Club” – Yves Piat and Damien Megherbi
    “The Neighbors’ Window” – Marshall Curry
    “Saria” – Bryan Buckley and Matt Lefebvre
    “A Sister” – Delphine Girard