Tag: 2023

  • Cannes Film Festival 2023 Predictions

    Cannes Film Festival 2023 Predictions

    This year’s Cannes Film Festival has been for my money one of the most exciting in years. Films from legends like Wim Wenders, Aki Kaurismaki, Jonathan Glazer, Catherine Breillat, Nuri Bilge Ceylan, Hirokazu Koreeda, Todd Haynes, Marco Bellocchio, Ken Loach, Wes Anderson and Wang Bing all played in competition at this year’s festival. As usual, some of these films underwhelmed, some met expectations, and some far exceeded them. This year’s best include Justine Triet’s mystery thriller Anatomy of a Fall, Jonathan Glazer’s Holocaust drama The Zone of Interest, and Alice Rohrwacher’s archaeologist adventure La Chimera. The Pot-au-Feu, May December, About Dry Grasses, Monster, and Fallen Leaves have also all received raves and should be kept in mind when predicting who will appear on stage during tomorrow’s Cannes awards ceremony.

    When it comes to the Palme D’Or, the biggest award of the festival, three contenders seem most poised to triumph: Anatomy of a Fall, The Zone of Interest, and La Chimera. I think more than usual, this jury (composed of actors and filmmakers such as Ruben Ostlund, Brie Larson, Damian Szifron, Paul Dano, and Julia Ducournau among others) will choose something with more of a modern appeal. Something punchy and conventionally entertaining yet also with some sociopolitical preoccupations. The film that satisfies both those criteria to the greatest extent is Ken Loach’s The Old Oak, but that film has also been widely-criticized by critics for being too broad and possibly tone-deaf in its commentary.

    Anatomy of a Fall seems best suited to this jury as it’s a highly-entertaining thriller directed by a woman that interrogates the institution of marriage. It’s central performance from Sandra Huller has been touted as one of the best performances we’ve seen at Cannes in recent years and it’s an accessible film that we could very possibly see perform well in the Best International Feature category at the Oscars. Though if Triet’s film does win the Palme, this means that Huller cannot win Actress for the film since a picture that wins the Palme cannot win in any other category. Still, I would be mistaken not to mention that Jonathan Glazer’s The Zone of Interest has received some of the best reviews of any Cannes film in the last few years. It currently holds a staggering 98 Metascore on 17 reviews and it may just be too undeniable not to award the Palme to. This year’s dark horse is Alice Rohrwacher’s La Chimera. Fresh off her Oscar nomination for the Disney Plus short Le pupille, Rohrwacher has delivered with a stunningly-filmed eccentric archaeological adventure starring a fantastic Josh O’Connor. It is not the type of film that usually wins at Cannes but this quirky film with comic elements might be just perfect for jury members like Ostlund, Szifron, and Dano, all of whom have been involved in their own respective off-center comedies.

    We shall see what this jury goes with so without further ado these are my predictions:

    PALME D’OR

    Pick: Anatomy of a Fall

    Could Be: The Zone of Interest, La Chimera, or About Dry Grasses

    DIRECTOR

    Pick: The Zone of Interest – Jonathan Glazer

    Could Be: About Dry Grasses – Nuri Bilge Ceylan, La Chimera – Alice Rohrwacher, or Youth (Spring) – Wang Bing

    ACTRESS

    Pick: Natalie Portman and/or Julianne Moore – May December

    Could Be: Sandra Huller – Anatomy of a Fall and/or The Zone of Interest, Alma Poysti – Fallen Leaves, or Mia Wasikowska – Club Zero

    ACTOR

    Pick: Koji Yakusho – Perfect Days

    Could Be: Josh O’Connor – La Chimera or Deniz Celiloglu – About Dry Grasses

    SCREENPLAY

    Pick: Fallen Leaves

    Could Be: May December or Anatomy of a Fall

    JURY PRIZE

    Pick: The Old Oak

    Could Be: La Chimera, The Pot-au-Feu, Monster, or Anatomy of a Fall

    GRAND PRIX

    Pick: La Chimera

    Could Be: About Dry Grasses, Anatomy of a Fall, Monster, or Fallen Leaves

  • Late May Oscar Predictions 2024

    Late May Oscar Predictions 2024

    The Cannes Film Festival is currently underway and the biggest story has been the raves for Martin Scorsese’s newest “Killers of the Flower Moon”. It’s already been called by many one of the maestro’s best and even though it can’t win anything at Cannes (it’s playing out-of-competition), it’s now pretty much guaranteed to be a top five Best Picture contender in this coming year. Scorsese, actors Leonardo DiCaprio, Lily Gladstone, Robert DeNiro, composer Robbie Robertson, and the cinematographer Rodrigo Prieto have all been singled out by multiple reviews and will receive attention throughout the season. But ‘Killers’ was not the film that received the best notices of the festival so far, that would be ‘Under the Skin’ and ‘Sexy Beast’ director Jonathan Glazer’s “The Zone of Interest”. As of this piece’s writing, Glazer’s newest holds a phenomenal 98 on review aggregator Metacritic on 11 reviews. While that score is unlikely to hold as more reviews flood in, it’s an incredibly promising sign for the film. While directed by the British Glazer, the film is in German and follows the family of a Nazi commander stationed at Auschwitz. It very likely will become distributor A24’s main push instead of Celine Song’s similarly-acclaimed “Past Lives”.

    After Cannes, the next major film festival on the calendar is Venice, which historically has many more Best Picture contenders on its slate. While the films playing at Venice have not been announced as of yet, we have received a small taste of what will be premiering on the Lido. According to a Variety article, Yorgos Lanthimos’ “Poor Things” and Luca Guadagnino’s “Challengers” are essentially locks to play at Venice, while Michael Mann’s “Ferrari”, Emerald Fennell’s “Saltburn”, and Bradley Cooper’s “Maestro” are all different degrees of likely to appear on the slate.

    Outside of the festivals, the trailer for Warner Bros. newest iteration of ‘The Color Purple” has been released and it looks great. Denis Villeneuve’s “Dune: Part Two” and “The Color Purple” will be Warner Bros.’ two biggest pushes this year, and with an awards-friendly Christmas release date the studio clearly anticipates big things for the Blitz Bazawule picture.

    BEST PICTURE

    Killers of the Flower Moon (Apple TV+)

    Oppenheimer (Universal)

    The Color Purple (Warner Bros.)

    Dune: Part Two (Warner Bros.)

    The Zone of Interest (A24)

    Saltburn (Amazon)

    Poor Things (Searchlight)

    Maestro (Netflix)

    How Do You Live? (Studio Ghibli)

    Rustin (Netflix)

    Could Jump In: Past Lives (A24), Napoleon (Apple TV+), Lee (Sky), The Bikeriders (20th Century), The Wonderful Story of Henry Sugar (Netflix), Ferrari (STX), Shirley (Netflix), Next Goal Wins (Searchlight), The Killer (Netflix), Monster (Toho), Asteroid City (Focus), May December (Sky Cinema), A Thousand and One (Focus), The Holdovers (Focus), The Piano Lesson (Netflix), Barbie (Warner Bros.), Wonka (Warner Bros.), Strangers (Searchlight), , One Life (See-Saw)

    Longer Shots: Nyad (Netflix), Leave the World Behind (Netflix), The Actor (Netflix), Challengers (MGM), The Zone of Interest (A24), The Iron Claw (A24), About Dry Grasses (Atmo), Beau is Afraid (A24), Limonov: The Ballad of Eddie (Vision), Are You There God? It’s Me Margaret (Lionsgate), Spider-Man: Across the Universe (Sony), Firebrand (MBK), Magazine Dreams (Searchlight), The Bastard (Magnolia), Io Capitano (01), Memory (MUBI), The Perfumed Hill, The New Boy (CAA/UTA), The Book of Clarence (Legendary), La Chimera (NEON)

    BEST DIRECTOR

    Martin Scorsese – Killers of the Flower Moon

    Blitz Bazawule – The Color Purple

    Jonathan Glazer – The Zone of Interest

    Emerald Fennell – Saltburn

    Hayao Miyazaki – How Do You Live?

    Could Jump In: Yorgos Lanthimos – Poor Things, Christopher Nolan – Oppenheimer, Denis Villeneuve – Dune: Part Two, Celine Song – Past Lives, Ridley Scott – Napoleon, Jeff Nichols – The Bikeriders, Ellen Kuras – Lee, Michael Mann – Ferrari, David Fincher – The Killer, Greta Gerwig – Barbie, Ari Aster – Beau is Afraid, Wes Anderson – The Wonderful Story of Henry Sugar, Todd Haynes – May December, George C. Wolfe – Rustin, Nuri Bilge Ceylan – About Dry Grasses

    BEST ACTOR

    Colman Domingo – Rustin

    Bradley Cooper – Maestro

    Leonardo DiCaprio – Killers of the Flower Moon

    Michael Fassbender – The Killer

    Adam Driver – Ferrari

    Could Jump In: Paul Giamatti – The Holdovers, Barry Keoghan – Saltburn, Cillian Murphy – Oppenheimer, Austin Butler – The Bikeriders, Benedict Cumberbatch – The Wonderful Story of Henry Sugar, Anthony Hopkins – One Life, Joaquin Phoenix – Beau is Afraid, Andre Holland – The Actor, Christian Friedel – The Zone of Interest, Song Kang-Ho – Cobweb, Andrew Scott – Strangers, Timothee Chalamet – Wonka

    BEST ACTRESS

    Kate Winslet – Lee

    Annette Bening – Nyad

    Natalie Portman – May December

    Sandra Huller – The Zone of Interest

    Carey Mulligan – Maestro

    Could Jump In: Regina King – Shirley, Greta Lee – Past Lives Fantasia Barrino – The Color Purple, Emma Stone – Poor Things, Saoirse Ronan – The Outrun, Zendaya – Challengers, Margot Robbie – Barbie, Vanessa Kirby – Napoleon, Teyana Taylor – A Thousand and One, Alicia Vikander – Firebrand, Jessica Chastain – Memory, Sakura Ando – Monster

    BEST SUPPORTING ACTOR

    Robert De Niro – Killers of the Flower Moon

    Tom Hardy – The Bikeriders

    Colman Domingo – The Color Purple

    Jesse Plemons – Killers of the Flower Moon

    John Magaro – Past Lives

    Could Jump In: Willem Dafoe – Poor Things, Samuel L. Jackson – The Piano Lesson, Glynn Turman or Jeffrey Wright – Rustin, Louis Gossett Jr. – The Color Purple, Richard E. Grant – Saltburn, Lakeith Stanfield – The Book of Clarence, Andy Samberg – Lee, Paul Mescal – Strangers, Josh O’Connor or Mike Faist – Challengers, Peter Sarsgaard – Memory, Jude Law – Firebrand, Mahershala Ali – Leave the World Behind

    BEST SUPPORTING ACTRESS

    Taraji P. Henson – The Color Purple

    Lily Gladstone – Killers of the Flower Moon

    Danielle Brooks – The Color Purple,

    Rosamund Pike – Saltburn

    Julianne Moore – May December

    Could Jump In: Jodie Foster – Nyad, Tilda Swinton – The Killer, Jodie Comer – The Bikeriders Penelope Cruz – Ferrari, Audra McDonald – Rustin,  Claire Foy – Strangers, Margaret Qualley – Poor Things, Carey Mulligan – Saltburn, Helena Bonham Carter – One Life

    BEST ORIGINAL SCREENPLAY

    Saltburn

    Drive-Away Dolls

    Rustin

    May December

    Past Lives

    Could Jump In: Maestro, Asteroid City, The Holdovers, Beau is Afraid, Monster

    BEST ADAPTED SCREENPLAY

    Killers of the Flower Moon

    Poor Things

    The Bikeriders

    How Do You Live?

    The Zone of Interest

    Could Jump In: The Color Purple, Oppenheimer, The Wonderful Story of Henry Sugar, Strangers, Lee, Dune: Part Two

    BEST ANIMATED FEATURE

    How Do You Live?

    Spider-Man: Across the Spider-Verse

    Elemental

    Wish

    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Could Jump In: Migration, Suzume

    BEST PRODUCTION DESIGN

    Poor Things

    Dune: Part Two

    Saltburn

    Oppenheimer

    Napoleon

    Could Jump In: The Wonderful Story of Henry Sugar, Killers of the Flower Moon, The Color Purple, The Zone of Interest, Wonka,

    BEST CINEMATOGRAPHY

    Dune: Part Two

    Killers of the Flower Moon

    Saltburn

    Poor Things

    Napoleon

    Could Jump In: Oppenheimer, The Color Purple, The Wonderful Story of Henry Sugar, Maestro, The Killer, The Zone of Interest

    BEST COSTUME DESIGN

    Dune: Part Two

    Poor Things

    Saltburn

    The Color Purple

    Barbie

    Could Jump In: The Wonderful Story of Henry Sugar, Napoleon, Wonka, Blitz, Lee

    BEST FILM EDITING

    Dune: Part Two

    Killers of the Flower Moon

    The Killer

    Ferrari

    Oppenheimer

    Could Jump In: The Color Purple, Napoleon, Blitz, Maestro, Poor Things

    BEST MAKEUP & HAIRSTYLING

    Maestro

    Barbie

    Dune: Part Two

    Poor Things

    Wonka

    Could Jump In: The Color Purple, Ferrari, Napoleon, The Wonderful Story of Henry Sugar, The Bikeriders

    BEST SOUND

    Dune: Part Two

    Oppenheimer

    Ferrari

    The Color Purple

    Maestro

    Could Jump In: Mission: Impossible – Dead Reckoning Part One, Wonka, The Marvels. Barbie

    BEST VISUAL EFFECTS

    Dune: Part Two

    Transformers: Rise of the Beasts

    Guardians of the Galaxy Vol. 3

    Oppenheimer

    Wonka

    Could Jump In: Barbie, The Little Mermaid, The Marvels, Indiana Jones and the Dial of Destiny, Blue Beetle

    BEST ORIGINAL SCORE

    Dune: Part Two

    How Do You Live?

    Oppenheimer

    The Killer

    Asteroid City

    Could Jump In: Elemental, The Zone of Interest, Barbie, Challengers, Lee, Killers of the Flower Moon

  • Year-In-Advance Oscar Predictions 2024

    Year-In-Advance Oscar Predictions 2024

    With the end of one Oscar season comes the start of another…or maybe I’m just insane. Either way, the 2024 Oscars won’t truly start picking up steam until festival season in fall, but it’s always fun to predict what films will make it through and find success at the finish line. 

    Acclaimed filmmakers like Martin Scorsese, Christopher Nolan, Denis Villeneuve, Emerald Fennell, Yorgos Lanthimos, Ridley Scott, Hayao Miyazaki, Steve McQueen, Greta Gerwig, Jeff Nichols, Wes Anderson, Michael Mann, David Fincher, Todd Haynes, Ari Aster, Andrew Haigh, and Alexander Payne all likely have films coming out this year. Buzzy newcomers like Celine Song and Blitz Bazawule also have movies that very possibly will receive an immense amount of attention. 

    It’s an exciting season filled with talent old and new, so without further ado, here are my year-in-advance predictions!

    BEST PICTURE

    Killers of the Flower Moon (Apple TV+)

    Oppenheimer (Universal)

    The Color Purple (Warner Bros.)

    Past Lives (A24)

    Dune: Part Two (Warner Bros.)

    Saltburn (Amazon)

    Poor Things (Searchlight)

    Napoleon (Apple TV+)

    How Do You Live? (Studio Ghibli)

    Blitz (Apple TV+)

    Rustin (Netflix) (if Blitz doesn’t release this year)

    Could Jump In: Lee (Sky), The Bikeriders (20th Century), The Wonderful Story of Henry Sugar (Netflix), Ferrari (STX), Maestro (Netflix), Shirley (Netflix), Next Goal Wins (Searchlight), The Killer (Netflix), Monster (Toho), Asteroid City (Focus), May December (Sky Cinema), Beau is Afraid (A24), Barbie (Warner Bros.), A Thousand and One (Focus), Wonka (Warner Bros.), Strangers (Searchlight), The Holdovers (Focus), The Piano Lesson (Netflix), One Life (See-Saw)

    Longer Shots: Nyad (Netflix), Leave the World Behind (Netflix), The Actor (Netflix), Challengers (MGM), The Zone of Interest (A24), The Iron Claw (A24), About Dry Grasses (Atmo), Limonov: The Ballad of Eddie (Vision), Are You There God? It’s Me Margaret (Lionsgate), Spider-Man: Across the Universe (Sony), Firebrand (MBK), Magazine Dreams (Searchlight), The Bastard (Magnolia), Io Capitano (01), Memory (MUBI), The Perfumed Hill, The New Boy (CAA/UTA), The Book of Clarence (Legendary), La Chimera (NEON)

    BEST DIRECTOR

    Martin Scorsese – Killers of the Flower Moon

    Steve McQueen – Blitz

    Blitz Bazawule – The Color Purple

    Celine Song – Past Lives

    Hayao Miyazaki – How Do You Live?

    Could Jump In: Emerald Fennell – Saltburn, Yorgos Lanthimos – Poor Things, Christopher Nolan – Oppenheimer, Denis Villeneuve – Dune: Part Two, Blitz Bazawule – The Color Purple, Ridley Scott – Napoleon, Jeff Nichols – The Bikeriders, Ellen Kuras – Lee, Michael Mann – Ferrari, David Fincher – The Killer, Greta Gerwig – Barbie, Ari Aster – Beau is Afraid, Wes Anderson – The Wonderful Story of Henry Sugar, Todd Haynes – May December, George C. Wolfe – Rustin, Nuri Bilge Ceylan – About Dry Grasses 

    BEST ACTOR

    Colman Domingo – Rustin

    Bradley Cooper – Maestro

    Leonardo DiCaprio – Killers of the Flower Moon

    Michael Fassbender – The Killer

    Adam Driver – Ferrari

    Could Jump In: Paul Giamatti – The Holdovers, Barry Keoghan – Saltburn, Cillian Murphy – Oppenheimer, Austin Butler – The Bikeriders, Benedict Cumberbatch – The Wonderful Story of Henry Sugar, Anthony Hopkins – One Life, Joaquin Phoenix – Beau is Afraid, Andre Holland – The Actor, Song Kang-Ho – Cobweb, Andrew Scott – Strangers, Timothee Chalamet – Wonka

    BEST ACTRESS

    Kate Winslet – Lee

    Natalie Portman – May December

    Greta Lee – Past Lives

    Saoirse Ronan – Blitz

    Carey Mulligan – Maestro

    Could Jump In: Regina King – Shirley, Annette Bening – Nyad, Fantasia Barrino – The Color Purple, Emma Stone – Poor Things, Zendaya – Challengers, Margot Robbie – Barbie, Vanessa Kirby – Napoleon, Teyana Taylor – A Thousand and One, Alicia Vikander – Firebrand, Jessica Chastain – Memory, Sakura Ando – Monster

    BEST SUPPORTING ACTOR

    Robert De Niro – Killers of the Flower Moon

    Tom Hardy – The Bikeriders

    John Magaro – Past Lives

    Colman Domingo – The Color Purple

    Jesse Plemons – Killers of the Flower Moon

    Could Jump In: Richard E. Grant – Saltburn, Willem Dafoe – Poor Things, Glynn Turman or Jeffrey Wright – Rustin, Stephen Graham – Blitz, Louis Gossett Jr. – The Color Purple, Lakeith Stanfield – The Book of Clarence, Andy Samberg – Lee, Paul Mescal – Strangers, Josh O’Connor or Mike Faist – Challengers, Peter Sarsgaard – Memory, Jude Law – Firebrand, Mahershala Ali – Leave the World Behind

    BEST SUPPORTING ACTRESS

    Taraji P. Henson – The Color Purple

    Lily Gladstone – Killers of the Flower Moon

    Rosamund Pike – Saltburn

    Jodie Comer – The Bikeriders

    Julianne Moore – May December

    Could Jump In: Jodie Foster – Nyad, Tilda Swinton – The Killer, Penelope Cruz – Ferrari Audra McDonald – Rustin, Danielle Brooks – The Color Purple, Claire Foy – Strangers, Margaret Qualley – Poor Things, Carey Mulligan – Saltburn, Helena Bonham Carter – One Life

    BEST ORIGINAL SCREENPLAY

    Past Lives

    Blitz

    Saltburn

    Rustin

    May December

    Could Jump In: Maestro, Asteroid City, The Holdovers, Beau is Afraid, Monster

    BEST ADAPTED SCREENPLAY

    Killers of the Flower Moon

    Poor Things

    The Bikeriders

    Oppenheimer

    How Do You Live?

    Could Jump In: The Color Purple, The Wonderful Story of Henry Sugar, Strangers, Lee, Dune: Part Two

    BEST ANIMATED FEATURE

    How Do You Live?

    Spider-Man: Across the Spider-Verse

    Elemental

    Wish

    Teenage Mutant Ninja Turtles: Mutant Mayhem

    Could Jump In: Migration, Suzume

    BEST PRODUCTION DESIGN

    Poor Things

    Dune: Part Two

    Saltburn

    Oppenheimer

    Napoleon

    Could Jump In: The Wonderful Story of Henry Sugar, Killers of the Flower Moon, The Color Purple, Blitz, Wonka,

    BEST CINEMATOGRAPHY

    Dune: Part Two

    Killers of the Flower Moon

    Saltburn

    Poor Things

    Napoleon

    Could Jump In: Oppenheimer, The Color Purple, The Wonderful Story of Henry Sugar, Maestro, The Killer

    BEST COSTUME DESIGN

    Dune: Part Two

    Poor Things

    Saltburn

    The Color Purple

    Barbie

    Could Jump In: The Wonderful Story of Henry Sugar, Napoleon, Wonka, Blitz, Lee

    BEST FILM EDITING

    Dune: Part Two

    Killers of the Flower Moon

    The Killer

    Ferrari

    Oppenheimer

    Could Jump In: The Color Purple, Napoleon, Blitz, Maestro, Poor Things

    BEST MAKEUP & HAIRSTYLING

    Maestro

    Barbie

    Dune: Part Two

    Poor Things

    Wonka

    Could Jump In: The Color Purple, Ferrari, Napoleon, The Wonderful Story of Henry Sugar, The Bikeriders

    BEST SOUND

    Dune: Part Two

    Oppenheimer

    Ferrari

    The Color Purple

    Blitz

    Could Jump In: Mission: Impossible – Dead Reckoning Part One, Maestro, Wonka, The Marvels. Barbie

    BEST VISUAL EFFECTS

    Dune: Part Two

    Transformers: Rise of the Beasts

    Guardians of the Galaxy Vol. 3

    Oppenheimer

    Wonka

    Could Jump In: Barbie, The Little Mermaid, The Marvels, Indiana Jones and the Dial of Destiny, Blue Beetle

    BEST ORIGINAL SCORE

    Dune: Part Two

    How Do You Live?

    Oppenheimer

    The Killer

    Asteroid City

    Could Jump In: Elemental, Barbie, Challengers, Lee, Killers of the Flower Moon

  • Oscars 2023: EEAAO Wins 7; Fraser, ‘All Quiet’ Surprise

    Oscars 2023: EEAAO Wins 7; Fraser, ‘All Quiet’ Surprise

    The biggest story of the night is Everything Everywhere All at Once’s absolute dominance. It won seven Oscars including Best Picture, Director, Actress, Supporting Actor, Supporting Actress (a controversial win for Jamie Lee Curtis), Original Screenplay, and Editing. From its SXSW release to now, the film has been steadily gathering steam to become the Oscar-crushing behemoth that it did. Its seven Oscars is the most any film has won in a single year since Gravity won seven in 2014.

    Brendan Fraser won Best Actor! The fan-favorite star from The Whale triumphed in Best Actor, winning over presumed favorite Austin Butler. In other news, Netflix’s All Quiet on the Western Front won four of its nine nominations (surprising Babylon in Production Design), while The Banshees of Insiherin, The Fabelmans, Elvis and Tar were all completely snubbed. So much for sharing the wealth.

    After an electrifying performance, RRR’s “Naatu Naatu” won Best Original Song, becoming the first Indian film to have its song win (Slumdog Millionaire was not an Indian film). Everything Everywhere All at Once and Top Gun: Maverick won in Best Editing and Sound respectively, breaking the stat tying those two categories together for ten years.

    Anyways, here are the winners:

    Best Picture

    All Quiet on the Western Front — Malte Grunert, Producer
    Avatar: The Way of Water — James Cameron and Jon Landau, Producers
    The Banshees of Inisherin — Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
    Elvis — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
    Everything Everywhere All at Once — Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers
    The Fabelmans — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
    Tár — Todd Field, Alexandra Milchan and Scott Lambert, Producers
    Top Gun: Maverick — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
    Triangle of Sadness — Erik Hemmendorff and Philippe Bober, Producers
    Women Talking — Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

    Best Directing

    The Banshees of Inisherin — Martin McDonagh
    Everything Everywhere All at Once — Daniel Kwan and Daniel Scheinert
    The Fabelmans — Steven Spielberg
    Tár — Todd Field
    Triangle of Sadness — Ruben Östlund

    Best Actor in a Leading Role

    Austin Butler in Elvis
    Colin Farrell in The Banshees of Inisherin
    Brendan Fraser in The Whale
    Paul Mescal in Aftersun
    Bill Nighy in Living

    Best Actress in a Leading Role

    Cate Blanchett in Tár
    Ana de Armas in Blonde
    Andrea Riseborough in To Leslie
    Michelle Williams in The Fabelmans
    Michelle Yeoh in Everything Everywhere All at Once

    Best Actor in a Supporting Role

    Brendan Gleeson in The Banshees of Inisherin
    Brian Tyree Henry in Causeway
    Judd Hirsch in The Fabelmans
    Barry Keoghan in The Banshees of Inisherin
    Ke Huy Quan in Everything Everywhere All at Once

    Best Actress in a Supporting Role

    Angela Bassett in Black Panther: Wakanda Forever
    Hong Chau in The Whale
    Kerry Condon in The Banshees of Inisherin
    Jamie Lee Curtis in Everything Everywhere All at Once
    Stephanie Hsu in Everything Everywhere All at Once

    Best Costume Design

    Babylon — Mary Zophres
    Black Panther: Wakanda Forever — Ruth Carter
    Elvis — Catherine Martin
    Everything Everywhere All at Once — Shirley Kurata
    Mrs. Harris Goes to Paris — Jenny Beavan

    Best Sound

    All Quiet on the Western Front — Viktor Prásil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte
    Avatar: The Way of Water — Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges
    The Batman — Stuart Wilson, William Files, Douglas Murray and Andy Nelson
    Elvis — David Lee, Wayne Pashley, Andy Nelson and Michael Keller
    Top Gun: Maverick — Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

    Best Original Score

    All Quiet on the Western Front — Volker Bertelmann
    Babylon — Justin Hurwitz
    The Banshees of Inisherin — Carter Burwell
    Everything Everywhere All at Once — Son Lux
    The Fabelmans — John Williams

    Best Adapted Screenplay

    All Quiet on the Western Front — Screenplay by Edward Berger, Lesley Paterson and Ian Stokell
    Glass Onion: A Knives Out Mystery — Written by Rian Johnson
    Living — Written by Kazuo Ishiguro
    Top Gun: Maverick — Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
    Women Talking — Screenplay by Sarah Polley

    Best Original Screenplay

    The Banshees of Inisherin — Written by Martin McDonagh
    Everything Everywhere All at Once — Written by Daniel Kwan and Daniel Scheinert
    The Fabelmans — Written by Steven Spielberg and Tony Kushner
    Tár — Written by Todd Field
    Triangle of Sadness — Written by Ruben Östlund

    Best Live-Action Short Film

    “An Irish Goodbye” — Tom Berkeley and Ross White
    “Ivalu” — Anders Walter and Rebecca Pruzan
    “Le Pupille” — Alice Rohrwacher and Alfonso Cuarón
    “Night Ride” — Eirik Tveiten and Gaute Lid Larssen
    “The Red Suitcase” — Cyrus Neshvad

    Best Animated Short Film

    “The Boy, the Mole, the Fox and the Horse” — Charlie Mackesy and Matthew Freud
    “The Flying Sailor” — Amanda Forbis and Wendy Tilby
    “Ice Merchants” — João Gonzalez and Bruno Caetano
    “My Year of Dicks” — Sara Gunnarsdóttir and Pamela Ribon
    “An Ostrich Told Me the World Is Fake and I Think I Believe It” — Lachlan Pendragon

    Best Animated Film

    Guillermo del Toro’s Pinocchio — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley
    Marcel the Shell With Shoes On — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
    Puss in Boots: The Last Wish — Joel Crawford and Mark Swift
    The Sea Beast — Chris Williams and Jed Schlanger
    Turning Red — Domee Shi and Lindsey Collins

    Best Original Song

    “Applause” from Tell It Like a Woman; Music and Lyric by Diane Warren
    “Hold My Hand” from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop
    “Lift Me Up” from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
    “Naatu Naatu” from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose
    “This Is a Life” from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

    Best International Feature Film

    All Quiet on the Western Front — Germany
    Argentina, 1985 — Argentina
    Close — Belgium
    EO — Poland
    The Quiet Girl — Ireland

    Best Makeup and Hairstyling

    All Quiet on the Western Front — Heike Merker and Linda Eisenhamerová
    The Batman — Naomi Donne, Mike Marino and Mike Fontaine
    Black Panther: Wakanda Forever — Camille Friend and Joel Harlow
    Elvis — Mark Coulier, Jason Baird and Aldo Signoretti
    The Whale — Adrien Morot, Judy Chin and Anne Marie Bradley

    Best Production Design

    All Quiet on the Western Front — Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper
    Avatar: The Way of Water — Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole
    Babylon — Production Design: Florencia Martin; Set Decoration: Anthony Carlino
    Elvis — Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn
    The Fabelmans — Production Design: Rick Carter; Set Decoration: Karen O’Hara

    Best Cinematography

    All Quiet on the Western Front — James Friend
    Bardo, False Chronicle of a Handful of Truths — Darius Khondji
    Elvis — Mandy Walker
    Empire of Light — Roger Deakins
    Tár — Florian Hoffmeister

    Best Visual Effects

    All Quiet on the Western Front — Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar
    Avatar: The Way of Water — Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
    The Batman — Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy
    Black Panther: Wakanda Forever — Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick
    Top Gun: Maverick — Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

    Best Documentary Feature

    All That Breathes — Shaunak Sen, Aman Mann and Teddy Leifer
    All the Beauty and the Bloodshed — Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov
    Fire of Love — Sara Dosa, Shane Boris and Ina Fichman
    A House Made of Splinters — Simon Lereng Wilmont and Monica Hellström
    Navalny — Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

    Best Documentary Short Subject

    “The Elephant Whisperers” — Kartiki Gonsalves and Guneet Monga
    “Haulout” — Evgenia Arbugaeva and Maxim Arbugaev
    “How Do You Measure a Year?” — Jay Rosenblatt
    “The Martha Mitchell Effect” — Anne Alvergue and Beth Levison
    “Stranger at the Gate” — Joshua Seftel and Conall Jones

    Best Film Editing

    The Banshees of Inisherin — Mikkel E.G. Nielsen
    Elvis — Matt Villa and Jonathan Redmond
    Everything Everywhere All at Once — Paul Rogers
    Tár — Monika Willi
    Top Gun: Maverick — Eddie Hamilton

  • 2023 Final Oscar Predictions

    2023 Final Oscar Predictions

    After almost a year of predicting, the day is finally here. After my first predictions in late May, the landscape of this year has changed so much and we’ve been charting those transformations every step of the way. The 95th Academy Awards will be hosted by Jimmy Kimmel for the third time and broadcasted on ABC on Sunday, March 12 at 7 p.m. CST. This was a year of fantastic blockbusters (Top Gun: Maverick and The Batman), indie word-of-mouth hits (Everything Everywhere All at Once and The Banshees of Inisherin) and passion projects from Hollywood legends (Tar and The Fabelmans). It’s one of the few years where I can say most of the best films were recognized, but there were still some notable snubs in each category as usual. Unlike last year, where most of the major categories were very easy to predict, most of this year’s categories will be very close races.

    Here are my FINAL predictions:

    ‘Everything Everywhere All at Once’ (A24)

    BEST PICTURE: 

    Winner: Everything Everywhere All at Once

    Could Steal: No one

     

    ‘Everything Everywhere All at Once’ (A24)

    BEST DIRECTOR:

    WInner: The Daniels – Everything Everywhere All at Once

    Could Steal: No one

     

    ‘Elvis’ (Warner Bros.)

    BEST ACTOR: 

    Winner: Austin Butler – Elvis

    Could Steal: Brendan Fraser – The Whale

     

    ‘Everything Everywhere All at Once’ (A24)

    BEST ACTRESS: 

    Winner: Michelle Yeoh – Everything Everywhere All at Once

    Could Steal: Cate Blanchett – Tar

     

    ‘Everything Everywhere All at Once’ (A24)

    BEST SUPPORTING ACTOR: 

    Winner: Ke Huy Quan – Everything Everywhere All at Once

    Could Steal: No one

     

    ‘The Banshees of Inisherin’ (Searchlight)

    BEST SUPPORTING ACTRESS: 

    Winner: Kerry Condon – The Banshees of Inisherin

    Could Steal: Angela Bassett – Black Panther: Wakanda Forever or Jamie Lee Curtis – Everything Everywhere All at Once

     

    ‘Everything Everywhere All at Once’ (A24)

    BEST ORIGINAL SCREENPLAY: 

    Winner: Everything Everywhere All at Once

    Could Steal: The Banshees of Inisherin

     

    ‘All Quiet on the Western Front’ (Netflix)

    BEST ADAPTED SCREENPLAY: 

    Winner: All Quiet on the Western Front

    Could Steal: Women Talking

     

    ‘Guillermo del Toro’s Pinocchio’ (Netflix)

    BEST ANIMATED FEATURE: 

    Winner: Guillermo del Toro’s Pinocchio

    Could Steal: No one

     

    ‘Babylon’ (Paramount)

    BEST PRODUCTION DESIGN: 

    Winner: Babylon

    Could Steal: Elvis

     

    ‘All Quiet on the Western Front’ (Netflix)

    BEST CINEMATOGRAPHY:

    Winner: All Quiet on the Western Front

    Could Steal: Elvis

     

    ‘Elvis’ (Warner Bros.)

    BEST COSTUME DESIGN: 

    Winner: Elvis

    Could Steal: Black Panther: Wakanda Forever

     

    ‘Everything Everywhere All at Once’ (A24)

    BEST FILM EDITING: 

    Winner: Everything Everywhere All at Once

    Could Steal: Top Gun: Maverick

     

    ‘Elvis’ (Warner Bros.)

    BEST MAKEUP AND HAIRSTYLING: 

    Winner: Elvis

    Could Steal: The Whale

     

    ‘Top Gun: Maverick’ (Paramount)

    BEST SOUND: 

    Winner: Top Gun: Maverick

    Could Steal: All Quiet on the Western Front

     

    BEST VISUAL EFFECTS: 

    Winner: Avatar: The Way of Water

    Could Steal: No one

     

    ‘All Quiet on the Western Front’ (Netflix)

    BEST ORIGINAL SCORE: 

    Winner: All Quiet on the Western Front

    Could Steal: Babylon or The Fabelmans or Everything Everywhere All at Once

     

    ‘RRR’ (Netflix)

    BEST ORIGINAL SONG: 

    Winner: RRR

    Could Steal: Top Gun: Maverick or Black Panther: Wakanda Forever

     

    ‘All Quiet on the Western Front’ (Netflix)

    BEST INTERNATIONAL FEATURE: 

    Winner: All Quiet on the Western Front

    Could Steal: No one

     

    ‘Navalny’ (CNN)

    BEST DOCUMENTARY FEATURE: 

    Winner: Navalny

    Could Steal: Fire of Love or All the Beauty and the Bloodshed

     

    ‘The Boy, the Mole, the Fox and the Horse’ (Apple+)

    BEST ANIMATED SHORT: 

    Winner: The Boy, the Mole, the Fox, and the Horse

    Could Steal: My Year of Dicks or Ice Merchants

     

    ‘An Irish Goodbye’ (BFI)

    BEST LIVE ACTION SHORT: 

    Winner: An Irish Goodbye

    Could Steal: Le Pupille or The Red Suitcase

     

    ‘Stranger at the Gate’ (The New Yorker)

    BEST DOCUMENTARY SHORT: 

    Winner: Stranger at the Gate

    Could Steal: The Elephant Whisperers or How Do You Measure a Year?

  • Final 2023 Oscar Predictions: Best Picture and Best Director

    Final 2023 Oscar Predictions: Best Picture and Best Director

    BEST PICTURE

    I love it when the biggest award of the night is the easiest to predict. This year has been the story of Everything Everywhere All at Once’s dominance. From its premiere at South by Southwest on March 11 last year, the Daniels-directed film has been building steam, racking up award after award in the process. It’s a film that has restored many in Hollywood’s faith that word-of-mouth successes can still exist when the film industry is moving so rapidly away from theaters. “Everything Everywhere All at Once” is a fantastic film that has touched such a large swathe of people and it is undeniably deserving of Best Picture this year.

    Nominees:

    Everything Everywhere All at Once – PGA, SAG, DGA, CCA, WGA

    The Banshees of Inisherin – GG (Comedy/Musical)

    All Quiet on the Western Front – BAFTA

    The Fabelmans – GG (Drama)

    Tar

    Elvis

    Top Gun: Maverick

    Women Talking – WGA

    Triangle of Sadness

    Avatar: The Way of Water

    Pick: Everything Everywhere All at Once

    BEST DIRECTOR

    While the tagline “Steven Spielberg makes a film about his burgeoning childhood interest in filmmaking” sounds like prime bait for a category like Best Director, the Daniels have already won the Directors Guild Award, one of the best barometers of who will win Best Director. Park Chan-Wook or Charlotte Wells would have also been deserving picks, yet were snubbed here. Wells’ exclusion is especially notable because it meant that no female-identifying filmmaker was nominated for Best Director.

    Nominees:

    Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once – CCA, DGA

    Steven Spielberg – The Fabelmans – GG

    Todd Field – Tar

    Martin McDonagh – The Banshees of Inisherin

    Ruben Ostlund – Triangle of Sadness

    Pick: Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once

  • Final 2023 Oscar Predictions: Acting Categories

    Final 2023 Oscar Predictions: Acting Categories

    BEST ACTOR

    Paul Mescal’s vulnerable, emotionally complex work in Aftersun was one of the best performances of last year’s films. That said, Austin Butler and Brendan Fraser are the two biggest contenders here, having each already received two major awards. While Fraser could win, the adoration that he has accrued in the United States isn’t as prevalent outside of the country, and the Academy has expanded more globally in the last few years. As a result, Austin Butler is the most probable contender for the award, especially since his performance fits the trend of past young biopic winners such as Eddie Redmayne and Rami Malek. Also, the last eight of the winners in this category won at BAFTA first and 7 of the eight won a Golden Globe as well. They are the two most predictive precursors of the four and Austin Butler has both.

    Nominees:

    Austin Butler – Elvis – GG, BAFTA

    Brendan Fraser – The Whale – CCA, SAG

    Colin Farrell – The Banshees of Inisherin

    Paul Mescal – Aftersun

    Bill Nighy – Living

    Pick: Austin Butler – Elvis

    BEST ACTRESS

    This may be the most competitive race of the night. Both Michelle Yeoh and Cate Blanchett’s performances have received massive amounts of critical acclaim, popular recognition and industry support. Yeoh is in one of the biggest pop culture phenomenons of the year, but it’s one that will triumph in other categories as well, so voters may instead side with Blanchett here as it’s their best opportunity to recognize “Tar.” But I personally don’t see that happening and think that this was the year of Michelle Yeoh and as the face of the biggest film of the year, she will be winning her first Oscar. Could this be like the 2021 Best Actor race where Chadwick Boseman came in as the one with the most popular support yet the Academy went with BAFTA winner an industry legend Anthony Hopkins? I would say it could be but one essential difference is that Everything Everywhere All at Once is the clear Best Picture winner while Chadwick Boseman’s Ma Rainey’s Black Bottom wasn’t even nominated for Picture.

    Nominees:

    Michelle Yeoh – Everything Everywhere All at Once – GG, SAG

    Cate Blanchett – Tar – GG, CCA, BAFTA

    Andrea Riseborough – To Leslie

    Ana de Armas – Blonde

    Michelle Williams – The Fabelmans

    Pick: Michelle Yeoh – Everything Everywhere All at Once

    BEST SUPPORTING ACTOR

    Other than “Everything Everywhere All at Once” winning Best Picture, Ke Huy Quan winning Best Supporting Actor for his heartfelt and powerful work in “Everything Everywhere All at Once” is the most locked of the major categories. This year’s nominations slate in this category is great all-around, nominating phenomenal work like Brian Tyree Henry’s subtle, moving and emotionally honest turn in “Causeway”.

    Nominees: 

    Ke Huy Quan – Everything Everywhere All at Once – GG, CCA, SAG

    Brendan Gleeson – The Banshees of Inisherin

    Barry Keoghan – The Banshees of Inisherin – BAFTA

    Brian Tyree Henry – Causeway

    Judd Hirsch – The Fabelmans

    Pick: Ke Huy Quan – Everything Everywhere All at Once

    BEST SUPPORTING ACTRESS

    This may be my own bias, but it is very hard for me to see the Academy give a Marvel movie performance an Oscar, even if it is the legendary Angela Bassett, someone who deserves to have an Oscar, giving that performance. Jamie Lee Curtis’ performance in Everything Everywhere All at Once seems too slight to win an Oscar and while her Hsu could take it, her lack of precursor wins makes that very unlikely. That leaves Kerry Condon who won at BAFTA. I thought that maybe she won because “Banshees” would appeal to the British awards body more than it would to AMPAS but she was the critics’ leader for a reason and is many’s favorite part of what is one of the most beloved films of the year. Also with the predicted snub in Original Screenplay, individual members could choose Supporting Actress as the place where they want to award “Banshees”.

    Nominees:

    Kerry Condon – The Banshees of Inisherin – BAFTA

    Angela Bassett – Black Panther: Wakanda Forever – GG, CCA

    Jamie Lee Curtis – Everything Everywhere All at Once – SAG

    Stephanie Hsu – Everything Everywhere All at Once

    Hong Chau – The Whale

    Pick: Kerry Condon – The Banshees of Inisherin

  • Final 2023 Oscar Predictions: Original And Adapted Screenplay

    Final 2023 Oscar Predictions: Original And Adapted Screenplay

    BEST ORIGINAL SCREENPLAY

    Man, if what I think is going to happen here happens, Martin McDonagh is going to feel some very unfortunate deja vu. In 2018, McDonagh’s Three Billboards Outside Ebbing, Missouri came into the Sunday night ceremony as a top-two Best Picture contender and was also expected to win Best Picture and Original Screenplay by many. Neither happened, and in Original Screenplay, McDonagh lost to Jordan Peele’s Get Out. This year, it looks like the Irish writer-director will once again to a genre-bending screenplay that captured the zeitgeist in unimaginable fashion. Everything Everywhere All at Once seems strong enough to take the trifecta of Picture, Director, and Screenplay and that will begin with a win here.

    Nominees:

    Everything Everywhere All at Once – CCA, WGA

    The Banshees of Inisherin– BAFTA, GG

    Tar

    The Fabelmans

    Triangle of Sadness

    Pick: Everything Everywhere All at Once

     

    BEST ADAPTED SCREENPLAY

    While “Women Talking” has won the most critics’ prizes, the Writers Guild Award, and the Critics Choice Award in this category, I can’t shake the idea that “All Quiet on the Western Front” is going to win here. No Screenplay winner in the 21st century so far has had an IMDb score less than 7.2 (“Gosford Park” in 2002). “Women Talking” has a score of 7.0 while “All Quiet on The Western Front” boasts a score of 7.8. Yes, the only major win “All Quiet on the Western Front” has is a BAFTA win, but “The Father” was able to win Adapted Screenplay in 2021 with just a BAFTA under its belt. Sarah Polley’s film is the safe pick, but I think I will go with “All Quiet on the Western Front” becoming the first non-English film to win Adapted Screenplay.

    Nominees: 

    All Quiet on the Western Front – BAFTA

    Women Talking – WGA, USC, CCA

    Glass Onion: A Knives Out Story

    Living

    Top Gun: Maverick

    Pick: All Quiet on the Western Front

  • Final 2023 Oscar Predictions: Film Editing, Cinematography, Costume Design

    Final 2023 Oscar Predictions: Film Editing, Cinematography, Costume Design

    BEST FILM EDITING

    Since 2013, every winner in Best Editing has won a Sound award as well. This year, I think that streak ends. Oftentimes, the Academy voters here award genre films with incredibly flashy editing. These films oftentimes have very flashy sound design as well which is why this trend has continued. However, this year, Everything Everywhere All at Once has won the major precursors and is a genre film with a lot of quick cuts, action scenes, and flashy visuals. It makes sense as a winner and while Top Gun: Maverick would be the safe pick I am going to go with EEAAO here.

    Nominees:

    Everything Everywhere All at Once – ACE (Comedy/Musical), CCA, BAFTA

    Top Gun: Maverick – ACE (Drama)

    Elvis

    The Banshees of Inisherin

    Tar

    Pick: Everything Everywhere All at Once

     

    BEST CINEMATOGRAPHY

    2022 – Dune – BAFTA, ASC

    2021 – Mank – ASC

    2020 – 1917 – BAFTA, ASC, CCA

    2019 – Roma – BAFTA, CCA

    2018 – Blade Runner 2049 – BAFTA, ASC, CCA

    2017 – La La Land – BAFTA, CCA

    2016 – The Revenant – BAFTA, ASC, CCA

    2015 – Birdman – BAFTA, ASC, CCA

    2014 – Gravity – BAFTA, ASC, CCA

    2013 – Life of Pi – BAFTA, CCA

    Based on past winners, the Academy seems to like very flashy cinematography in this category. For this category, BAFTA and ASC are the most important precursors. While All Quiet on the Western Front won BAFTA, Elvis won ASC though that was without All Quiet on the Western Front being nominated at ASC. An Elvis win here would be historic with Mandy Walker possibly becoming the first female cinematographer to win an Oscar. All Quiet on the Western Front just has the mix of landscape shots and stark color palettes that the Academy loves so James Friend will very likely win his first Oscar.

    Nominees:

    All Quiet on the Western Front – BAFTA

    Elvis – ASC

    Tar

    Empire of Light

    Bardo

    Pick: All Quiet on the Western Front

     

    BEST COSTUME DESIGN

    Elvis is the clear frontrunner and the kind of opulent period piece that the Academy likes to award here. Baz Luhrmann’s films have won twice already in this category (Moulin Rouge! and The Great Gatsby) and as this is the Aussie director’s biggest Picture contender since Moulin Rouge!, it shouldn’t have much trouble taking Costume Design this time around as well.

    Nominees: 

    Elvis – BAFTA, CDG (Period)

    Babylon

    Black Panther: Wakanda Forever – CCA

    Everything Everywhere All at Once – CDG (Sci-Fi/Fantasy)

    Mrs. Harris Goes to Paris

    Pick: Elvis

  • Final 2023 Oscar Predictions: Sound, Original Song, Original Score

    Final 2023 Oscar Predictions: Sound, Original Song, Original Score

    BEST SOUND

    Top Gun: Maverick and All Quiet on the Western Front are the major contenders here. While both fit the mold of the genre film that often wins here, ‘Top Gun: Maverick’ has an Editing nomination which ‘All Quiet’ does not. Sound and Editing often go hand in hand and every Editing winner has also had a win in Sound since 2013 and that trend shows no signs of slowing down anytime soon.

    Nominees:

    Top Gun: Maverick – MPSE, CAS

    All Quiet on the Western Front – MPSE, BAFTA

    Elvis – MPSE

    Avatar: The Way of Water

    The Batman

    Pick: Top Gun: Maverick

     

    BEST ORIGINAL SONG

    In the last 10 years, every film that has won both the Golden Globe and Critics Choice Award in Original Song have also won the corresponding Oscar. This year RRR has won both awards and while Lady Gaga and Rihanna are very big names it has to compete with, there is a strong enough push to award the Tollywood track and I think it should be able to prevail.

    Nominees:

    RRR – “Naatu Naatu” – GG, CCA

    Black Panther: Wakanda Forever – “Lift Me Up”

    Top Gun: Maverick – “Hold My Hand”

    Everything Everywhere All at Once – “This is a Life”

    Tell Me Like a Woman – “Applause”

    Pick: RRR

     

    BEST ORIGINAL SCORE

    This one is incredibly tight. Babylon won the Golden Globe, All Quiet on the Western Front took the BAFTA, and Tar, which was not even nominated here, won at Critics Choice. A stat working against Babylon is that every Original Score winner in the last 15 years was also nominated for Best Picture except for two (Soul and the Hateful Eight). And both Soul and The Hateful Eight swept BAFTA, CCA, and GG before going on to win the Oscar. While Babylon is definitely the score I prefer, Volker Bertelmann’s work on ‘All Quiet’ is a very good companion piece that lines up better with the Academy’s tastes. Watch out for John Williams’ work on The Fabelmans or Son Lux’s work on “Everything Everywhere All at Once” as possible upsets. John Williams is the greatest living composer on his last score and while I think he needed at least one precursor to win like Ennio Morricone did back in 2016, it still is possible.

    Nominees:

    All Quiet on the Western Front – BAFTA

    Babylon – GG

    The Fabelmans

    Everything Everywhere All at Once

    The Banshees of Inisherin

    Pick: All Quiet on the Western Front