Category: All Posts

  • Early May Oscar Predictions

    Early May Oscar Predictions

    On Tuesday the Oscars broke their silence and followed the Golden Globes in allowing films debuting on streaming services to be considered for the year’s top prizes. They also announced that they would merge the Sound Mixing and Sound Editing categories together into one encompassing Best Sound category, which they previously had until 1982. With that news here are my Oscar predictions!

    Mank, a film about the development behind Citizen Kane(!), seems to be the only movie that is without a doubt locked for an Oscar nomination. For all the other films you could make a case for why they wouldn’t be nominated.

    The Trial of the Chicago 7 is pretty much locked, but it could be just not up to par as Aaron Sorkin has had some misfires in the past.

    West Side Story could be seen as an old story told much too many times and therefore could be seen as irrelevant to the current moment. But, because In the Heights was moved to 2021, there will not be any other big musical about a diverse community this year.

    News of the World does not have any big names other than Tom Hanks and because of its genre, it’s a Western, it will not be nominated unless it’s outstanding on multiple levels.

    Da 5 Bloods is the latest Spike Lee joint and while Spike’s films are usually hit-and-miss with the Academy, he has gained momentum from his win in 2019 for BlackKklansman and if his movie turns out good, Da 5 Bloods will be nominated.

    Nomadland his Chloe Zhao’s follow-up from her 2017 critical darling, The Rider. Zhao is directing Marvel’s Eternals, which was moved from November to February 12th of next year. So she has momentum on her side and if her film, starring Frances McDormand playing a woman who lives as a modern-day nomad after she loses everything in the Great Recession, is exceptionally good, it should transcend its indie status and be nominated.

    Ammonite is also from a director who is coming off a critically-acclaimed 2017 film. Francis Lee, the director of God’s Own Country, is returning with a period piece starring Kate Winslet and Saoirse Ronan. Anything with Saoirse Ronan has to be considered a player and with Kate Winslet adding to the pedigree, this should be the period piece that makes into the field.

    Hillbilly Elegy stars Amy Adams and Glenn Close in the story of a middle-class, Appalachian family. Ron Howard directed it, and while he can be a little iffy in terms of whether his films get nominations, the acting chops of Adams and Close should bring this movie an Oscar nod.

    Stillwater’s genre (it’s a dramatic thriller) necessitates that the movie has to be amazing to be nominated. Only the thrillers that have significant dramatic heft (like Three Billboard Outside of Ebbing, Missouri, Captain Phillips, and Parasite) can get a Best Picture nomination. However, that seems likely as the film’s director has already won an Oscar for Best Picture winner Spotlight.

    Because of all the post-production work that has to be done on Dune, it might not be finished in time for a release this year, but it probably will be and if Denis Villenueve is his usual self the film should be great. However, as a genre film it has to be beloved by critics and audiences to warrant a nomination. Still, there is usually one sci-fi film nominated every year (see: Black Panther, The Shape of Water, or Arrival) and Dune will be that movie, unless Tenet is absolutely amazing which it could very well be.

    BEST PICTURE

    Mank (Netflix)

    Trial of the Chicago 7 (Paramount)

    West Side Story (20th Century)

    News of the World (Universal)

    Da 5 Bloods (Netflix)

    Nomadland (Searchlight)

    Ammonite (Neon)

    Hillbilly Elegy (Netflix)

    Stillwater (Focus)

    Dune (If it is released, Tenet if it’s not) (Warner Bros.)

    Could Jump In: Tenet (Warner Bros.), On the Rocks (A24/Apple+), The French Dispatch (Searchlight), Next Goal Wins (Searchlight), Soul (Disney/Pixar), C’mon C’mon (A24), Minari (A24), Blonde (Netflix), Annette (Amazon), French Exit (Sony Classics), The Father (Sony Classics), The Midnight Sky (Netflix), I’m Thinking of Ending Things (Netflix), Respect (MGM), Greyhound (Sony)

     

    It’s crazy to think that the director of modern classics such as The Social Network, Fight Club, and Se7en hasn’t won an Oscar. Well, David Fincher is going back to the genre that almost got him his Oscar win (He almost won for The Social Network) with Mank, a film that chronicles Herman J. Mankiewicz’s development of the script for Citizen Kane. I don’t see anybody else winning this unless their film turns out to be an out-and-out Best Picture frontrunner. Lee, Sorkin, and Nolan all could easily jump into a nomination as well and if either of their films become frontrunners they will be frontrunners in this race as well.

    BEST DIRECTOR

    David Fincher – Mank

    Steven Spielberg – West Side Story

    Paul Greengrass – News of the World

    Chloe Zhao – Nomadland

    Denis Villenueve – Dune (if released this year, Spike Lee otherwise)

    Could Jump In: Spike Lee – Da 5 Bloods, Aaron Sorkin – Trial of the Chicago 7, Christopher Nolan – Tenet, Tom McCarthy – Stillwater, Ron Howard – Hillbilly Elegy, Francis Lee – Ammonite, Leos Carax – Annette, George Clooney – The Midnight Sky, Wes Anderson – The French Dispatch

     

    While I don’t think Gary Oldman will win Best Actor for Mank (because he won 3 years ago, but maybe he will pull a Mahershala Ali and win twice in a short timespan), I am pretty much sure he will earn a nomination. On the other hand, Bill Murray, if nominated, could win. It’s one of those situations where he will either not be nominated or will be a frontrunner. Tom Hanks seems like a safe choice but he has been snubbed too many times in the past (Captain Phillips and Saving Mr. Banks) to not be skeptical about his placement. Joaquin Phoenix always gives great performances and coming off his win last season he should ride that momentum to a nomination. Mike Mills, the director of C’mon C’mon, has had success with directing actors to Oscar success in the past (Christopher Plummer won Best Supporting Actor for Mills’ Beginners) so Phoenix should get a nomination.

    Anthony Hopkins last won an Oscar in 1992 and the reviews he got out of Sundance for The Father were extraordinary. The film has been compared to Michael Haneke’s Amour, who’s Emmanuelle Riva was nominated for Best Actress at 85 years old and was the oldest to do so. Hopkins will be the oldest Best Actor nominee if nominated as he will be 83. However, Sundance films do not usually make big splashes in the Oscar race and Hopkins’ performance could be forgotten unless Sony Pictures Classics pushes him properly. Then we could see Hopkins up on the stage again.

    Matt Damon and Adam Driver also have significant chances of making it in to the Oscar race. Matt Damon if Stillwater becomes a major player and Adam Driver because he’s Adam Driver.

    BEST ACTOR

    Gary Oldman – Mank

    Bill Murray – On the Rocks

    Tom Hanks – News of the World

    Joaquin Phoenix – C’mon C’mon

    Anthony Hopkins – The Father

    Could Jump In: Matt Damon – Stillwater, Adam Driver – Annette, Michael Fassbender – Next Goal Wins, Ansel Elgort – West Side Story, Andrew Garfield – The Eyes of Tammy Faye, Chadwick Boseman – Da 5 Bloods, Daniel Kaluuya – Untitled Fred Hampton Project, George Clooney – The Midnight Sky

     

    This category was especially difficult to predict because only Kate Winslet, I think, is essentially locked for a nomination. She is in a period piece playing off Saoirse Ronan, so she should deliver a great performance. Frances McDormand is also pretty much locked, but there is a chance that she might just miss the cut come nominations morning.

    The rest have cases against them being nominated. Michelle Pfeiffer has not been nominated for an Oscar since 1993 so she has the “overdue” and “comeback” narratives behind her. However, the movie she is starring in might be too strange for the Academy’s taste (It has a talking cat in it) and Pfeiffer and her film could be ignored.

    Ana de Armas is playing Marilyn Monroe and while at first glance she seems like she could easily win for that role, the film’s director Andrew Dominik is making Blonde more experimentally and it might be too strange for the Academy’s taste.

    Jennifer Hudson is playing Aretha Franklin in Respect and if the movie turns out really good she will be a major, major player in the race. However, as this is director Liesl Tommy’s first film there are a lot of question marks about whether or not she can pull off an Oscar-worthy film on her first try.

    Amy Adams, Viola Davis, and Rachel Zegler have a high likelihood of getting nominations as well and they should absolutely not be counted out in this race.

    BEST ACTRESS

    Michelle Pfeiffer – French Exit

    Frances McDormand – Nomadland

    Kate Winslet – Ammonite

    Ana de Armas – Blonde

    Jennifer Hudson – Respect

    Could Jump In: Amy Adams – Hillbilly Elegy, Viola Davis – Ma Rainey’s Black Bottom, Rachel Zegler – West Side Story, Jessie Buckley – I’m Thinking of Ending Things, Jessica Chastain – The Eyes of Tammy Faye, Marion Cotillard – Annette, Carey Mulligan – Promising Young Woman, Sophia Loren – The Life Ahead, Mila Kunis – Four Good Days, Sidney Flanigan – Never Rarely Sometimes Always

     

    Tom Burke is playing Orson Welles in Mank and if he does a great job I don’t see the Academy not giving him the Oscar. Still, he is not a widely-known actor and may not have as large of a role in the film as we think he’ll have.

    David Strathairn has been a known character actor for years now and he is overdue for a second nomination and Nomadland should give him that opportunity. Still, we are not sure how big of a part he has in the film.

    Out of the 3 Spike Lee narrative films that have received an Oscar nomination all of them have been nominated for an acting Oscar. Based on this trend, Chadwick Boseman will likely get a nomination for Da 5 Bloods because he has the greatest name-recognition of anyone in the cast and because Spike Lee is great at directing performances.

    I am still not sure if Sacha Baron Cohen or Eddie Redmayne is the lead in The Trial of the Chicago 7 so I am going to cheat and put them both here. Someone from this stacked cast (also includes Mark Rylance, Frank Langella, Joseph Gordon-Levitt, Michael Keaton, Yahya Abdul-Mateen II, and Jeremy Strong) will be nominated in this category for sure, we just have to see the film (or even a trailer) to see who it will be.

    Jesse Plemons in I’m Thinking of Ending Things is a slightly outside choice and he could be replaced by another actor from The Trial of the Chicago 7 or Mank, but I’m going to keep him here because every time Charlie Kaufman has been nominated for a Screenplay award (Being John Malkovich, Adaptation, and Eternal Sunshine of the Spotless Mind) one of the actors in the respective movie has been nominated.

    BEST SUPPORTING ACTOR

    Tom Burke – Mank

    David Strathairn – Nomadland

    Chadwick Boseman – Da 5 Bloods

    Sacha Baron Cohen or Eddie Redmayne – The Trial of the Chicago 7

    Jesse Plemons – I’m Thinking of Ending Things

    Could Jump In: Matthias Schoenaerts – The Last Planet, Lucas Hedges – French Exit, Charles Dance – Mank, Steven Yeun – Minari, Richard E. Grant – Everybody’s Talking About Jamie, Delroy Lindo – Da 5 Bloods, LaKeith Stainfield – Untitled Fred Hampton Project, Marlon Wayans – Respect, Mark Rylance – The Trial of the Chicago 7, Benecio del Toro – The French Dispatch

     

    This will be a battle between Ronan and Close that will last until much later in the Oscar season. Close has more of an overdue narrative than Ronan does, but will this be Close’s win? If Hillbilly Elegy becomes a top-5 player in the Best Picture race, Close is definitely winning this, but if not, the 26-year old, 4-time nominee Ronan will put up a real fight.

    On the Rocks could be a major player but even if it’s only a second-tier contender, Sofia Coppola’s film should give Rashida Jones her first Oscar nomination. Still, Coppola’s films haven’t been in the Academy’s good graces since Lost in Translation, so Jones’ nomination here still is a risk to predict.

    Abigail Breslin has not received an Oscar nomination since she was 10 years old (Little Miss Sunshine), but if Stillwater is excellent, Breslin and her co-star Matt Damon should be strong contenders for nominations. But the movie has to be an Oscar nominee or right on the cusp for Breslin to get a nomination.

    Someone from Mank will probably get in here and between Amanda Seyfried or Lily Collins, Seyfried has more name-recognition and therefore will probably have the larger role. Ariana DeBose of West Side Story could take Seyfried’s place here if West Side Story is a larger player.

    BEST SUPPORTING ACTRESS

    Saoirse Ronan – Ammonite

    Glenn Close – Hillbilly Elegy

    Rashida Jones – On the Rocks

    Abigail Breslin – Stillwater

    Amanda Seyfried – Mank

    Could Jump In: Ariana DeBose – West Side Story, Gaby Hoffman – C’mon C’mon, Toni Colette – I’m Thinking of Ending Things, Meryl Streep – The Prom, Yuh-Jung Youn – Minari, Rita Moreno – West Side Story, Claire Foy – Louis Wain, Elisabeth Moss – Next Goal Wins, Olivia Colman – The Father, Lily Collins – Mank

     

    BEST ORIGINAL SCREENPLAY

    Mank

    The Trial of the Chicago 7

    On the Rocks

    Da 5 Bloods

    Soul

    Could Jump In: The French Dispatch, Ammonite, C’mon C’mon, Stillwater, Tenet, Annette, The Eyes of Tammy Faye, Minari, Untitled Fred Hampton Project, Promising Young Woman

     

    BEST ADAPTED SCREENPLAY

    Nomadland

    News of the World

    Hillbilly Elegy

    Greyhound

    Dune

    Could Jump In: Those Who Wish Me Dead, I’m Thinking of Ending Things, West Side Story, Next Goal Wins, Zola, Passing, Respect, The Prom, After Yang

     

    BEST ANIMATED FEATURE

    Soul

    How Do You Live?

    Onward

    Over the Moon

    Where is Anne Frank?

    Could Jump In: Connected, Scoob!, The Croods 2, Wolfwalker, Trolls: World Tour

     

    BEST PRODUCTION DESIGN

    Mank

    Dune

    The French Dispatch

    Tenet

    West Side Story

    Could Jump In: News of the World, Mulan, Ammonite, The Trial of the Chicago 7

     

    BEST CINEMATOGRAPHY

    Dune

    Tenet

    Hillbilly Elegy

    Mank

    West Side Story

    Could Jump In: Nomadland, The French Dispatch, Da 5 Bloods, The Trial of the Chicago 7

     

    BEST COSTUME DESIGN

    Mank

    Dune

    The French Dispatch

    Ammonite

    West Side Story

    Could Jump In: The Trial of the Chicago 7, Emma, Last Night in Soho, Coming 2 America, Blonde

     

    BEST FILM EDITING

    Dune

    News of the World

    Mank

    Da 5 Bloods

    Tenet

    Could Jump In: The French Dispatch, West Side Story, The Trial of the Chicago 7, Stillwater

     

    BEST MAKEUP AND HAIRSTYLING

    Mank

    The Witches

    Dune

    Mulan

    The French Dispatch

    Could Jump In: Blonde, Wonder Woman 1984, The Trial of the Chicago 7, West Side Story, Ammonite

     

    BEST SOUND

    Tenet

    Dune

    Da 5 Bloods

    Greyhound

    West Side Story

    Could Jump In: After Yang, No Time To Die, News of the World, Last Night in Soho

     

    BEST VISUAL EFFECTS

    Dune

    Tenet

    BIOS

    Godzilla vs Kong

    Wonder Woman 1984

    Could Jump In: Top Gun: Maverick, Greyhound, Mulan, A Quiet Place Part 2, Venom 2

     

    BEST ORIGINAL SCORE

    Dune

    Mank

    Annette

    Soul

    Tenet

    Could Jump In: The French Dispatch, Da 5 Bloods, Ammonite, BIOS, The Witches

     

    BEST ORIGINAL SONG

    No Time to Die

    Annette

    Soul

    The Prom

    Everybody’s Talking About Jamie

    Could Jump In: Mulan, West Side Story, Respect

  • Greatest Films of the Decade (2010-2019) 25-1

    Greatest Films of the Decade (2010-2019) 25-1

    Finally, the final 25. Here are my picks for the best 25 films of the decade.

    Happy 2020s!

    25. The Master

    ‘The Master’ (The Weinstein Company)

    Directed by: Paul Thomas Anderson

    The Master unfolds the journey of a Naval veteran (Joaquin Phoenix) who arrives home from war unsettled and uncertain of his future – until he is tantalized by The Cause and its charismatic leader (Philip Seymour Hoffman). (The Weinstein Company)

    24. The Tree of Life

    ‘The Tree of Life’ (Fox Searchlight Pictures)

    Directed by: Terrence Malick

    The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Through Malick’s signature imagery, we see how both brute nature and spiritual grace shape not only our lives as individuals and families, but all life. (Fox Searchlight)

    23. Shoplifters

    ‘Shoplifters’ (Magnolia Pictures)

    Directed by: Hirokazu Koreeda

    After one of their shoplifting sessions, Osamu (Lily Franky) and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife (Sakura Ando) agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them. (Rotten Tomatoes)

    22. Gravity

    Directed by: Alfonso Cuaron

    Bullock plays Dr. Ryan Stone, a brilliant medical engineer on her first shuttle mission, with veteran astronaut Matt Kowalsky (George Clooney). But on a seemingly routine spacewalk, disaster strikes. The shuttle is destroyed, leaving Stone and Kowalsky completely alone – tethered to nothing but each other and spiraling out into the blackness. The deafening silence tells them they have lost any link to Earth and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But the only way home may be to go further out into the terrifying expanse of space. (Warner Bros.)

    21. Dunkirk

    ‘Dunkirk’ (Warner Bros.)

    Directed by: Christopher Nolan

    Evacuation of Allied soldiers from the British Empire, and France, who were cut off and surrounded by the German Army from the beaches and harbor of Dunkirk, France, between May 26- June 04, 1940, during Battle of France in World War II. (Warner Bros.)

    20. Three Billboard Outside of Ebbing, Missouri

    ‘Three Billboards Outside Ebbing, Missouri’ (Fox Searchlight Pictures)

    Directed by: Martin McDonagh

    After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

    19. Inception

    ‘Inception’ (Warner Bros.)

    Directed by: Christopher Nolan

    Dom Cobb (Leonardo DiCaprio) is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb’s rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible, inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea, but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. (Warner Bros.)

    18. La La Land

    ‘La La Land’ (Lionsgate)

    Directed by: Damien Chazelle

    La La Land tells the story of Mia (Emma Stone), an aspiring actress, and Sebastian (Ryan Gosling), a dedicated jazz musician, who are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. (Rotten Tomatoes).

    17. Room

    ‘Room’ (A24)

    Directed by: Lenny Abrahamson

    ROOM tells the extraordinary story of Jack (Jacob Tremblay), a spirited 5-year-old who is looked after by his loving and devoted mother (Brie Larson). Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical–they are trapped–confined to a 10-by-10-foot space that Ma has euphemistically named Room. Ma has created a whole universe for Jack within Room, and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world. (A24)

    16. Moonlight

    ‘Moonlight’ (A24)

    Directed by: Barry Jenkins

    The tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality. ( Rotten Tomatoes).

    15. Her

    ‘Her’ (Warner Bros.)

    Directed By; Spike Jonze

    In a near future, a lonely writer (Joaquin Phoenix) develops an unlikely relationship with an operating system (Scarlett Johansson) designed to meet his every need. (IMDb)

    14. The Social Network

    ‘The Social Network’ (Columbia)

    Directed by: David Fincher

    As Harvard student Mark Zuckerberg (Jesse Eisenberg) creates the social networking site that would become known as Facebook, he is sued by the twins (Armie Hammer) who claimed he stole their idea, and by the co-founder ( who was later squeezed out of the business. (IMDb)

    13. Before Midnight

    ‘Before Midnight’ (Sony Pictures Classics)

    Directed by: Richard Linklater

    We meet Jesse (Ethan Hawke) and Celine (Julie Delpy) nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna. (IMDb).

    12. Call Me By Your Name

    ‘Call Me By Your Name’ (Sony Pictures Classics)

    Directed by: Luca Guadagnino

    It’s the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. (Sony Pictures Classics)

    11. Spider-Man: Into the Spider-Verse

    ‘Spider-Man: Into the Spider-Verse’ (Sony)

    Directed by: Bob Persichetti, Peter Ramsey, and Rodney Rothman

    Teen Miles Morales (Shameik Moore) becomes Spider-Man of his reality, crossing his path with five counterparts from other dimensions to stop a threat for all realities. (IMDb)

    10. Amour

    ‘Amour’ (Sony Pictures Classics)
    Directed by: Michael Haneke
    Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) are in their eighties. They are cultivated, retired music teachers. Their daughter (Isabelle Huppert), who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s bond of love is severely tested. (Sony Pictures Classics)

    9. Spotlight

    ‘Spotlight’ (Open Road)

    Directed by: Tom McCarthy

    SPOTLIGHT tells the riveting true story of the Pulitzer Prize-winning Boston Globe investigation that would rock the city and cause a crisis in one of the world’s oldest and most trusted institutions. When the newspaper’s tenacious “Spotlight” team of reporters delves into allegations of abuse in the Catholic Church, their year-long investigation uncovers a decades-long cover-up at the highest levels of Boston’s religious, legal, and government establishment, touching off a wave of revelations around the world. (Open Road Films)

    8. Whiplash

    ‘Whiplash’ (Sony Pictures Classics)
    Directed by: Damien Chazelle
    Andrew Neyman (Miles Teller) is an ambitious young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher (J.K. Simmons), an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man’s life. Andrew’s passion to achieve perfection quickly spirals into obsession, as his ruthless teacher continues to push him to the brink of both his ability-and his sanity. (Sony Pictures Classics)

    7. Mad Max: Fury Road

    ‘Mad Max: Fury Road’ (Warner Bros.)

    Directed by: George Miller

    In a post-apocalyptic wasteland, a woman (Charlize Theron) rebels against a tyrannical ruler in search for her homeland with the aid of a group of female prisoners, a psychotic worshiper (Nicholas Hoult), and a drifter named Max (Tom Hardy).

    6. 12 Years a Slave

    ’12 Years A Slave’ (Fox Searchlight)

    Directed by: Steve McQueen

    In the pre-Civil War United States, Solomon Northup (Chiwetel Ejiofor), a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner (Michael Fassbender), as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist (Brad Pitt) will forever alter his life. (Fox Searchlight)

    5. Toy Story 3

    ‘Toy Story 3’ (Disney/Pixar)

    Directed by: Lee Unkrich

    Woody, Buzz and the whole gang are back. As their owner Andy (John Morris) prepares to depart for college, his loyal toys find themselves in daycare where untamed tots with their sticky little fingers do not play nice. So, it’s all for one and one for all as they join Barbie’s (Jodi Benson) counterpart Ken (Michael Keaton), a thespian hedgehog named Mr. Pricklepants (Timothy Dalton) and a pink, strawberry-scented teddy bear called Lots-o’-Huggin’ Bear (Ned Beatty) to plan their great escape. (Disney/Pixar)

    4. Boyhood

    ‘Boyhood’ (IFC Films)

    Directed by: Richard Linklater

    BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent… BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. (IFC Films)

    3. Inside Out

    ‘Inside Out’ (Disney/Pixar)

    Directed by: Pete Docter

    Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. (Disney/Pixar)

    2. Parasite

    ‘Parasite’ (NEON Pictures)

    Directed by: Bong Joon-Ho

    A poor family, the Kims, con their way into becoming the servants of a rich family, the Parks. But their easy life gets complicated when their deception is threatened with exposure. (CJ Entertainment)

    1. A Separation

    ‘A Separation’ (Sony Pictures Classics)

    Directed by: Asghar Farhadi

    Set in contemporary Iran, A Separation is a compelling drama about the dissolution of a marriage. Simin (Leila Hatami) wants to leave Iran with her husband Nader (Payman Maadi) and daughter Termeh (Sarina Farhadi). Simin sues for divorce when Nader refuses to leave behind his Alzheimer-suffering father. Her request having failed, Simin returns to her parents’ home, but Termeh decides to stay with Nader. When Nader hires a young woman to assist with his father in his wife’s absence, he hopes that his life will return to a normal state. However, when he discovers that the new maid has been lying to him, he realizes that there is more on the line than just his marriage. (Sony Pictures Classics)

     

    Want to see any of these films? Go to Reelgood to see where they are available.

  • Movies to Watch at Home During the Coronacation

    Movies to Watch at Home During the Coronacation

    Now that we have too much time on our hands, that movie that you have always wanted to watch is finally fits into your schedule.

    Here are films to watch during this break.

    Best on Netflix

    13th

    Blade Runner

    City of God

    The Dark Knight

    Drive

    Ex Machina

    Goodfellas

    Groundhog Day

    Her

    Hugo

    Inception

    Kill Bill Vol. 1

    Magnolia

    Marriage Story

    Monty Python and the Holy Grail

    Moon

    Moonlight

    Mystic River

    Pan’s Labyrinth

    Raiders of the Lost Ark

    Room

    The Shawshank Redemption

    Sling Blade

    Spider-Man: Into the Spider-Verse

    There Will Be Blood

    Best on Prime Video

    The Act of Killing

    Annie Hall

    The Apartment

    The Big Sick

    Blade Runner 2049

    The Conversation

    Diabolique

    Downfall

    The Farewell

    The General

    The Great Escape

    The Handmaiden

    It’s a Wonderful Life

    The Kid

    Lady Bird

    Manchester by the Sea

    The Pianist (also on Netflix)

    Once Upon a Time in the West (also on Netflix)

    Raging Bull (also on Netflix)

    Roman Holiday

    Rosemary’s Baby (also on Netflix)

    Short Term 12

    Some Like it Hot

    Sunset Boulevard

    Zodiac

    Best on Hulu

    28 Days Later

    Akira

    Annihilation (also on Prime Video)

    Apollo 11

    A Quiet Place (also on Prime Video)

    The Cabin in the Woods (also on Prime Video)

    The Descent

    Free Solo

    The French Connection

    The Fugitive

    Grave of the Fireflies

    The Guilty

    Hunt for the Wilderpeople

    I, Tonya

    M*A*S*H*

    Mud (also on Prime Video)

    Nobody Knows

    Shoplifters

    Tangerines (also on Prime Video)

    The Tenant

    True Grit (also on Prime Video) (2010)

    Warrior (also on Prime Video)

    We Need to Talk About Kevin

    When Harry Met Sally…

    Wonder

    Best on HBO

    Alien and Aliens

    Apocalypse Now

    A Star is Born (2018)

    A Woman Under the Influence

    Black Swan

    Casino Royale

    The Diving Bell and the Butterfly

    The Favourite

    Fight Club

    Gangs of New York

    Glengarry Glen Ross

    The Killing Fields

    The Manchurian Candidate (1962)

    Moulin Rouge!

    My Left Foot

    The Usual Suspects

    The Others

    Prisoners

    RoboCop

    Rush

    Shutter Island

    They Shall Not Grow Old

    The Town

    Upgrade

    Won’t You Be Neighbor

     

  • Expanded Oscar Predictions for Early March

    Expanded Oscar Predictions for Early March

    You won’t see any major changes between this post and the last one except that I have added 11 more categories.

    Here it is. Enjoy!

    BEST PICTURE

    The Trial of the Chicago 7

    West Side Story

    Mank

    Hillbilly Elegy

    The French Dispatch

    News of the World

    Dune

    Nomadland

    Da 5 Bloods

    Nightmare Alley (Amsterdam, if it is released this year)

    Could Jump In: Amsterdam, Tenet, Ammonite, The Last Duel, On the Rocks, I’m Thinking of Ending Things, In the Heights, Macbeth, Respect, Blonde, Ma Rainey’s Black Bottom, King Richard, Prisoner 760, Harry Haft, Greyhound, Next Goal Wins, Soul, Stillwater

    Longer Shots: The Eyes of Tammy Faye, The Father, The Many Saints of Newark, Rebecca, Annette, Mob Girl, Fonzo, Good Morning, Midnight, United States vs Billie Holiday, Flag Day, Untitled Darren Aronofsky Film, Minari, After Exile, Mulan

    BEST DIRECTOR

    David Fincher – Mank

    Steven Spielberg – West Side Story

    Aaron Sorkin – Trial of the Chicago 7

    Denis Villeneuve – Dune

    Spike Lee – Da 5 Bloods

    Others: Wes Anderson – The French Dispatch, Christopher Nolan – Tenet, Chloe Zhao – Nomadland, Sofia Coppola – On the Rocks, Paul Greengrass – News of the World, Ridley Scott – The Last Duel, Ron Howard – Hillbilly Elegy, David O. Russell – Amsterdam, Guillermo del Toro – Nightmare Alley, Charlie Kaufman – I’m Thinking of Ending Things, Niki Caro – Mulan, Lee Isaac Chung – Minari, Joel Coen – Macbeth, Francis Lee – Ammonite

    BEST ACTOR

    Gary Oldman – Mank

    Will Smith – King Richard

    Anthony Hopkins – The Father

    Chadwick Boseman – Da 5 Bloods

    Adam Driver – The Last Duel

    Could Jump In: Tom Hanks – News of the World, Denzel Washington – Macbeth, Eddie Redmayne – Trial of the Chicago 7, Joaquin Phoenix – C’mon C’mon, Bill Murray (Likely is supporting), Christian Bale – Amsterdam, Bradley Cooper – Nightmare Alley, Matt Damon – Stillwater, Daniel Kaluuya – Jesus Was My Homeboy, Michael Fassbender – Next Goal Wins, Anthony Ramos – In The Heights

    BEST ACTRESS

    Viola Davis – Ma Rainey’s Black Bottom

    Kate Winslet – Ammonite

    Jennifer Hudson – Respect

    Amy Adams – Hillbilly Elegy

    Frances McDormand – Nomadland

    Could Jump In: Rachel Zegler – West Side Story, Ana de Armas – Blonde, Margot Robbie – Amsterdam, Cate Blanchett – Nightmare Alley, Jessica Chastain – The Eyes of Tammy Faye, Michelle Pfeiffer – French Exit, Jennifer Lawrence – Red, White, and Water, Marion Cotillard – Annette, Frances McDormand – Macbeth, Jessie Buckley – I’m Thinking of Ending Things

    BEST SUPPORTING ACTOR

    Bill Murray – On the Rocks

    Willem Dafoe – Nightmare Alley

    Mark Rylance – Trial of the Chicago 7

    David Strathairn – Nomadland

    Tom Burke or Charles Dance – Mank

    Could Jump In: Sacha Baron Cohen – Trial of the Chicago 7, Andrew Garfield – The Eyes of Tammy Faye, Tom Burke – Mank, Oscar Isaac – Dune, Jesse Plemons – I’m Thinking of Ending Things, Giancarlo Esposito – Da 5 Bloods, Michael B. Jordan – Amsterdam, Frank Langella – Trial of the Chicago 7, Peter Sarsgaard – Harry Haft, Matt Damon – The Last Duel, Timothee Chalamet – The French Dispatch

    BEST SUPPORTING ACTRESS

    Glenn Close – Hillbilly Elegy

    Saoirse Ronan – Ammonite

    Ariana DeBose – West Side Story

    Toni Colette – Nightmare Alley

    Olivia Colman – The Father

    Could Jump In: Amanda Seyfried – Mank, Annette Bening – Death on the Nile, Octavia Spencer – The Witches, Meryl Streep – The Prom, Jodie Comer – The Last Duel, Gaby Hoffman – C’mon C’mon, Rooney Mara – Nightmare Alley, Abigail Breslin – Stillwater, Rebecca Ferguson – Dune, Vicky Krieps – Harry Haft

    BEST ORIGINAL SCREENPLAY

    Trial of the Chicago 7

    Mank

    The French Dispatch

    On The Rocks

    Ammonite

    Could Jump In: Tenet, Soul, Last Night in Soho, C’mon C’mon, Da 5 Bloods, Amsterdam, Next Goal Wins, Stillwater

    BEST ADAPTED SCREENPLAY

    West Side Story

    News of the World

    Hillbilly Elegy

    Nomadland

    Macbeth (if Macbeth does not release this year, I’m Thinking of Ending Things will take this spot)

    Could Jump In: I’m Thinking of Ending Things, Dune, Nightmare Alley, The Last Duel, Those Who Wish Me Dead, In The Heights, Greyhound

    BEST CINEMATOGRAPHY

    West Side Story

    Dune

    Mank

    Tenet

    The French Dispatch

    Could Jump In: Nightmare Alley, I’m Thinking of Ending Things, No Time to Die, Da 5 Bloods, Macbeth, C’mon C’mon, The Prom

    BEST FILM EDITING

    Tenet

    Mank

    West Side Story

    Trial of the Chicago 7

    Dune

    Could Jump In: Da 5 Bloods, Nightmare Alley, News of the World, The Last Duel, Nomadland, Amsterdam, Hillbilly Elegy

    BEST PRODUCTION DESIGN

    West Side Story

    Dune

    Mank

    The French Dispatch

    The Last Duel

    Could Jump In: Nightmare Alley, Tenet, Trial of the Chicago 7, News of the World, Ammonite, Mulan, In the Heights

    BEST COSTUME DESIGN

    Mank

    Dune

    Ammonite

    The French Dispatch

    Nightmare Alley

    Could Jump In: News of the World, West Side Story, The Last Duel, Mulan, The Trial of the Chicago 7, Hillbilly Elegy, Blonde, Death on the Nile

    BEST ORIGINAL SCORE

    Dune

    Mank

    The French Dispatch

    Ammonite

    Soul

    Could Jump In: Tenet, Nightmare Alley, Da 5 Bloods, Annette, Hillbilly Elegy, Nomadland, The Last Duel

    BEST ORIGINAL SONG

    In the Heights

    No Time To Die

    West Side Story

    Everybody’s Talking About Jamie

    Annette

    Could Jump In: Soul, The Prom, Respect, Ma Rainey’s Black Bottom

    BEST MAKEUP AND HAIRSTYLING

    The Witches

    Mank

    Dune

    Mulan

    Blonde

    Could Jump In: The French Dispatch, Nightmare Alley, West Side Story, Trial of the Chicago 7, Ammonite, Hillbilly Elegy, News of the World

    BEST SOUND MIXING

    West Side Story

    Dune

    In the Heights

    Tenet

    Greyhound

    Could Jump In: Da 5 Bloods, News of the World, No Time to Die, Last Night in Soho, The Last Duel, A Quiet Place 2, Respect, After Yang

    BEST SOUND EDITING

    Tenet

    Dune

    Greyhound

    No Time to Die

    Da 5 Bloods

    Could Jump In: West Side Story, In The Heights, News of the World, The Eternals, BIOS, Last Night in Soho, Top Gun: Maverick, After Yang

    BEST VISUAL EFFECTS

    Dune

    Eternals

    Tenet

    Godzilla vs Kong

    BIOS

    Could Jump In: Wonder Woman 1984, Ghostbusters: Afterlife, A Quiet Place Part 2, The Witches, Free Guy, Top Gun: Maverick, Greyhound

    BEST ANIMATED FEATURE

    Soul

    How Do You Live?

    Raya and the Last Dragon

    Over the Moon

    Connected

    Could Jump In: Onward, Croods 2, Tom and Jerry, The One and Only Ivan, Minions: The Rise of Gru, Scoob!, The Willoughbys

  • Much-Too-Early 2021 Oscar Predictions!

    Much-Too-Early 2021 Oscar Predictions!

    With the end of one Oscar season, comes the beginning of the next and even though Oscar season will start in 6 months, why not try predicting a few of the contenders so we know what to look forward to.

    Here are my 2021 Oscar predictions.

    (Films are ordered in terms of their chance to win named award)

    BEST PICTURE

    The Trial of the Chicago 7

    West Side Story

    Mank

    Hillbilly Elegy

    The French Dispatch

    News of the World

    Dune

    Nomadland

    Da 5 Bloods

    Nightmare Alley (Amsterdam, if it is released this year)

    Could Jump In:

    Amsterdam, Tenet, Ammonite, The Last Duel, On the Rocks, I’m Thinking of Ending Things, In the Heights, Macbeth, Respect, Blonde, Ma Rainey’s Black Bottom, King Richard, Prisoner 760, Harry Haft, Greyhound, Next Goal Wins, Soul, Stillwater

    Longer Shots:

    The Eyes of Tammy Faye, The Father, The Many Saints of Newark, Rebecca, Annette, Mob Girl, Fonzo, Good Morning, Midnight, United States vs Billie Holiday, Flag Day, Untitled Darren Aronofsky Film, Minari, After Exile, Mulan

    BEST DIRECTOR

    David Fincher – Mank

    Steven Spielberg – West Side Story

    Aaron Sorkin – Trial of the Chicago 7

    Denis Villeneuve – Dune

    Spike Lee – Da 5 Bloods

    Could Jump In:

    Wes Anderson – The French Dispatch, Christopher Nolan – Tenet, Chloe Zhao – Nomadland, Sofia Coppola – On the Rocks, Paul Greengrass – News of the World, Ridley Scott – The Last Duel, Ron Howard – Hillbilly Elegy, David O. Russell – Amsterdam, Guillermo del Toro – Nightmare Alley, Charlie Kaufman – I’m Thinking of Ending Things, Niki Caro – Mulan, Lee Isaac Chung – Minari, Joel Coen – Macbeth, Francis Lee – Ammonite

    BEST ACTOR

    Gary Oldman – Mank

    Will Smith – King Richard

    Anthony Hopkins – The Father

    Chadwick Boseman – Da 5 Bloods

    Adam Driver – The Last Duel

    Could Jump In:

    Tom Hanks – News of the World, Denzel Washington – Macbeth, Eddie Redmayne – Trial of the Chicago 7, Joaquin Phoenix – C’mon C’mon, Bill Murray (Likely is supporting), Christian Bale – Amsterdam, Bradley Cooper – Nightmare Alley, Daniel Kaluuya – Jesus Was My Homeboy, Michael Fassbender – Next Goal Wins, Anthony Ramos – In The Heights

    BEST ACTRESS

    Viola Davis – Ma Rainey’s Black Bottom

    Kate Winslet – Ammonite

    Jennifer Hudson – Respect

    Amy Adams – Hillbilly Elegy

    Frances McDormand – Nomadland

    Could Jump In:

    Rachel Zegler – West Side Story, Ana de Armas – Blonde, Margot Robbie – Amsterdam, Cate Blanchett – Nightmare Alley, Jessica Chastain – The Eyes of Tammy Faye, Michelle Pfeiffer – French Exit, Jennifer Lawrence – Red, White, and Water, Marion Cotillard – Annette, Frances McDormand – Macbeth, Jessie Buckley – I’m Thinking of Ending Things

    BEST SUPPORTING ACTOR

    Bill Murray – On the Rocks

    Willem Dafoe – Nightmare Alley

    Mark Rylance – Trial of the Chicago 7

    David Strathairn – Nomadland

    Timothee Chalamet – The French Dispatch

    Could Jump In:

    Sacha Baron Cohen – Trial of the Chicago 7, Andrew Garfield – The Eyes of Tammy Faye, Tom Burke – Mank, Oscar Isaac – Dune, Jesse Plemons – I’m Thinking of Ending Things, Giancarlo Esposito – Da 5 Bloods, Michael B. Jordan – Amsterdam, Frank Langella – Trial of the Chicago 7, Peter Sarsgaard – Harry Haft, Matt Damon – The Last Duel

    BEST SUPPORTING ACTRESS

    Glenn Close – Hillbilly Elegy

    Saoirse Ronan – Ammonite

    Ariana DeBose – West Side Story

    Toni Colette – Nightmare Alley

    Olivia Colman – The Father

    Could Jump In:

    Amanda Seyfried – Mank, Annette Bening – Death on the Nile, Octavia Spencer – The Witches, Meryl Streep – The Prom, Jodie Comer – The Last Duel, Gaby Hoffman – C’mon C’mon, Rooney Mara – Nightmare Alley, Abigail Breslin – Stillwater, Rebecca Ferguson – Dune, Vicky Krieps – Harry Haft

    BEST ORIGINAL SCREENPLAY

    Trial of the Chicago 7

    Mank

    The French Dispatch

    On The Rocks

    Ammonite

    Could Jump In:

    Tenet, Soul, Last Night in Soho, C’mon C’mon, Da 5 Bloods, Amsterdam, Next Goal Wins

    BEST ADAPTED SCREENPLAY

    West Side Story

    News of the World

    Hillbilly Elegy

    Nomadland

    Macbeth (if Macbeth does not release this year, I’m Thinking of Ending Things will take this spot)

    Could Jump In:

    I’m Thinking of Ending Things, Dune, Nightmare Alley, The Last Duel, Those Who Wish Me Dead, In The Heights, Greyhound

  • PARASITE WINS BEST PICTURE!

    PARASITE WINS BEST PICTURE!

    It has been a great Oscar season and the show was great with Parasite pulling a Moonliht-like upset over 1917.

    (Winners are indicated in bold)

    BEST PICTURE

    1917

    Parasite

    Jojo Rabbit

    Once Upon a Time in Hollywood

    Joker

    The Irishman

    Little Women

    Marriage Story

    Ford v Ferrari

    BEST DIRECTOR

    Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Todd Phillips – Joker

    BEST ACTOR

    Joaquin Phoenix – Joker

    Adam Driver – Marriage Story\

    Antonio Banderas – Pain and Glory

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Jonathan Pryce – The Two Popes

    BEST ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Cynthia Erivo – Harriet

    Saoirse Ronan – Little Women

    BEST SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Tom Hanks – A Beautiful Day in the Neighborhood

    Anthony Hopkins – The Two Popes

    Al Pacino – The Irishman

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Scarlett Johansson – Jojo Rabbit

    Florence Pugh – Little Women

    Margot Robbie – Jojo Rabbit

    Kathy Bates – Richard Jewell

    BEST ORIGINAL SCREENPLAY

    Parasite

    Once Upon a Time in Hollywood

    Marriage Story

    1917

    Knives Out

    BEST ADAPTED SCREENPLAY

    Jojo Rabbit

    Little Women

    The Irishman

    Joker

    The Two Popes

    BEST CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    BEST COSTUME DESIGN

    Little Women

    Jojo Rabbit

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    BEST FILM EDITING

    Ford v Ferrari

    Parasite

    Joker

    Jojo Rabbit

    The Irishman

    BEST MAKEUP AND HAIRSTYLING

    Bombshell

    Joker

    Judy

    1917

    Maleficent: Mistress of Evil

    BEST PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    Parasite

    Jojo Rabbit

    The Irishman

    BEST ORIGINAL SCORE

    Joker

    1917

    Little Women

    Marriage Story

    Star Wars: The Rise of Skywalker

    BEST ORIGINAL SONG

    Rocketman

    Harriet

    Frozen 2

    Breakthrough

    Toy Story 4

    BEST SOUND EDITING

    1917

    Ford v Ferrari

    Joker

    Once Upon a Time in Hollywood

    Star Wars: The Rise of Skywalker

    BEST SOUND MIXING

    1917

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Joker

    Ad Astra

    BEST VISUAL EFFECTS

    1917

    The Lion King

    Avenegers: Endgame

    The Irishman

    Star Wars: The Rise of Skywalker

    BEST ANIMATED FEATURE

    Klaus

    Toy Story 4

    Missing Link

    I Lost My Body

    How To Train Your Dragon: The Hidden World

    BEST DOCUMENTARY FEATURE

    American Factory

    For Sama

    Honeyland

    The Cave

    The Edge of Democracy

    BEST INTERNATIONAL FEATURE FILM

    Parasite

    Pain and Glory

    Les Miserables

    Corpus Christi

    Honeyland

    BEST ANIMATED SHORT

    Hair Love

    Kitbull

    Memorable

    Sister

    Dcera (Daughter)

    BEST DOCUMENTARY SHORT

    Learning to Skateboard in a Warzone (If You’re a Girl)

    St. Louis Superman

    Walk Run Cha-Cha

    In the Absence

    Life Overtakes Me

    BEST LIVE-ACTION SHORT

    The Neighbor’s Window

    Brotherhood

    Nefta Football Club

    Saria

    A Sister

  • FINAL OSCAR PREDICTIONS 2020

    FINAL OSCAR PREDICTIONS 2020

    It’s finally here.

    Tomorrow, the Academy will reveal their winners in 24 different categories ending Oscar season 2020.

    Let’s get straight into the predictions!

    (The films are ordered in terms of award-winning probability)

    BEST PICTURE

    1917

    Parasite

    Jojo Rabbit

    Once Upon a Time in Hollywood

    Joker

    The Irishman

    Little Women

    Marriage Story

    Ford v Ferrari

    BEST DIRECTOR

    Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Todd Phillips – Joker

    BEST ACTOR

    Joaquin Phoenix – Joker

    Adam Driver – Marriage Story\

    Antonio Banderas – Pain and Glory

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Jonathan Pryce – The Two Popes

    BEST ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Cynthia Erivo – Harriet

    Saoirse Ronan – Little Women

    BEST SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Tom Hanks – A Beautiful Day in the Neighborhood

    Anthony Hopkins – The Two Popes

    Al Pacino – The Irishman

    BEST SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Scarlett Johansson – Jojo Rabbit

    Florence Pugh – Little Women

    Margot Robbie – Jojo Rabbit

    Kathy Bates – Richard Jewell

    BEST ORIGINAL SCREENPLAY

    Parasite

    Once Upon a Time in Hollywood

    Marriage Story

    1917

    Knives Out

    BEST ADAPTED SCREENPLAY

    Jojo Rabbit

    Little Women

    The Irishman

    Joker

    The Two Popes

    BEST CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    BEST COSTUME DESIGN

    Little Women

    Jojo Rabbit

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    BEST FILM EDITING

    Ford v Ferrari

    Parasite

    Joker

    Jojo Rabbit

    The Irishman

    BEST MAKEUP AND HAIRSTYLING

    Bombshell

    Joker

    Judy

    1917

    Maleficent: Mistress of Evil

    BEST PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    Parasite

    Jojo Rabbit

    The Irishman

    BEST ORIGINAL SCORE

    Joker

    1917

    Little Women

    Marriage Story

    Star Wars: The Rise of Skywalker

    BEST ORIGINAL SONG

    Rocketman

    Harriet

    Frozen 2

    Breakthrough

    Toy Story 4

    BEST SOUND EDITING

    1917

    Ford v Ferrari

    Joker

    Once Upon a Time in Hollywood

    Star Wars: The Rise of Skywalker

    BEST SOUND MIXING

    1917

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Joker

    Ad Astra

    BEST VISUAL EFFECTS

    1917

    The Lion King

    Avenegers: Endgame

    The Irishman

    Star Wars: The Rise of Skywalker

    BEST ANIMATED FEATURE

    Klaus

    Toy Story 4

    Missing Link

    I Lost My Body

    How To Train Your Dragon: The Hidden World

    BEST DOCUMENTARY FEATURE

    American Factory

    For Sama

    Honeyland

    The Cave

    The Edge of Democracy

    BEST INTERNATIONAL FEATURE FILM

    Parasite

    Pain and Glory

    Les Miserables

    Corpus Christi

    Honeyland

    BEST ANIMATED SHORT

    Hair Love

    Kitbull

    Memorable

    Sister

    Dcera (Daughter)

    BEST DOCUMENTARY SHORT

    Learning to Skateboard in a Warzone (If You’re a Girl)

    St. Louis Superman

    Walk Run Cha-Cha

    In the Absence

    Life Overtakes Me

    BEST LIVE-ACTION SHORT

    The Neighbor’s Window

    Brotherhood

    Nefta Football Club

    Saria

    A Sister

     

     

  • 1917 Wins BAFTA’s Top Prize

    1917 Wins BAFTA’s Top Prize

    1917 won Best Film at the BAFTAs, which further proves that it has wide support.

    Here are the BAFTA winners from today.

    BEST FILM
    1917 – Pippa Harris, Callum McDougall, Sam Mendes, Jayne-Ann Tenggren
    THE IRISHMAN – Robert De Niro, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff
    JOKER – Bradley Cooper, Todd Phillips, Emma Tillinger Koskoff
    ONCE UPON A TIME… IN HOLLYWOOD – David Heyman, Shannon McIntosh, Quentin Tarantino
    PARASITE – Bong Joon-ho, Kwak Sin-ae

    DIRECTOR
    1917 – Sam Mendes
    THE IRISHMAN – Martin Scorsese
    JOKER – Todd Phillips
    ONCE UPON A TIME… IN HOLLYWOOD – Quentin Tarantino
    PARASITE – Bong Joon-ho

    OUTSTANDING BRITISH FILM
    1917 – Sam Mendes, Pippa Harris, Callum McDougall, Jayne-Ann Tenggren, Krysty Wilson-Cairns
    BAIT – Mark Jenkin, Kate Byers, Linn Waite
    FOR SAMA – Waad al-Kateab, Edward Watts
    ROCKETMAN – Dexter Fletcher, Adam Bohling, David Furnish, David Reid, Matthew Vaughn, Lee Hall
    SORRY WE MISSED YOU – Ken Loach, Rebecca O’Brien, Paul Laverty
    THE TWO POPES – Fernando Meirelles, Jonathan Eirich, Dan Lin, Tracey Seaward, Anthony McCarten

    OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
    BAIT – Mark Jenkin (Writer/Director), Kate Byers, Linn Waite (Producers)
    FOR SAMA – Waad al-Kateab (Director/Producer), Edward Watts (Director)
    MAIDEN – Alex Holmes (Director)
    ONLY YOU – Harry Wootliff (Writer/Director)
    RETABLO – Álvaro Delgado-Aparicio (Writer/Director)

    LEADING ACTRESS
    JESSIE BUCKLEY – Wild Rose
    SCARLETT JOHANSSON – Marriage Story
    SAOIRSE RONAN – Little Women
    CHARLIZE THERON – Bombshell
    RENÉE ZELLWEGER – Judy

    LEADING ACTOR
    LEONARDO DICAPRIO – Once Upon a Time… In Hollywood
    ADAM DRIVER – Marriage Story
    TARON EGERTON – Rocketman
    JOAQUIN PHOENIX – Joker
    JONATHAN PRYCE – The Two Popes

    SUPPORTING ACTRESS
    LAURA DERN – Marriage Story
    SCARLETT JOHANSSON – Jojo Rabbit
    FLORENCE PUGH – Little Women
    MARGOT ROBBIE – Bombshell
    MARGOT ROBBIE – Once Upon a Time… in Hollywood

    SUPPORTING ACTOR
    TOM HANKS – A Beautiful Day in the Neighborhood
    ANTHONY HOPKINS – The Two Popes
    AL PACINO – The Irishman
    JOE PESCI – The Irishman
    BRAD PITT – Once Upon a Time… in Hollywood

    CASTING
    JOKER – Shayna Markowitz
    MARRIAGE STORY – Douglas Aibel, Francine Maisler
    ONCE UPON A TIME… IN HOLLYWOOD – Victoria Thomas
    THE PERSONAL HISTORY OF DAVID COPPERFIELD – Sarah Crowe
    THE TWO POPES – Nina Gold

    ADAPTED SCREENPLAY
    THE IRISHMAN – Steven Zaillian
    JOJO RABBIT – Taika Waititi
    JOKER – Todd Phillips, Scott Silver
    LITTLE WOMEN – Greta Gerwig
    THE TWO POPES – Anthony McCarten

    ORIGINAL SCREENPLAY
    BOOKSMART – Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman
    KNIVES OUT – Rian Johnson
    MARRIAGE STORY – Noah Baumbach
    ONCE UPON A TIME… IN HOLLYWOOD – Quentin Tarantino
    PARASITE – Han Jin Won, Bong Joon-ho,

    ORIGINAL SCORE
    1917 – Thomas Newman
    JOJO RABBIT – Michael Giacchino
    JOKER – Hildur Guđnadóttir
    LITTLE WOMEN – Alexandre Desplat
    STAR WARS: THE RISE OF SKYWALKER – John Williams

    CINEMATOGRAPHY
    1917 – Roger Deakins
    THE IRISHMAN – Rodrigo Prieto
    JOKER – Lawrence Sher
    LE MANS ’66 – Phedon Papamichael
    THE LIGHTHOUSE – Jarin Blaschke

    EDITING
    THE IRISHMAN – Thelma Schoonmaker
    JOJO RABBIT – Tom Eagles
    JOKER – Jeff Groth
    LE MANS ’66 – Andrew Buckland, Michael McCusker
    ONCE UPON A TIME… IN HOLLYWOOD – Fred Raskin

    PRODUCTION DESIGN
    1917 – Dennis Gassner, Lee Sandales
    THE IRISHMAN – Bob Shaw, Regina Graves
    JOJO RABBIT – Ra Vincent, Nora Sopková
    JOKER – Mark Friedberg, Kris Moran
    ONCE UPON A TIME… IN HOLLYWOOD – Barbara Ling, Nancy Haigh

    COSTUME DESIGN
    THE IRISHMAN – Christopher Peterson, Sandy Powell
    JOJO RABBIT – Mayes C. Rubeo
    JUDY – Jany Temime
    LITTLE WOMEN – Jacqueline Durran
    ONCE UPON A TIME… IN HOLLYWOOD – Arianne Phillips

    MAKEUP & HAIR
    1917 – Naomi Donne
    BOMBSHELL – Vivian Baker, Kazu Hiro, Anne Morgan
    JOKER – Kay Georgiou, Nicki Ledermann
    JUDY – Jeremy Woodhead
    ROCKETMAN – Lizzie Yianni Georgiou

    SOUND
    1917 – Scott Millan, Oliver Tarney, Rachael Tate, Mark Taylor, Stuart Wilson
    JOKER – Tod Maitland, Alan Robert Murray, Tom Ozanich, Dean Zupancic
    LE MANS ’66 – David Giammarco, Paul Massey, Steven A. Morrow, Donald Sylvester
    ROCKETMAN – Matthew Collinge, John Hayes, Mike Prestwood Smith, Danny Sheehan
    STAR WARS: THE RISE OF SKYWALKER – David Acord, Andy Nelson, Christopher Scarabosio, Stuart Wilson, Matthew Wood

    SPECIAL VISUAL EFFECTS
    1917 – Greg Butler, Guillaume Rocheron, Dominic Tuohy
    AVENGERS: ENDGAME – Dan Deleeuw, Dan Sudick
    THE IRISHMAN – Leandro Estebecorena, Stephane Grabli, Pablo Helman
    THE LION KING – Andrew R. Jones, Robert Legato, Elliot Newman, Adam Valdez
    STAR WARS: THE RISE OF SKYWALKER – Roger Guyett, Paul Kavanagh, Neal Scanlan, Dominic Tuohy

    FILM NOT IN THE ENGLISH LANGUAGE
    THE FAREWELL – Lulu Wang, Daniele Melia
    FOR SAMA – Waad al-Kateab, Edward Watts
    PAIN AND GLORY – Pedro Almodóvar, Agustín Almodóvar
    PARASITE – Bong Joon-ho
    PORTRAIT OF A LADY ON FIRE – Céline Sciamma, Bénédicte Couvreur

    ANIMATED FILM
    FROZEN 2 – Chris Buck, Jennifer Lee, Peter Del Vecho
    KLAUS – Sergio Pablos, Jinko Gotoh
    A SHAUN THE SHEEP MOVIE: FARMAGEDDON – Will Becher, Richard Phelan, Paul Kewley
    TOY STORY 4 – Josh Cooley, Mark Nielsen

    DOCUMENTARY
    AMERICAN FACTORY – Steven Bognar, Julia Reichert
    APOLLO 11 – Todd Douglas Miller
    DIEGO MARADONA – Asif Kapadia
    FOR SAMA – Waad al-Kateab, Edward Watts
    THE GREAT HACK – Karim Amer, Jehane Noujaim

    BRITISH SHORT ANIMATION
    GRANDAD WAS A ROMANTIC. – Maryam Mohajer
    IN HER BOOTS – Kathrin Steinbacher
    THE MAGIC BOAT – Naaman Azhari, Lilia Laurel

    BRITISH SHORT FILM
    AZAAR – Myriam Raja, Nathanael Baring
    GOLDFISH – Hector Dockrill, Harri Kamalanathan, Benedict Turnbull, Laura Dockrill
    KAMALI – Sasha Rainbow, Rosalind Croad
    LEARNING TO SKATEBOARD IN A WARZONE (IF YOU’RE A GIRL) – Carol Dysinger, Elena Andreicheva
    THE TRAP – Lena Headey, Anthony Fitzgerald

    EE RISING STAR AWARD (voted for by the public)
    AWKWAFINA
    JACK LOWDEN
    KAITLYN DEVER
    KELVIN HARRISON JR.
    MICHEAL WARD

  • What will be BAFTA and WGA’s effect on Oscar?

    What will be BAFTA and WGA’s effect on Oscar?

    For many this weekend will solely be about the Super Bowl, but for Oscar prognosticators everywhere, this weekend is the second-most important (after the weekend with PGA and SAG) of the Oscar race.

    WGA

    The Writers’ Guild of America Awards are imperative to the Best Picture race this year. If Parasite wins Original Screenplay here then it has a very good chance of winning Best Picture. If it doesn’t, 1917 will win the big one at the Oscars.

    The only real competition Parasite has here is Marriage Story, and if Noah Baumbach does pull it off here the Best Picture race becomes so much clearer, but that is unlikely.

    On the Adapted Screenplay side of things, the battle is really between Little Women and Jojo Rabbit. While Little Women won USC Scripter and a Critics’ Choice award, this is Jojo Rabbit’s most likely place to win.

    Still, the WGA loves stories about writers (Can You Ever Forgive Me? won last year) and Little Women’s Jo March is an aspiring author.

    Predictions: Parasite and Little Women

    BAFTA

    The last 5 winners of BAFTA’s Best Film award have not won Best Picture at the Oscars. This trend is due to the BAFTA not using the Academy’s preferential ballot system. 1917 and Parasite are the biggest contenders here and 1917’s overall “britishness” should give the film the British Academy’s top prize. 1917 also seems like the kind of film that BAFTA would choose.

    In the other categories BAFTA becomes very important to their performance at the Oscars

    (Note: I am only including BAFTA categories that have corresponding categories at the Oscars)

    BEST FILM

    Will win: 1917

    Could win: Parasite

    FILM NOT IN THE ENGLISH LANGUAGE

    Will Win: Parasite

    Could Win: Pain and Glory

    DOCUMENTARY

    Will Win: For Sama

    Could Win: Apollo 11

    ANIMATED FILM

    Will Win: Toy Story 4

    Could Win: Klaus

    DIRECTOR

    Will Win: Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    ORIGINAL SCREENPLAY

    Will Win: Parasite

    Could Win: Once Upon a Time in Hollywood

    ADAPTED SCREENPLAY

    Will Win: Little Women

    Could Win: Jojo Rabbit

    LEADING ACTRESS

    Will Win: Renee Zellweger – Judy

    Could Win: Scarlett Johansson – Marriage Story

    LEADING ACTOR

    Will Win: Joaquin Phoenix – Joker

    Could Win: Taron Egerton – Rocketman

    SUPPORTING ACTRESS

    Will Win: Laura Dern – Marriage Story

    Could Win: Florence Pugh – Little Women

    SUPPORTING ACTOR

    Will Win: Brad Pitt – Once Upon a Time in Hollywood

    Could Win: Joe Pesci – The Irishman

    ORIGINAL SCORE

    Will Win: Joker

    Could Win: 1917

    CINEMATOGRAPHY

    Will Win: 1917

    EDITING

    Will Win: Le Mans’ 66 (Ford v Ferrari in North America)

    Could Win: Joker

    PRODUCTION DESIGN

    Will Win: 1917

    Could Win: Once Upon a Time in Hollywood

    COSTUME DESIGN

    Will Win: Little Women

    Could Win: Jojo Rabbit

    MAKE UP & HAIR

    Will Win: Rocketman

    Could Win: Bombshell

    SOUND

    Will Win: 1917

    Could Win: Le Mans’ 66

    SPECIAL VISUAL EFFECTS

    Will Win: Avengers: Endgame

    Could Win: 1917

  • DGA pushes 1917 further towards Oscar glory

    DGA pushes 1917 further towards Oscar glory

    Sorry for posting so late, but late Saturday night the awards for the Directors’ Guild of America, American Society of Cinematographers, Cinema Audio Society, and USC Scripter were all announced. Here are some major takeaways:

    Sam Mendes won Best Director essentially locking himself for a Best Director win and pushing 1917 closer to Oscar gold.

    Roger Deakins won Best Cinematography, which isn’t a surprise, he will win the Oscar.

    Ford v Ferrari won the most important Cinema Audio Society (Sound Mixing) award, but 1917, its biggest contender in the Best Sound Mixing race, was not nominated.

    Little Women won at USC Scripter further proving that it will win Best Adapted Screenplay, but this award still could be a question mark.

    Klaus won Best Animated Feature at the Annie awards adding another turn to the twisty ANimated Feature race.

    To see full Annie Awards’ winners, click here

    Directors’ Guild of America (DGA):

    Feature Film
    Bong Joon Ho, Parasite
    Sam Mendes, 1917
    Martin Scorsese, The Irishman
    Quentin Tarantino, Once Upon A Time In Hollywood
    Taika Waititi, Jojo Rabbit

    First Feature
    Mati Diop, Atlantics
    Alma Har’el, Honey Boy
    Melina Matsoukas, Queen & Slim
    Tyler Nilson & Michael Shwartz, The Peanut Butter Falcon
    Joe Talbot, The Last Black Man in San Francisco

    Documentary
    Steven Bognar and Julia Reichert, American Factory
    Feras Fayyad, The Cave
    Alex Holmes, Maiden
    Ljubomir Stefanov & Tamara Kotevska, Honeyland
    Nanfu Wang and Jialing Zhang, One Child Nation

    Comedy Series
    The Marvelous Mrs. Maisel, “It’s the Sixties, Man!” (Prime Video)
    Bill Hader, Barry, “ronny/lily,” (HBO)
    Veep, “Veep,” (HBO)
    The Marvelous Mrs. Maisel, “It’s Comedy or Cabbage,” (Prime Video)
    The Marvelous Mrs. Maisel, “Marvelous Radio,” (Prime Video)

    Dramatic Series
    Nicole Kassell, Watchmen, “It’s Summer and We’re Running Out of Ice,” (HBO)
    Mark Mylod, Succession, “This Is Not For Tears,” (HBO)
    David Nutter, Game of Thrones, “The Last of the Starks,” (HBO)
    Miguel Sapochnik, Game of Thrones, “The Long Night,” (HBO)
    Stephen Williams, Watchmen, “This Extraordinary Being,” (HBO)

    Movies for Television, Limited Series
    Ava DuVernay, When They See Us
    Vince Gilligan, El Camino: A Breaking Bad Movie
    Thomas Kail, Fosse/Verdon, “Nowadays”
    Johan Renck, Chernobyl
    Minkie Spiro, Fosse/Verdon, “All I Care About Is Love”
    Jessica Yu, Fosse/Verdon, “Glory”

    Commercials:
    Spike Jonze for Dream It, Squarespace

    Variety/Talk/News/Sports – Specials:
    James Burrows and Andy Fisher, Live in Front of a Studio Audience Norman Lear’s ‘All in the Family’ and ‘The Jeffersons’

    Variety/Talk/News/Sports – Regularly Scheduled
    Don Roy King, Saturday Night Live, “E. Murphy; Lizzo”

    USC Scripter:

    FILM

    Dark Waters, Matthew Carnahan and Mario Correa, “The Lawyer Who Became DuPont’s Worst Nightmare” by Nathaniel Rich
    The Irishman, Steven Zaillian, I Heard You Paint Houses by Charles Brandt
    Jojo Rabbit, Taika Waititi, Caging Skies by Christine Leunens
    Little Women, Greta Gerwig, Louisa May Alcott
    The Two Popes, Anthony McCarten, based on his play The Pope

    TELEVISION

    Fleabag, Phoebe Waller-Bridge, one-woman play of the same name
    Fosse/Verdon, Joel Fields and Steven Levenson, “Nowadays,” based on the biography Fosse by Sam Wasson
    Killing Eve, Emerald Fennell, “Nice and Neat,” based on the novel Codename Villanelle by Luke Jennings
    Unbelieveable, Susannah Grant, Michael Chabon and Ayelet Waldman, for the first episode, based on the article “An Unbelievable Story of Rape” by T. Christian Miller and Ken Armstrong
    Watchmen, Damon Lindelof and Cord Jefferson for the episode “This Extraordinary Being,” based on the comic book series by Alan Moore and Dave Gibbons

    American Society of Cinematographers (ASC):

    Feature Film
    Roger Deakins, ASC, BSC for 1917
    Phedon Papamichael, ASC, GSC for Ford v Ferrari
    Rodrigo Prieto, ASC, AMC for The Irishman
    Robert Richardson, ASC for Once Upon a Time… in Hollywood
    Lawrence Sher, ASC for Joker

    Documentary
    Fejmi Daut and Samir Ljuma for Honeyland
    Evangelia Kranioti for Obscuro Barroco
    Nicholas de Pencier for Anthropocene: The Human Epoch

    Motion Picture, Miniseries, or Pilot Made for Television
    John Conroy, ISC for The Terror: Infamy “A Sparrow in a Swallow’s Nest”
    P.J. Dillon, ISC for The Rook “Chapter 1”
    Chris Manley, ASC for Doom Patrol “Pilot”
    Martin Ruhe, ASC for Catch-22 “Episode 5”
    Craig Wrobleski, CSC for The Twilight Zone “Blurryman”

    Episode of a Series for Non-Commercial Television
    David Luther for Das Boot “Gegen die Zeit”
    M. David Mullen, ASC for The Marvelous Mrs. Maisel “Simone”
    Chris Seager, BSC for Carnival Row “Grieve No More”
    Brendan Steacy, CSC for Titans “Dick Grayson”
    Colin Watkinson, ASC, BSC for The Handmaid’s Tale “Night”

    Episode of a Series for Commercial Television
    Dana Gonzales, ASC for Legion “Chapter 20”
    C. Kim Miles, CSC, MySC for Project Blue Book “The Flatwoods Monster”
    Polly Morgan, ASC, BSC for Legion “Chapter 23”
    Peter Robertson, ISC for Vikings “Hell”
    David Stockton, ASC for Gotham “Ace Chemicals”

    Spotlight Award
    Jarin Blaschke for The Lighthouse
    Natasha Braier, ASC, ADF for Honey Boy
    Jasper Wolf, NSC for Monos

    ASC International Award:
    Bruno Delbonnel, ASC, AFC

    ASC Lifetime Achievement Award
    Frederick Elmes, ASC

    Cinema Audio Society (CAS):

    Motion Picture — Live Action
    “Ford v Ferrari”
    “Joker”
    “Once Upon a Time in… Hollywood”
    “Rocketman”
    “The Irishman”

    Motion Picture — Animated
    “Abominable”
    “Frozen II”
    “How to Train Your Dragon: The Hidden World”
    “The Lion King”
    “Toy Story 4”

    Motion Picture — Documentary
    “Apollo 11”
    “Echo in the Canyon”
    “Making Waves: The Art of Cinematic Sound”
    “Miles Davis: Birth of the Cool”
    “Woodstock: 3 Days That Changed Everything”

    Television Series — 1 hour
    “Game of Thrones: The Bells”
    “Peaky Blinders: Mr. Jones”
    “Stranger Thing: Chapter Eight: The Battle of Starcourt”
    “The Handmaid’s Tale: Heroic”
    “Tom Clancy’s Jack Ryan: Persona Non Grata”

    Television Series — 1/2 hour
    “Barry: ronny/lily”
    “Fleabag: Episode #2.6”
    “Modern Family: A Year of Birthdays”
    “Russian Doll: The Way Out”
    “Veep: Veep Episode 707”

    Television Movie or Limited Series
    “Apollo: Missions to the Moon”
    “Chernobyl: 1:23:45” — Winner
    “Deadwood: The Movie”
    “El Camino: A Breaking Bad Movie”
    “True Detective: The Great War and Modern Memory”

    Television Non-Fiction, Variety or Music Series or Specials
    “Country Music: Will the Circle Be Unbroken? (1968-1972)”
    “David Bowie: Finding Fame”
    “Deadliest Catch: Sixty Foot Monster Episode 1512”
    “Formula 1: Drive to Survive: The Next Generation”
    “Hitsville: The Making of Motown”