Category: Others

  • Venice 2021: ‘Happening’, ‘The Power of the Dog’, ‘The Hand of God’ Win Big

    Venice 2021: ‘Happening’, ‘The Power of the Dog’, ‘The Hand of God’ Win Big

    VENICE FILM FESTIVAL JURY AWARDS

    Golden Lion for Best Film: “Happening,” Audrey Diwan
    Silver Lion (Grand Jury Prize): “The Hand of God,” Paolo Sorrentino
    Silver Lion for Best Director: Jane Campion, “The Power of the Dog”
    Coppa Volpi for Best Actor: John Arcilla, “On the Job: The Missing 8”
    Coppa Volpi for Best Actress: Penelopé Cruz, “Parallel Mothers”
    Award for Best Screenplay: “The Lost Daughter,” Maggie Gyllenhaal
    Special Jury Prize: “Il Buco,” Michelangelo Frammartino
    Marcello Mastroianni Award for Best New Young Actor or Actress: Filippo Scotti, “The Hand of God”

    These are the main awards at the Venice Film Festival and as you can see the chances of films like ‘The Hand of God’, ‘The Power of the Dog’, ‘Parallel Mothers’, ‘The Lost Daughter’, and ‘Happening’ have increased as a result.

    Though I don’t see this year’s Golden Lion winner happening (pun fully intended) in Picture, four of the last five Golden Lion winners were nominated for Best Picture and two of those were Best Picture winners (Nomadland, The Shape of Water). It’s peak seems to be an International Feature nod (that is if the French academy even picks it which it might not). ‘The Hand of God’ seems like it is more accessible of a film and while it only has a 71% Rotten Tomatoes score right now the fact that it won what is essentially the second-place award at Venice shows that there definitely is support for it.

    Campion likely won the first award on her journey towards a Best Director win in March. The fact that ‘The Power of the Dog’ won a top-tier award at Venice continues to cement its place as the closest thing to a lock this race has.

    I’m also happy to report that Penelope Cruz increased her chances of receiving a Best Actress nomination with her win here. She was already in the Best Actress predictions of many but now her chances seem a lot more concrete. Almodovar’s film will probably not get any other nominations outside of Cruz and International Feature (though Original Screenplay and Director are not crazy possibilities).

    ‘The Lost Daughter’ winning in Screenplay is probably the biggest surprise of the awards. With this award, the film has definitely cemented its place as one of Netflix’s top four priorities this season. Netflix is poised to have 2-4 Best Picture nominees this year with the expanded slate so The Lost Daughter could be seeing a significant push. I definitely have it in my Adapted Screenplay nominations (I added it to my predictions after its Telluride premiere). The reviews are there (it has an 89 Metascore right now) so it could maybe hit Picture, Actress (Olivia Colman), and/or Supporting Actress (Jessie Buckley or Dakota Johnson) in addition to Screenplay if Netflix puts some focus on it.

    Here are the other awards from this year’s Venice Film Festival:

    Orizzonti Award for Best Film: “Pilgrims,” Laurynas Bareisa
    Orizzonti Award for Best Director: Eric Gravel, “A plein temps”
    Special Orizzonti Jury Prize: “El Gran Movimento,” Kiro Russo
    Orizzonti Award for Best Actor: Piseth Chhun, “White Building”
    Orizzonti Award for Best Actress: Laure Calamy, “A plein temps”
    Orizzonti Award for Best Screenplay: “107 Mothers,” Peter Kerekes, Ivan Ostrochovsky
    Orizzonti Award for Best Short Film: “Los Huesos,” Cristobal Leon, Joaquin Cocina

    Lion of the Future – “Luigi De Laurentiis” Award for a Debut Film: “Imaculat,” Monica Stan, George Chiper-Lillemark

    Grand Jury Prize for Best VR Work: “Goliath: Playing With Reality,” Barry Gene Murphy, May Abdalla
    Best VR Experience for Interactive Content: “Le bal de Paris de Blanca Li,” Blanca Li
    Best VR Story: “End of Night,” David Adler

    Source: The Wrap

  • Telluride 2021 Recap

    Telluride 2021 Recap

    As Telluride wraps up, let’s review the Oscar chances of some of the films exiting the festival.

    Belfast

    After The Power of the Dog, Belfast is the Telluride film that I believe has the best chance of receiving a Best Picture nomination. Kenneth Branagh’s newest is a sentimental autobiographical portrait of the Troubles and the director’s burgeoning love of cinema. The central actor Jude Hill who plays the young Buddy has probably been the most acclaimed of the cast, yet his status as a child actor will probably keep him from being nominated. Caitrona Balfe, Jamie Dornan, Judi Dench, and Ciaran Hinds have all received positive notices but I think Balfe will be the one to rise above the pack and get a nomination. As it is a period film shot in mostly black and white so it’ll probably receive some tech nominations as well.

    The film does seem a little maudlin and oversentimental but I see it having a good chance of getting into the 10 film lineup at this point.

    Predicted nominations: Best Picture, Best Supporting Actress – Caitrona Balfe, Best Original Screenplay, Best Cinematography, Best Production Design

    Maybes: Best Director, Best Supporting Actress – Judi Dench, Best Editing, Best Costume Design

    C’mon C’mon

    Mike Mills has also come out with a black and white film centering around a child, yet his film couldn’t be more different. According to reviews, Joaquin Phoenix gives a subtle and poignant performance as a radio journalist talking to his nephew about the future. The film will probably be too indie for a Best Picture nomination and while I don’t think either is going to happen, both Phoenix and Mills could possibly receive nominations for their work on the film.

    Predicted Nominations: N/A

    Maybes: Best Actor – Joaquin Phoenix, Best Original Screenplay

    Cyrano

    This film coming from the director of Darkest Hour and Atonement, both Best Picture nominees in their respective years. However, Cyrano will likely not be his next. While the film has received mostly positive reviews, there doesn’t seem to be much passion for it. Peter Dinklage seems to be the obvious standout from the cast and the costume and production design of this musical have also been acclaimed. However, I really don’t see this getting near the Oscars outside of the below-the-line categories.

    Predicted Nominations: Best Production Design, Best Costume Design

    Maybes: Best Actor – Peter Dinklage, Best Cinematography, Best Makeup and Hairstyling

    The Electrical Life of Louis Wain

    Like Cyrano, this Benedict Cumberbatch-led film is also a period piece that I don’t think will get good enough reviews to get into Best Picture. However, I can see it possibly getting a runner-up spot at the TIFF People’s Choice Awards and if it does watch out as it may be a major crowdpleaser that get into the slate based on audience support. However, until Toronto happens, I think this is restricted to a Costume Design nod and maybe a Production Design nomination as well.

    Predicted Nominations: Best Costume Design

    Maybes: Best Production Design

    The Hand of God

    This is a film that I was predicting in Best Picture just a few days prior to its premiere and while I think that it’s still in the top 15 in that category, the film’s 77% Rotten Tomatoes and 76 Metascore are not as great as I was expecting them to be. Still, the film has some very passionate supporters and the criticisms of it seem like aspects that might actually make it more accessible to AMPAS. Anyway, I definitely do think its essentially locked for an International Feature nod.

    Predicted Nominations: Best International Feature

    Maybes: Best Picture, Best Director, Best Original Screenplay, Best Cinematography

    A Hero

    A Hero might be one of the biggest question marks for me. It still has a 100% Rotten Tomatoes meaning that everybody believes it to be a good film but it doesn’t seem to be eliciting the kind of passion from critics that I hoped it would. I definitely still think it will be nominated in International Feature but my hopes for it to be nominated in any above-the-line categories like Original Screenplay, Director, or even Picture have to be put on hold until we know how strong Amazon’s campaign for it will be.

    Predicted Nominations: Best International Feature

    Maybes: Best Picture, Best Director, Best Original Screenplay

    King Richard

    Until, this film premiered I was very worried about Will Smith’s chances in Best Actor. Films like Concussion and Collateral Beauty were visibly made with an Oscar nomination in mind yet both were not very well-received and ended up forgotten by nomination morning. I hoped that King Richard would not end up in the same boat and if early reactions are any indication the film has actually exceeded the expectations of many. According to reviews, Will Smith has delivered one of the best performances of his career (‘Moonlight’ director Barry Jenkins said Smith’s performance is up there with his work in ‘Ali’) in a feel-good crowdpleaser that celebrates Black excellence. Some even have it penciled in for a Best Picture nod.

    Predicted Nominations: Best Actor – Will Smith

    Maybes: Best Picture, Best Supporting Actress – Aunjanue Ellis, Best Original Screenplay

    The Lost Daughter

    This Maggie Gylenhaal-directed feature has a fantastic cast (Olivia Colman, Jessie Buckley, Dakota Johnson, and Peter Sarsgaard) and has been received very positively so far so why hasn’t it garnered much buzz? Well, it is slightly edgier drama and one of the many films on Netflix’s slate this year. However, if the reviews for this film continue to be stellar then I do see Netflix making a push for the film for its actresses and for a screenplay nomination. Adapted Screenplay seems like the film’s best chance as the film might end up being too small in the actress categories if Netflix doesn’t promote it enough.

    Predicted Nominations: Best Adapted Screenplay

    Maybes: Best Actress – Olivia Colman, Best Supporting Actress – Jessie Buckley

    The Power of the Dog

    As I mentioned in my latest post, The Power of the Dog is easily this season’s closest thing to a surefire lock in the Best Picture nomination race. It’s received fantastic reviews and I would be surprised if it doesn’t rack up any Oscar wins in March. Unless something undeniable emerges later in the season, Jane Campion will likely become the third female Best Director winner. Maybe I’m getting really ahead of myself but I’m just happy that there is a film that I can have confidence in as there are a couple that I had a lot of expectations for and did not really meet those, admittedly high expectations review-wise (Dune, Last Night in Soho, and The Hand of God are some major examples).

    As I have said before, the reviews for this film are glowing. Benedict Cumberbatch, Kirsten Dunst, and Kodi Smit-McPhee seem to be the standouts and Plemons might get in as well.

    Predicted Nominations: Best Picture, Best Director, Best Actor – Benedict Cumberbatch, Best Supporting Actress – Kirsten Dunst, Best Supporting Actor – Kodi Smit-McPhee, Best Adapted Screenplay, Best Cinematography, Best Production Design, Best Original Score

    Maybes: Best Supporting Actor – Jesse Plemons, Best Editing, Best Costume Design

    Spencer

    Another film with a seemingly-locked nomination, Spencer’s central performance has been lauded as the best of Kristen Stewart’s career. This Pablo Larrain film, even though it is supposed to be more accessible than the director’s previously-nominated feature ‘Jackie’, doesn’t seem like it will be accessible enough for a Best Picture nomination. It seems to be particularly alienating some British critics who may not be reacting well to the film’s depiction of the royal family (if anything that makes me more intrigued to watch it).

    Predicted Nominations: Best Actress – Kristen Stewart, Best Costume Design, Best Original Score, Best Production Design

    Maybes: Best Director, Best Cinematography, Best Makeup and Hairstyling

  • Golden Globe Nominations Announcement Aftermath

    Golden Globe Nominations Announcement Aftermath

    Finally, one of the most significant precursors in the Oscar race released its nominations.

    First and foremost, the pool of films that might be nominated has increased to 12 from the 10 that the AFI released last week. Now the list is: Da 5 Bloods, Judas and the Black Messiah, Mank, Ma Rainey’s Black Bottom, Minari, Nomadland, One Night in Miami, Soul, Sound of Metal, The Trial of the Chicago 7, and now The Father and Promising Young Woman. We’ll find out on February 7th (Super Bowl Sunday) if Critics’ Choice adds anything to this list.

    A stat that I want to mention is that no Best Picture winner in at least the last 10 years has won the award without being at least nominated for a Picture award, Best Director, and Best Screenplay at the Golden Globes. This year, four films fit that criteria: Mank, Nomadland, Promising Young Woman, and The Trial of the Chicago 7.

    Stats tell us that these are the four films that can win Best Picture. Another stat, every Best Picture-winning film in at least the last ten years has been chosen as either one of the AFI’s Top 10 or as the recipient of their Special Award. Promising Young Woman is the only film that fails in this criteria.

    Mank wasn’t received too warmly so we’ree back to where we started a race between Nomadland and The Trial of the Chicago 7.