Tag: Oscars

  • Pre-DGA Oscar Predictions

    Pre-DGA Oscar Predictions

    The Directors Guild of America, American Society of Cinematographers, Cinema Audio Society, USC Scripter, and Annie awards will all be announced this weekend.

    Now, these are very influential precursors in their respective categories, and could turn the tide (especially DGA) of the race.

    Out of these precursors, the Directors Guild of America shares the most membership with the academy and if something like Parasite wins here, that film will pick up a little bit more steam on its road to Best Picture. Still, I predict Sam Mendes for 1917 winning here as his film seems like more of a “directing” film.

    Here are my predictions:

    BEST PICTURE

    1917

    Parasite

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    Jojo Rabbit

    Marriage Story

    Little Women

    Ford v Ferrari

    Three films, 1917, Parasite, and Once Upon a Time in Hollywood, all have good chances of winning Best Picture at the Oscars. 1917 has PGA and Golden Globe, Parasite has SAG (not eligible for the Drama and Comedy Golden Globe categories as it is a foreign film), and Once Upon a Time in Hollywood has CCA and Golden Globe. PGA is the most predictive of these precursors, which is why 1917 is the frontrunner. BAFTA should tell us who is not going to win Best Picture (Seriously, they’ve been 0 for 5 the last 5 years, even though they were 6 for 6 the years before that), while DGA and WGA should give us an indication of where the Academy could be leaning.

    DIRECTOR

    Sam Mendes – 1917

    Bong Joon-Ho – Parasite

    Quentin Tarantino – Once Upon a Time in Hollywood

    Martin Scorsese – The Irishman

    Todd Phillips – Joker

    This award really comes down to DGA, if Bong Joon-Ho wins there he still has a chance to win Best Director at the Oscars (like Alejandro G. Inarittu for Birdman), but if he does not Sam Mendes will win. Mendes has the Golden Globe, the Critics’ Choice award (he tied with Bong Joon-Ho at CCA), so he is the frontrunner.

    ACTOR

    Joaquin Phoenix – Joker

    Adam Driver – Marriage Story

    Leonardo DiCaprio – Once Upon a Time in Hollywood

    Antonio Banderas – Pain and Glory

    Jonathan Pryce – The Two Popes

    These acting categories are essentially set in stone as all four have won awards at the Golden Globes, CCA, and SAG. However, if BAFTA does something crazy their might be chance for movement.

    ACTRESS

    Renee Zellweger – Judy

    Scarlett Johansson – Marriage Story

    Charlize Theron – Bombshell

    Saoirse Ronan – Little Women

    Cynthia Erivo – Harriet

    Renee Zellweger is locked here, and I can not see her losing BAFTA

    SUPPORTING ACTOR

    Brad Pitt – Once Upon a Time in Hollywood

    Joe Pesci – The Irishman

    Tom Hanks – A Beautiful Day in the Neighborhood

    Al Pacino – The Irishman

    Anthony Hopkins – The Two Popes

    Brad Pitt is going to sweep everything and win his first acting Oscar (he won for producing 12 Years a Slave).

    SUPPORTING ACTRESS

    Laura Dern – Marriage Story

    Margot Robbie – Bombshell

    Florence Pugh – Little Women

    Scarlett Johansson – Jojo Rabbit

    Kathy Bates – Richard Jewell

    This will probably be Marriage Story’s only Oscar, and Laura Dern will win her first Oscar.

    ORIGINAL SCREENPLAY

    Once Upon a Time in Hollywood

    Parasite

    Marriage Story

    1917

    Knives Out

    I think that Parasite is going to win WGA and Once Upon a Time in Hollywood BAFTA. And if this happens, Parasite winning Best Original Screenplay will probably mean it will win Best Picture as well.

    ADAPTED SCREENPLAY

    Little Women

    The Irishman

    Jojo Rabbit

    Joker

    The Two Popes

    This film usually has gone to films that will not win any other awards in other categories. The problem is that Little Women (maybe Costume Design), Jojo Rabbit, and The Irishman all look like that at this point. But since Little Women did win at CCA and has had a groundswell of support at the perfect time, it should win.

    ANIMATED FEATURE

    Toy Story 4

    Missing Link

    Klaus

    I Lost My Body

    How To Train Your Dragon: The Hidden World

    Toy Story 4 should win this even though Missing Link did surprise at the Golden Globes. Toy Story 4 did win PGA and CCA, which are better indicators. I think Klaus has more support than I Lost My Body and I believe it has a chance to be the dark horse in this race.

    PRODUCTION DESIGN

    Once Upon a Time in Hollywood

    1917

    Parasite

    The Irishman

    Jojo Rabbit

    Once Upon a Time in Hollywood won the CCA for this category and Barbara Ling and Nancy Haigh’s recreation of 1969 Los Angeles should be too much to turn down for Oscar voters.

    CINEMATOGRAPHY

    1917

    Once Upon a Time in Hollywood

    The Irishman

    Joker

    The Lighthouse

    I can not see how anybody else other than 1917’s Roger Deakins can win this. Maybe Onc… no Deakins is getting his Oscar.

    COSTUME DESIGN

    Little Women

    Once Upon a Time in Hollywood

    Jojo Rabbit

    The Irishman

    Joker

    Once Upon a Time in Hollywood and Little Women could both win this. Production and costume design usually go hand and hand at the Oscars (3 of the last 5 Oscars had the same winner in these categories), but this seems like 2017 when La La Land won Production Design and Fantastic Beasts and Where To Find Them won Costume Design. “Hollywood” has flashier costumes than La La Land did, but Little Women has the turn of the century period costumes that this branch loves.

    FILM EDITING

    Ford v Ferrari

    Parasite

    Joker

    Jojo Rabbit

    The Irishman

    This branch loves quick cuts and films that you know will be high-adrenaline coming in to the theater. I believe that Ford v Ferrari will win BAFTA and then take this at the Oscars. But if Parasite or Joker wins BAFTA, the film that wins will probably win.

    MAKEUP AND HAIRSTYLING

    Bombshell

    Joker

    Judy

    1917

    Maleficent: Mistress of Evil

    Bombshell should win this as it uses makeup well on multiple characters and not just one like Judy and Joker.

    SOUND MIXING

    1917

    Ford v Ferrari

    Once Upon a Time in Hollywood

    Joker

    Ad Astra

    1917 or Ford v Ferrari have very high chances of winning the sound categories, which is why I think they will split them. I’m looking at 2017 when Hacksaw Ridge won Sound Mixing, but Arrival won Sound Editing. This year’s war film, 1917, should follow the same pattern and win Sound Mixing while Ford v Ferrari will win Sound Editing.

    SOUND EDITING

    Ford v Ferrari

    1917

    Joker

    Star Wars: The Rise of the Skywalker

    Once Upon a Time in Hollywood

    VISUAL EFFECTS

    The Lion King

    Avengers: Endgame

    The Irishman

    Star Wars: The Rise of Skywalker

    1917

    The Lion King could follow The Jungle Book and win with its portrayal of photorealistic animals in a photorealistic environment. Avengers: Endgame or The Irishman could also win this.

    ORIGINAL SCORE

    Joker

    1917

    Little Women

    Star Wars: The Rise of Skywalker

    Marriage Story

    Hildur Guonadottir should win her first Oscar on her first nomination for her haunting work on Joker as she has won the Golden Globe and Critics Choice awards. Still, this is Thomas Newman’s fifteenth Oscar nomination, and he has not ever won. Is soaring score for 1917 could give him the win.

    ORIGINAL SONG

    Rocketman

    Harriet

    Frozen 2

    Breakthrough

    Toy Story 4

    Rocketman has won the Golden Globe and CCA awards in this category and is showing no signs of stopping.

    DOCUMENTARY FEATURE

    American Factory

    Honeyland

    For Sama

    The Cave

    The Edge of Democracy

    While American Factory is the frontrunner, Honeyland and For Sama pose very realistic threats. I think For Sama actually has a better chance than what most are thinking, but its lack of DGA and CCA nominations is slightly troubling.

    ANIMATED SHORT

    Hair Love

    Kitbull

    Sister

    Daughter (Dcera)

    Memorable

    I saw and Kitbull and Hair Love and even though Kitbull is a Pixar product, Kitbull was too simple for me. It was a great short film, but Hair Love had multiple layers and that created a more emotional reaction.

    DOCUMENTARY SHORT

    Learning to Skateboard in a Warzone (If You’re a Girl)

    In the Absence

    St. Louis Superman

    Walk Run Cha-Cha

    Life Overtakes Me

    LIVE-ACTION SHORT

    Brotherhood

    Nefta Football Club

    A Sister

    The Neighbor’s Window

    Saria

    You can watch the shorts here:

     

  • OSCAR NOMINATIONS ARE RELEASED!

    OSCAR NOMINATIONS ARE RELEASED!

    Joker leads with 11, Once Upon a Time in Hollywood, 1917, The Irishman all had 10. (This year is actually the record for most films with over 10 nominations). Jojo Rabbit, Little Women, Marriage Story, and Parasite each got 6 nods as well.

    I’ll get into the specifics of these nominations and what they mean in a later post.

    But for now, here they are!

    BEST PICTURE

    “Ford v Ferrari” – Producers: Peter Chernin, Jenno Topping and James Mangold (Walt Disney)
    “The Irishman” – Producers: Martin Scorsese, Robert De Niro, Jane Rosenthal and Emma Tillinger Koskoff (Netflix)
    “Jojo Rabbit” – Producers: Carthew Neal and Taika Waititi (Fox Searchlight)
    “Joker” – Producers: Todd Phillips, Bradley Cooper and Emma Tillinger Koskoff (Warner Bros.)
    “Little Women” – Producers: Amy Pascal (Sony Pictures)
    “Marriage Story” – Producers: Noah Baumbach and David Heyman (Netflix)
    “1917” – Producers: Sam Mendes, Pippa Harris, Jayne-Ann Tenggren and Callum McDougall (Universal/Amblin)
    “Once Upon a Time…in Hollywood” – Producers: David Heyman, Shannon McIntosh and Quentin Tarantino (Sony Pictures)
    “Parasite” – Producers: Kwak Sin Ae and Bong Joon Ho (Neon)

    BEST DIRECTOR

    Martin Scorsese – “The Irishman”
    Todd Phillips – “Joker”
    Sam Mendes – “1917”
    Quentin Tarantino – “Once Upon a Time in Hollywood”
    Bong Joon Ho – “Parasite”

    BEST ACTOR

    Antonio Banderas  – “Pain and Glory”
    Leonardo DiCaprio – “Once Upon a Time…in Hollywood”
    Adam Driver – “Marriage Story”
    Joaquin Phoenix – “Joker”
    Jonathan Pryce – “The Two Popes”

    BEST ACTRESS

    Cynthia Erivo – “Harriet”
    Scarlett Johansson – “Marriage Story”
    Saoirse Ronan – “Little Women”
    Charlize Theron – “Bombshell”
    Renée Zellweger – “Judy”

    BEST SUPPORTING ACTOR

    Tom Hanks – “A Beautiful Day in the Neighborhood”
    Anthony Hopkins – “The Two Popes”
    Al Pacino – “The Irishman”
    Joe Pesci – “The Irishman”
    Brad Pitt – “Once Upon a Time…in Hollywood”

    BEST SUPPORTING ACTRESS

    Kathy Bates – “Richard Jewell”
    Laura Dern – “Marriage Story”
    Scarlett Johansson – “Jojo Rabbit”
    Florence Pugh – “Little Women”
    Margot Robbie – “Bombshell”

    BEST ADAPTED SCREENPLAY

    “The Irishman” – Steven Zaillian
    “Jojo Rabbit” – Taika Waititi
    “Joker” – Todd Phillips & Scott Silver
    “Little Women” – Greta Gerwig
    “The Two Popes” – Anthony McCarten

    BEST ORIGINAL SCREENPLAY

    “Knives Out” – Rian Johnson
    “Marriage Story” – Noah Baumbach
    “1917” – Sam Mendes & Krysty Wilson-Cairns
    “Once Upon a Time…in Hollywood” – Quentin Tarantino
    “Parasite” – Bong Joon Ho, Han Jin Won

    BEST FILM EDITING

    “Ford v Ferrari” – Michael McCusker and Andrew Buckland
    “The Irishman” – Thelma Schoonmaker
    “Jojo Rabbit” – Tom Eagles
    “Joker” – Jeff Groth
    “Parasite” – Yang Jinmo

    BEST CINEMATOGRAPHY

    “The Irishman” – Rodrigo Prieto
    “Joker” – Lawrence Sher
    “The Lighthouse” – Jarin Blaschke
    “1917” – Roger Deakins
    “Once Upon a Time…in Hollywood” – Robert Richardson

    BEST PRODUCTION DESIGN

    “The Irishman” – Bob Shaw, Regina Graves
    “Jojo Rabbit” – Ra Vincent, Nora Sopková
    “1917” – Dennis Gassner, Lee Sandales
    “Once Upon a Time…in Hollywood” – Barbara Ling, Nancy Haigh
    “Parasite” – Lee Ha Jun, Cho Won Woo

    BEST COSTUME DESIGN

    “The Irishman” – Sandy Powell and Christopher Peterson
    “Jojo Rabbit” – Mayes C. Rubeo
    “Joker” – Mark Bridges
    “Little Women” – Jacqueline Durran
    “Once Upon a Time…in Hollywood” – Arianne Phillips

    BEST ORIGINAL SCORE

    “Joker” – Hildur Guðnadóttir
    “Little Women” – Alexandre Desplat
    “Marriage Story” – Randy Newman
    “1917” – Thomas Newman
    “Star Wars: The Rise of Skywalker” – John Williams

    BEST ORIGINAL SONG

    “I Can’t Let You Throw Yourself Away” from “Toy Story 4” – Randy Newman (Walt Disney)
    “(I’m Gonna) Love Me Again” from “Rocketman” – Elton John and Bernie Taupin (Paramount)
    “I’m Standing With You” from “Breakthrough” – Diane Warren (Disney)
    “Into The Unknown” from “Frozen II” Kristen Anderson-Lopez and Robert Lopez (Walt Disney)
    “Stand Up” from “Harriet” – Joshuah Brian Campbell and Cynthia Erivo (Focus Features)

    BEST SOUND EDITING

    “Ford v Ferrari” – Donald Sylvester
    “Joker” – Alan Robert Murray
    “1917” – Oliver Tarney and Rachael Tate
    “Once Upon a Time…in Hollywood” – Wylie Stateman
    “Star Wars: The Rise of Skywalker” – Matthew Wood and David Acord

    BEST SOUND MIXING

    “Ad Astra” – Gary Rydstrom, Tom Johnson and Mark Ulano
    “Ford v Ferrari” – Paul Massey, David Giammarco and Steven A. Morrow
    “Joker” – Tom Ozanich, Dean Zupancic and Tod Maitland
    “1917” – Mark Taylor and Stuart Wilson
    “Once Upon a Time…in Hollywood” – Michael Minkler, Christian P. Minkler and Mark Ulano

    BEST MAKEUP AND HAIRSTYLING

    “Bombshell” – Kazu Hiro, Anne Morgan and Vivian Baker
    “Joker” – Nicki Ledermann and Kay Georgiou
    “Judy” – Jeremy Woodhead
    “Maleficent: Mistress of Evil” – Paul Gooch, Arjen Tuiten and David White
    “1917” – Naomi Donne, Tristan Versluis and Rebecca Cole

    BEST VISUAL EFFECTS

    “Avengers: Endgame” – Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick (Walt Disney)
    “The Irishman” – Pablo Helman, Leandro Estebecorena, Nelson Sepulveda-Fauser and Stephane Grabli (Netflix)
    “The Lion King” – Robert Legato, Adam Valdez, Andrew R. Jones and Elliot Newman (Walt Disney)
    “1917” – Guillaume Rocheron, Greg Butler and Dominic Tuohy (Universal/Amblin)
    “Star Wars: The Rise of Skywalker” – Roger Guyett, Neal Scanlan, Patrick Tubach and Dominic Tuohy (Walt Disney)

    BEST ANIMATED FEATURE

    “How to Train Your Dragon: The Hidden World” – Dean DeBlois, Bradford Lewis and Bonnie Arnold (Universal)
    “I Lost My Body” – Jérémy Clapin and Marc du Pontavice (Netflix)
    “Klaus” – Sergio Pablos, Jinko Gotoh and Marisa Román (Netflix)
    “Missing Link” – Chris Butler, Arianne Sutner and Travis Knight (United Artists)

    “Toy Story 4” – Josh Cooley, Mark Nielsen and Jonas Rivera (Walt Disney)

    DOCUMENTARY FEATURE

    “American Factory” – Steven Bognar, Julia Reichert and Jeff Reichert (Netflix)
    “The Cave” – Feras Fayyad, Kirstine Barfod and Sigrid Dyekjær (National Geographic)
    “The Edge of Democracy” – Petra Costa, Joanna Natasegara, Shane Boris and Tia

    go Pavan (Netflix)
    “For Sama” – Waad al-Kateab and Edward Watts (PBS/Channel 4/Frontline)
    “Honeyland” – Ljubo Stefan (Neon)

    BEST INTERNATIONAL FEATURE FILM

    “Corpus Christi” – Poland
    “Honeyland” – North Macedonia
    “Les Misérables” – France
    “Pain and Glory” – Spain
    “Parasite” – South Korea

    BEST ANIMATED SHORT

    “Dcera (Daughter)” – Daria Kashcheeva
    “Hair Love” – Matthew A. Cherry and Karen Rupert Toliver
    “Kitbull” – Rosana Sullivan and Kathryn Hendrickson
    “Memorable” – Bruno Collet and Jean-François Le Corre
    “Sister” – Siqi Song

    DOCUMENTARY SHORT SUBJECT

    “In the Absence” – Yi Seung-Jun and Gary Byung-Seok Kam
    “Learning to Skateboard in a Warzone (If You’re a Girl)” – Carol Dysinger and Elena Andreicheva
    “Life Overtakes Me” – John Haptas and Kristine Samuelson
    “St. Louis Superman” – Smriti Mundhra and Sami Khan
    “Walk Run Cha-Cha” – Laura Nix and Colette Sandstedt

    BEST LIVE ACTION SHORT

    “Brotherhood” – Meryam Joobeur and Maria Gracia Turgeon
    “Nefta Football Club” – Yves Piat and Damien Megherbi
    “The Neighbors’ Window” – Marshall Curry
    “Saria” – Bryan Buckley and Matt Lefebvre
    “A Sister” – Delphine Girard